Underground

I dragged myself forward until I could tuck my hips under and sit on the edge of the first step. My boots made a tiny splash as they touched the surface farther below me.

I turned my head and whispered back to Quinton, “There’s a room here. It’s big, from the sound of it, and there’s water on the floor. There might be something moving around in here, but I can’t tell yet.”

“Right behind you.”

I stood and moved forward, sliding my feet gingerly on the slick floor. I felt liquid lap over the tops of my boots and wet my ankles. Something muttered and sloshed off to my right. Peering into the depths of the Grey, I saw the room seem to brighten with the filmlike light of ghosts and the flicker of energy.

The floor stretched away under the water, showing marvelous geometric patterns in colored marble and stone. The walls were white marble streaked with veins of pink and gold, dividing the space into rooms and corridors of stalls with polished wooden doors. The wreck of an old oak chair bobbed slightly in deeper water way across the room. The murmuring thing lurched toward me and I caught a sharp breath in surprise.

It was a zombie. Before it could make its way closer, I shot a fast glance around, looking for any shape that might be Sisiutl, but there was nothing above the surface that looked like a snake or a sea serpent. I shuffled farther into the water until it was up to my thighs and, wincing at the thought of what was in it, ducked my head down to look below the surface of the brackish, smelly water.

Dimly I could see how the marble floor had subsided, allowing water to seep in at high tide through the cracks that must have formed over time. One end was misshapen by a mass of cement—probably the stabilizing material that had been poured in when the pergola above had been rebuilt. But even with the best concentration I could expend, I couldn’t see any sign of Sistu in the depths of the water and I couldn’t hold my breath much longer. I stood back up, soaking wet, and threw my hair back, gasping for air. The “subterranean comfort station” was festooned in webs of Sisiutl’s Grey stuff, as was the once-human creature that struggled nearby. Where the soft Grey strands hung, the shapes and colors of the surfaces beneath were hard to see clearly. I could see the gleam of the dead man’s life tangled in the Grey web that held his flesh in form, but I couldn’t see deeper. The moisture had attacked his skin, and where his legs had been soaking in water, they were bloated and soft, the rest of the body being slack, darkened, and exuding the rotten smell I’d whiffed in the hole. In the corporeal dark, I couldn’t make out more than its form—no face was visible—but it definitely wasn’t as close to total decomposition as the last one I’d been this close to.

“Quinton,” I said in a low voice, “there’s a zombie here. I need light.”

He didn’t hesitate but swished through the water to my side, clicking on his pocket flashlight and finding the sad, dead thing with its beam.

He caught his breath in shock and his footsteps faltered a moment before he finally stopped beside me. “That’s Felix. He was the last to disappear before Go-cart and Je

“If Si—the monster had Felix, why did it kill the other two?” I wondered.

“I don’t know. Maybe… this is sick… maybe he’s saving him for a snack? Maybe he’s like an alligator and he prefers his meals… aged?”

“He didn’t really eat the others…” I said, thinking aloud. “He just killed them and left the bodies behind.”

Felix’s ambulating corpse stumbled toward us, making low noises in its decayed throat. An idea was struggling to form in my mind but crumbled away as the zombie seemed to cry out and fall to its knees, tangled in the mess of Grey threads and mud that spun across the flooded floor.

Quinton’s light wavered and moved off the weakly struggling zombie. “Harper! Do something!”

I admit I hesitated. Once again, I’d have to deconstruct a zombie in front of a man I liked. The last one hadn’t handled it very well…

“Get the light back on him,” I snapped. “I can’t see what I need to do.”

Quinton directed the light onto the moving corpse and I closed the distance between us. I squatted down in the water and, shuddering with disgust, I put a hand out to touch the remains of the man. It was soft but solid, and even with the light I couldn’t see any way to hook out the trapped threads of its life. I did not want to hack the poor thing apart with a pocket knife—revulsion made me turn my head aside and gag at the idea.

“There has to be a way,” I muttered, shivering in the chilly water that had set my damaged joints to aching. I studied the zombie as I shoved it back into a more upright position.

The dead thing slumped against the wall, possibly exhausted, but making no more large movements and few sounds now. Where it leaned against a drapery of the Grey threads, it seemed to vanish into the wall. That was interesting. The neutral Grey stuff must have been as much a form of camouflage as of holding its victims. Or was the trapping just incidental?

The more I looked at it, the more I thought the latter was the case: the Grey web stuff was Sisiutl’s camouflage. It probably spun a web of the stuff over itself and that was how it seemed to change shape as it slithered across time and space. It was smart enough to use the same material to cover the door to this place.

“This is its lair,” I gasped.

“What?” Quinton asked.

“This webby stuff—”

He interrupted, “What webby stuff”

“There’s some magical material I’ve been finding around the Sistu’s sites. I told you about it. It’s all over the place here, and all over this poor bastard. I think we must be in the lair. Sistu’s hidden it with the webbing—that’s why you couldn’t see the hole until I tore the web away. And that web is all over this guy—Felix. I think that’s why his spirit can’t leave—the magical web has his energy trapped in his dead body.”

“Well, get it off him then!”

I really didn’t want an audience, but we had no way of knowing when Sisiutl would be coming back for his di

“Damn it, damn it, damn it,” I muttered, shivering in the cold water. I needed to get the web stuff off of him and get a better look at the threads of his energy. I tried pulling it off with my hands, but the web was thicker and more reluctant to part than the other examples had been. It was as if the stuff had been knotted together, not just spun like spider silk. I’d have to untie it or find a way to cut through it… My mind ground through possibilities for a moment…

Something about knots… Then I thought of Ella Graham’s feather: She’d said it would help to untie the dead—no, she’d said “unpick” the dead things. She’d lived through the Depression and raised grandkids during the war, and she’d learned frugality the hard way, remaking clothes and salvaging bits and pieces by picking them patiently apart with a bodkin or needle. Maybe I could use the pheasant feather the same way to loosen the knots of the Sisiutl’s snare? Pheasants had one eye on death and one on life, so maybe the feather did have some affinity for the Grey, as Ella had implied. It was nuts but so’s the Grey and, when in doubt, crazy sometimes works.

I still had the feather in the pocket of my jacket and I pulled it out. It was a little bent and wet, but it seemed OK. Feeling like an idiot, I held it by the quill and brushed it at the zombie’s head.

The Grey web split a little. I brushed more and the web began to loosen and fall away. I could see seams opening up in the fabric of it, like faults or runs in a nylon stocking. I swiped and swabbed until the web was loose. Then I tore the last of it away with my free hand. The dead man’s form grew softer and slacker as the web fell away, but it was still knitted together too strongly to pull apart as I had the first time.