Double Image

14

“I NEED A ROOM.”

The motel clerk straightened. “My God, what happened to you?”

Coltrane could barely hear him. “I had a skiing accident.”

“Man, you look like you ran into a tree.”

“Another skier.”

“Does he look as messed up as you?”

“He never got a scratch.”

15

THE ROOM WAS SPARTAN BUT CLEAN – a small bed, a nineteen-inch television, a plastic ice bucket. Coltrane barely noticed. All he cared about was locking the door behind him, going over to the window, opening the draperies, and satisfying himself that traffic was vividly close. The motel was on Big Bear’s outskirts, close to the road that Walt would have to use to drive into town. With the glare of headlights, Coltrane knew that he had little chance of recognizing Walt’s Mountaineer if it went past tonight, but tomorrow would be another matter.

He picked up the phone and called Big Bear information, his ears still ringing so badly that he had trouble hearing the operator. “Do you have a listing for Natasha Adler?… How about Walt Halliday?”

He used a pencil and notepad on the bedside table to write down the number.

The phone on the other end rang five times. Maybe they’re out, he thought.

“Hello?” Tash’s throaty voice made Coltrane feel pressure in his chest.

“Just help me understand! Tell me why-”

Click.

Coltrane frantically pressed the numbers again.

The phone was picked up halfway through the first ring.

“You’re going to be very sorry about this,” Walt said.

The co

Coltrane pressed the numbers again, but this time, all he heard was the pulsing beep of a busy signal. He called every ten minutes and continued to hear it.

16

THE DAY WAS CLEAR AND BRIGHT. In his chair, Coltrane stared out the window, traffic close enough for him to read license plates. Wrappers from sandwiches that he had picked up the night before littered the floor around him. Using the television as radio, he heard the CNN anchors tell him about a famine in Africa, an explosion at a school in Northern Ireland, a mass murder in Germany, an oil spill in the Gulf of Mexico, and mysterious deformities in frogs all over the world. Yeah, things are tough, he thought, never taking his gaze from the window.

The Mountaineer passed Coltrane’s window just after four in the afternoon, Walt’s big-boned no-nonsense face behind the steering wheel, Tash next to him. Coltrane sprang to his feet and grabbed his ski jacket. His car was directly outside the door of his motel room. Thirty seconds later, staying far enough back to hide in traffic, he again had the Mountaineer in sight.

It parked at the post office, but both Tash and Walt went into the building, so Coltrane lost that chance to speak to Tash alone. They came out and drove to a hardware store, both entering. Another lost chance. They drove to the parking lot of a duplex movie theater, bought tickets, and went in. After giving them time to get settled, he bought a ticket for Meg Ryan’s newest film, but when he sat in the back, he didn’t see any profiles that resembled Tash’s and Walt’s, so he went out, pretended to use the bathroom, ducked into Tom Cruise’s latest, and saw them almost at once.

They were on the aisle, about halfway down on his right. At this hour on a weekday, there were plenty of seats available. Choosing one in the middle at the back, Coltrane watched them watch the movie. They ate popcorn and sipped from straws in paper cups. They leaned toward each other and whispered. Totally focused on their silhouettes, Coltrane had no idea what was happening on the screen.

But despite his concentration on Tash, she almost caught him by surprise when she stood and came up the aisle. He slid down just in time to avoid being noticed. A light haloed her as she opened the door and went out to the lobby. Immediately, Coltrane exited through the door on the other aisle, but not in time to intercept her as she walked down a corridor next to the door she had used and entered a door at the end marked WOMEN.

Coltrane stalled by buying popcorn. He stalled longer by going into the corridor and lingering over a water fountain next to the men’s room. He pretended to show interest in posters for coming attractions. He turned as the door to the women’s room opened and Tash came out.

She froze.

“Just give me an explanation,” Coltrane said.

She stepped back, trying to escape into the women’s room, but Coltrane grabbed her arm. “What changed? Why did you-”

“Let go of me.”

“How can everything suddenly be so different?”

“You’re hurting my arm.”

“Just tell me why-”

“You heard the lady,” a gravelly voice said. “You’re hurting her arm. Let go of it.”

Coltrane swung toward the right, where a broad, burly man in a San Bernardino County sheriff’s uniform stood in the open door to the men’s room. The man’s face had the grain of weathered barn board. His hand was on his nightstick.

“I…”

“One more time – take your hand off her arm.”

Coltrane did. Movement in the lobby attracted his attention, a door opening, Walt coming out. Walt stopped and crossed his arms, not at all surprised by the scene that faced him.

“This was a setup?” Coltrane pivoted toward Tash, raising his voice. “Christ, all you had to do was explain to me and-”

“Mr. Coltrane,” the sheriff said. The use of the name eliminated any doubt that the sheriff was here by coincidence. “California’s antistalking law-”

“Antistalking law? What are you talking about? I’ve got a right to speak to this woman. I’ve got a right to know why-”

“-stipulates that for a crime to be committed a victim must be willfully, maliciously, and repeatedly harassed. After your intrusion on Ms. Adler last night, your numerous unwelcome phone calls, and the behavior I just witnessed, I’d say that you’re perilously close to inviting me to arrest you.”

The theater’s ticket taker and its popcorn seller peered nervously around a corner.

“But Ms. Adler is reluctant to take the matter to that level. She tells me she wants to avoid trouble. She won’t make a formal complaint. I think she’s wrong. I think she’s already got trouble. I think you’re the trouble she had when she was living in Malibu. I think the only way to get rid of that trouble is for me to put you under arrest. If the state of California leans on you, believe me, you’ll wish to God you’d never leaned on this woman.”

“But…” Coltrane felt light-headed with confusion. “I’m not a stalker.”

Aren’t you? a part of him thought. How else would you describe what you’ve been doing? You’ve become your father.

He felt sick.

“So this is the deal I’m going to offer you,” the sheriff said. “Get out of Big Bear and never come back. If I see you here again, I’ll arrest you for the assault I just witnessed. At a minimum. Because next time, I’m willing to bet, Ms. Adler won’t be so generous about not pressing charges. Leave town. Now.”

Coltrane looked at Tash. “Okay, damn it, if you don’t want me to have anything to do with you, I’m out of here. Forget about why you made me think there was something special between us. Forget about how you lied.”

“Mr. Coltrane.”

“Just tell me one thing. What happened to the photographs? How did the negatives disappear from my house?”

“What photographs? Negatives?” Tash shook her head. “I don’t know what you mean.”

“Of Duncan Reynolds.”

“Who?”

“Jesus,” Coltrane said, “you are some piece of work. I don’t know what game you’re playing, but I’m not going to be a part of it anymore.”

“Mr. Coltrane.” The sheriff’s tone was filled with warning.

“Don’t worry, I’m leaving. I finally got my mind straight. Go to hell, Tash. You’re not worth it.”