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In the bathroom there aren't any trees, so I climb up on the electric dryer and sit with my knees up by my ears and my hands around my knees. I try to look inconspicuous. There is only one stall and absolutely no sign of the twelve women. Maybe they're all in the same stall, but I can see under the door and I don't see any feet. The girl detective is washing her hands. She washes her hands thoughtfully, for a long time. Then she comes over and dries them. "What next?" I ask her.

Her eyes flash keenly. She pushes open the door of the stall with her foot. It swings. Both of us can see that the stall is empty. Furthermore there isn't even a toilet in it. Instead there is a staircase going down. A draft is coming up. I almost think I can hear alligators, scratching and slithering around somewhere further down the stairs.

The girl detective goes to the underworld.

She has a flashlight of course. She stands at the top of the stairs and looks back at me. The light from the flashlight puddles around her feet. "Are you coming or not?" she says. What can I say? I fall in love with the girl detective all over again. I come down off the dryer. "I guess," I say. We start down the stairs.

The underworld is everything I've been telling you. It's really big. We don't see any alligators, but that doesn't mean that there aren't any. It's dark. It's a little bit cool and I'm glad that I'm wearing my cardigan. There are trees with moss on them. The moss glows. I take to the trees. I swing from branch to branch. I was always good at gym. Beneath me the girl detective strides forward purposefully, her large feet lit up like two boats. I am in love with the top of her head, with the tidy part straight down the middle. I feel tenderly towards this part. I secretly vow to preserve it. Not one hair on her head shall come to harm.

But then we come to a river. It's a wide river and probably deep. I sit in a tree at the edge of the river, and I can't make up my mind to climb down. Not even for the sake of the part in the hair of the girl detective. She looks up at me and shrugs. "Suit yourself," she says.

"I'll wait right here," I say. There are cute little canoes by the side of the river. Some people say that the girl detective can walk on water, but I see her climb in one of the canoes. This isn't the kind of river that you want to stick your toes in. It's too spick-and-span. You might leave footprints.

I watch her go across the river. I see her get out on the other side. There is a nightclub on the other side, with a veranda and a big sign over the veranda. DANCE WITH BEAUTIFUL GIRLS. There is a woman standing on the veranda. People are dancing. There is music playing. Up in my tree, my feet are tapping air. Someone says, "Mom?" Someone embraces someone else. Everyone is dancing. "Where have you been?" someone says. "Spring cleaning," someone says.

It is hard to see what is going on across the river. Chinese waiters in elegant tuxedos are dipping dancing princesses. There are a lot of sequins. They are dancing so fast, things get blurry. Things run together. I think I see alligators dancing. I see a fat old man dancing with the girl detective's mother. Maybe even the housekeeper is dancing. It's hard to tell if their feet are even touching the ground. There are sparks. Fireworks. The musicians are dancing, too, but they don't stop playing. I'm dancing up in my tree. The leaves shake and the branch groans, but the branch doesn't break.

We dance for hours. Maybe for days. It's hard to tell when it stays dark all the time. Then there is a line of dancers coming across the river. They skip across the backs of the white alligators, who snap at their heels. They are hand in hand, spi

I look, and in the mossy glow they all look like the girl detective. Or maybe the girl detective looks like all of them. They all look so happy. Passing in the opposite direction is a line of Chinese waiters. They swing the first line as they pass. They cut across and dosey-do. They clap hands. They clutch each other, across the breast and the back, and tango. But the girl detectives keep up towards the restaurant and the bathroom and the secret staircase. The waiters keep on towards the water, towards the nightclub. Down in that nightclub, there's a bathroom. In the bathroom, there's another staircase. The waiters are going home to bed.

I'm exhausted. I can't keep up with the girl detectives. "Wait!" I yell. "Hold it for just a second. I'm coming with you."

They all turn and look back at me. I'm dizzy with all of that looking. I fall out of my tree. I hit the ground. Really, that's all I remember.

When I woke up.

Someone had carried me back to my tree and tucked me in. I was snug as a bug. I was back in the tree across the street from the girl detective's window. This time the blind was down. I couldn't see a thing.

The end of the girl detective?

Some people say that she never came back from the underworld.

The return of the girl detective.

I had to go to the airport for some reason. It's a long story. It was an important case. This wasn't that long ago. I hadn't been down out of the tree for very long. I was missing the tree.

I thought I saw the girl detective in the bar in Terminal B. She was sitting in one of the back booths, disguised as a fat old man. There was a napkin in front of her, folded into a giraffe. She was crying but there was the napkin folded into a giraffe – she had nothing to wipe her nose on. I would have gone over and given her my handkerchief, but someone sat down next to her. It was a kid about twelve years old. She had red hair. She was wearing overalls. She just sat next to him, and she put down another napkin. She didn't say a word to him. The old man blew his nose on it and I realized that he wasn't the girl detective at all. He was just an old man. It was the kid in the overalls – what a great disguise! Then the waitress came over to take their order. I wasn't sure about the waitress. Maybe she was the girl detective. But she gave me such a look – I had to get up and leave.

Why I got down out of the tree.

She came over and stood under the tree. She looked a lot like my mother. Get down out of that tree this instant! she said. Don't you know it's time for di

About the Author

Kelly Link is the author of the collection Magic for Begi

She once won a free trip around the world by answering the question "Why do you want to go around the world?" ("Because you can't go through it.") Link lives in Northampton, Massachusetts.