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What happens next? God brings the Animals before Man, “to see what he would call them.” But why didn’t God already know what names Adam would choose? The answer can only be that God has given Adam free will, and therefore Adam may do things that God Himself ca
God must have caused the Animals to assemble by speaking to them directly, but what language did He use? It was not Hebrew, my Friends. It was not Latin or Greek, or English, or French, or Spanish, or Arabic, or Chinese. No: He called the Animals in their own languages. To the Reindeer He spoke Reindeer, to the Spider, Spider; to the Elephant He spoke Elephant, to the Flea He spoke Flea, to the Centipede He spoke Centipede, and to the Ant, Ant. So must it have been.
And for Adam himself, the Names of the Animals were the first words he spoke – the first moment of Human language. In this cosmic instant, Adam claims his Human soul. To Name is – we hope – to greet; to draw another towards one’s self. Let us imagine Adam calling out the Names of the Animals in fondness and joy, as if to say, There you are, my dearest! Welcome! Adam’s first act towards the Animals was thus one of loving-kindness and kinship, for Man in his unfallen state was not yet a carnivore. The Animals knew this, and did not run away. So it must have been on that unrepeatable Day – a peaceful gathering at which every living entity on the Earth was embraced by Man.
How much have we lost, dear Fellow Mammals and Fellow Mortals! How much have we wilfully destroyed! How much do we need to restore, within ourselves!
The time of the Naming is not over, my Friends. In His sight, we may still be living in the sixth day. As your Meditation, imagine yourself rocked in that sheltering moment. Stretch out your hand towards those gentle eyes that regard you with such trust – a trust that has not yet been violated by bloodshed and gluttony and pride and disdain.
Say their Names.
Let us sing.
WHEN ADAM FIRST
From The God’s Gardeners Oral Hymnbook
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It’s daybreak. The break of day. Toby turns this word over: break, broke, broken. What breaks in daybreak? Is it the night? Is it the sun, cracked in two by the horizon like an egg, spilling out light?
She lifts her binoculars. The trees look as i
Isolation produces such effects. She’d trained for them during the God’s Gardeners Vigils and Retreats. The floating orange triangle, the talking crickets, the writhing columns of vegetation, the eyes in the leaves. Still, how to distinguish between such illusions and the real thing?
The sun’s fully up now – smaller, hotter. Toby makes her way down from the rooftop, covers herself in her pink top-to-toe, sprays with SuperD for the bugs, and adjusts her broad pink sunhat. Then she unlocks the front door and goes out to tend the garden. This is where they used to grow the ladies’ organic salads for the Spa Café – their garnishes, their exotic spliced vegetables, their herbal teas. There’s overhead netting to thwart the birds, and a chain-link fence because of the green rabbits and the bobkittens and the rakunks that might wander in from the Park. These weren’t numerous before the Flood, but it’s astonishing how quickly they’ve been multiplying.
She’s counting on this garden: her supplies in the storeroom are getting low. Over the years she’d stashed what she thought would be enough for an emergency like this, but she’d underestimated, and now she’s ru
She relocates several slugs and snails and pulls out some weeds, leaving the purslane: she can steam that later. On the delicate carrot fronds she finds two bright-blue kudzu-moth caterpillars. Though developed as a biological control for invasive kudzu, they seem to prefer garden vegetables. In one of those jokey moves so common in the first years of gene-splicing, their designer gave them a baby face at the front end, with big eyes and a happy smile, which makes them remarkably difficult to kill. She pulls them off the carrots, their mandibles chewing ravenously beneath their cutie-pie masks, lifts the edge of the netting, and tosses them outside the fence. No doubt they’ll be back.
On the way back to the building, she finds the tail of a dog beside the path – an Irish setter, it looks like – its long fur matted with burrs and twigs. A vulture’s dropped it there, most likely: they’re always dropping things. She tries not to think of the other things they dropped in the first weeks after the Flood. Fingers were the worst.
Her own hands are getting thicker – stiff and brown, like roots. She’s been digging in the earth too much.
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She takes her baths in the early mornings, before the sun’s too hot. She keeps a number of pails and bowls up on the rooftop, for collecting the afternoon-storm rainwater: the Spa has its own well, but the solar system’s broken so the pumps are useless. She does her laundry on the rooftop too, spreading it out on the benches to dry. She uses the grey-water to flush her toilet.
She rubs herself with soap – there’s still a lot of soap, all of it pink – and sponges off. My body is shrinking, she thinks. I’m puckering, I’m dwindling. Soon I’ll be nothing but a hangnail. Though she’s always been on the ski
She dries herself off, slips on a pink smock. This one says, Melody. There’s no need to label herself now that nobody’s left to read the labels, so she’s begun wearing the smocks of the others: Anita, Quintana, Ren, Carmel, Symphony. Those girls had been so cheerful, so hopeful. Not Ren, though: Ren had been sad. But Ren had left earlier.