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In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.
I had thought I was well beyond that stage, had lost all trace of softness and was well set on my way to a middle age of stainless steel. But now I thought that Frank’s death had cracked me in some way. And the cracks were widening, so that I could no longer patch them with denial. I had brought my daughter back to Scotland, she with those bones strong as the ribs of Highland mountains, in the hope that her shell was strong enough to hold her together, while the center of her “I am” might still be reachable.
But my own core held no longer in the isolation of “I am,” and I had no protection to shield me from the softness from within. I no longer knew what I was or what she would be; only what I must do.
For I had come back, and I dreamed once more, in the cool air of the Highlands. And the voice of my dream still echoed through ears and heart, repeated with the sound of Bria
“You are mine,” it had said. “Mine! And I will not let you go.”
5 BELOVED WIFE
The kirkyard of St. Kilda lay quiet in the sun. Not entirely flat, it occupied a plateau carved from the side of the hill by some geological freak. The land sloped and curved, so that the gravestones lay hidden in small hollows or jutted suddenly from the crest of a rise. The shifting of the earth had moved many, tilting them drunkenly or toppling them altogether, to lie flattened and broken in the long grass.
“It’s a bit untidy,” Roger said, apologetically. They paused in the kirkyard gate, looking over the small collection of ancient stones, overgrown and shadowed by the row of giant yews, planted long ago as a windbreak against the storms that rolled in from the northern sea. Clouds massed there now, far out over the distant firth, but the sun shone on the hilltop, and the air was still and warm.
“My father used to get together a gang of men from the church once or twice a year, and bring them up to keep the place in order, but I’m afraid it’s rather gone to seed lately.” He swung the lych-gate experimentally, noting the cracked hinge and the latch-fitting, dangling by one nail.
“It’s a lovely, quiet place.” Bria
“Aye, it is. dad thought the kirk itself was built on the site of an early church or an even older temple of some kind; that’s why it’s up here in such an inconvenient spot. One of his friends from Oxford was always threatening to come up and excavate the place to see what was under it, but of course he couldn’t get clearance from the Church authorities, even though the place has been deconsecrated for years.”
“It’s kind of a climb.” The flush of exertion was begi
“Is Jonathan Randall’s stone over there?” She waved toward the kirkyard, visible beyond the gate. “Mother will be so surprised!”
“Aye, I expect so. Haven’t seen it myself.” He hoped the surprise would be a pleasant one; when he had mentioned the stone cautiously to Bria
“I know about Jonathan Randall,” she was telling Roger. “Daddy always admired him; said he was one of the few interesting people in the family tree. I guess he was a good soldier; Daddy had lots of commendations and things he’d gotten.”
“Really?” Roger looked back, in search of Claire. “Does your mother need help with that plant press?”
Bria
It was a silent place. Even the birds were quiet as midday approached, and the dark evergreens that edged the plateau were still, with no breeze to stir their branches. Without the raw scars of recent graves or the flags of plastic flowers as testimony to still-fresh grief, the kirkyard breathed only the peace of the long-dead. Removed from strife and trouble, only the fact of their life remained to give the comfort of a human presence on the lonely heights of an empty land.
The progress of the three visitors was slow; they wandered their way casually through the old kirkyard, Roger and Bria
Roger bent over one stone, and gri
“ ‘Approach and read, not with your hats on,’ ” she read. “ ‘For here lies Bailie William Watson/Who was famous for his thinking/And moderation in his drinking.’ ” Bria
“Eighteenth century, most likely,” Roger said. “The seventeenth-century stones are mostly too weathered to read, and no one’s been buried here in two hundred years; the church was deconsecrated in 1800.”
A moment later, Bria
Claire waved back, and made her way to where they stood beside the flat, square stone, stepping carefully across the crowded graves.
“What is it?” she asked. “Find an interesting grave?”
“I think so. Recognize this name?” Roger stepped back, so she could have a clear view.
“Jesus H. Roosevelt Christ!” Mildly startled, Roger glanced at Claire, and was alarmed to see how pale she was. She stared down at the weathered stone, and the muscles of her throat moved in a convulsive swallow. The plant she had pulled was crushed in her hand, unregarded.
“Dr. Randall – Claire – are you all right?”
The amber eyes were blank, and she appeared not to hear him for a moment. Then she blinked, and looked up. She was still pale, but seemed better now; back in control.
“I’m fine,” she said, voice flat. She stooped, and ran her fingers over the letters of the stone as though reading them in Braille.
“Jonathan Wolverton Randall,” she said softly, “1705-1746. I told you, didn’t I? You bastard, I told you!” Her voice, so flat an instant before, was suddenly vibrant, filled with a restrained fury.
“Mama! Are you all right?” Bria
Roger thought it was as though a shade had dropped behind Claire’s eyes; the feeling that had shone there was suddenly hidden, as she snapped back to a realization of the two people staring at her, aghast. She smiled, a brief, mechanical grimace, and nodded.
“Yes. Yes, of course. I’m fine.” Her hand opened, and the stalk of limp greenery dropped to the ground.
“I thought you’d be surprised.” Bria
Claire glanced down at the gravestone near her feet.
“Yes, it is,” she said. “And he is dead, isn’t he?”
Roger and Bria
“It’s rather a hot day,” he said, trying for a note of casual matter-of-factness. “Perhaps we should go into the church for a little shade. There are some very interesting carvings on the font; well worth seeing.”