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Cheryl was the last person that Laura had ever spoken to – "Would you like more than one copy of this form?" – a prosaic note to end a life on.

Deborah Arnold paused in her attempt to destroy her keyboard and offered him a coffee, which he declined. He was begi

If the police had never found the man who killed Laura then it seemed absurd to think that some backstreet private eye could, but Theo thought that the merest chance of that happening was better than no chance at all. And if he did find the man perhaps he wouldn't open his arms and embrace his death; perhaps instead it would be Theo who would be the maniac wielding the knife.

A man hurried into the office and Deborah Arnold said, "There you are at last," without looking up from the keyboard. "Sorry," the man – Theo presumed this was Jackson Brodie – said to Theo, "I had to go to the dentist." Deborah gave a bark of laughter as if this were a risible excuse. The man shook Theo's hand and said, "Jackson, Jackson Brodie, please come in and have a seat," and ushered him toward the i

"I'm sorry," Jackson said to Theo. "She's delusional. She thinks she's a woman."

Chapter 7. Caroline

The church was called St. A

Caroline had driven past the church several times, but it had never struck her until now that she could actually go inside. She knew the vicar, of course, or at least, she had known him: he died last year and his replacement hadn't arrived yet. The new incumbent wouldn't have just the two churches to look after: there were four or five denuded parishes under his care nowadays (or perhaps it would be a woman?) because no one went to church anymore, not even Jonathan's mother.

It had nothing to do with religion – Caroline was just sheltering from the rain. She'd taken the dogs for a walk, the church was about a mile from their own house (which was an estate, really), and the dogs had got into the graveyard and were now moving like Hoovers across the ground, their noses down, their tails up, their small dog brains consumed with the idea of uncharted territory and a thousand new scents. Caroline could only smell the one scent – the sour, melancholy smell of greenery.

The dogs had already urinated on several gravestones and Caroline hoped no one was spying on her. Watching, not spying. "God, you're so paranoid, Caro," Jonathan said. "That's what comes from being a townie." The dogs were Labradors and they belonged to Jonathan. That's what he brought to the marriage, two dogs and two children. James and Ha

She suspected there might be a special ecclesiastical word for "porch," but if there was she didn't know it, although she knew there were all kinds of particular terms for the bones of the church, its carcass and ribs, like medieval poetry – apse, chancel, nave, transept, clerestory, sacristy, misericord – although she wasn't too sure what any of them meant, except for "misericord," because it was one of those words that once you'd come across it you always remembered it.

The misericords in St. A

She loved that word, "misericord," because it sounded so wretched and yet it wasn't. It meant tenderhearted, from the Latin for heart, "cor," from which you also get "core" and "cordial" but not "cardiac," which came via the Latin from the Greek for heart – "kardia" (although they must surely be related at some ancient, ur-level). They had done neither Latin nor Greek at Caroline's school, but later, after she had left school, when she had had a lot of time on her hands, she had patiently worked her way through primers and elementary Classics textbooks so that she could at least understand the etymology of words, to follow them back down their limbs and trunks until she reached their roots. Her own name contained "cor" if you moved the letters around. Caro. Cora. Cor. Like the crows, like the crows that feed on the dead. If you knelt on the hard floor, which in this church meant you couldn't avoid kneeling on the cold stone slab of someone's tomb "but they were probably glad of the company), and looked one of the green men in the eye, you could see the primordial gleam of madness in there and the -

"Are you all right?"

"Yes," Caroline said. "I think so." The man offered his hand because her knees were stiff from kneeling on the floor, on the dead. The man's hand was soft and rather cold for someone who was patently alive.

"My name's John Burton," he said (cordially).

"You're very young," Caroline said. "Or is that a sign I'm getting old – when vicars and policemen begin to look young?" and the vicar (John Burton) laughed and said, "My mother always says it's when bishops start looking young that you have to worry," and Caroline wondered what it was like to inhabit so easily a world where your mother made jokes about bishops, where people were called Caro.