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Many thanks to Michael Woo for giving me a copy of the handwritten remembrances of his mother, Beth Woo, of teaching English to Japanese military men, the written marriage terms they showed her, and what it was like to escape from China on a fishing boat and live in Hong Kong during the war. Beth’s husband, Wilbur Woo, who was separated from his wife here in Los Angeles, shared with me many stories of those days and introduced me to Jack Lee, who told me about the FBI agent who used to hang out in Chinatown during the Confession Program era. Phil Young introduced me to his mother, Monica Young, whose memories of being an orphan sent back to China during the Sino-Japanese War were invaluable. She also lent me a copy of Alice Lan and Betty Hu’s reminiscence, We Flee from Hong Kong, in which the two missionaries described the cold cream and cocoa powder concoction that served as part of their disguise while they and their charges tried to stay ahead of the Japanese.

Ruby Ling Louie and Marian Leng, whose families each had businesses in China City, shared with me maps, photographs, brochures, and other memorabilia, including Paul Louie’s excellent slide show on China City. An extra thank-you to Marian for her discussion of the difference between fu yen and yen fu. Others who graciously shared their time and stories include Dr. Wing and Joyce Mar, Gloria Yuen, Mason Fong, and Akuen Fong. Ruth Sha

I also went back to interviews I did years ago when I was researching On Gold Mountain. Two sisters, Mary and Dill Louie, both gone now, reminisced about the Chinese in Hollywood. Je

I owe a deep debt of gratitude to Yvo

Since I am neither a historian nor an academician, I have relied on the works of Jack Chen, Iris Chang, Ronald Takaki, Peter Kwong, Dušanka Mišcevic, and Icy Smith. Amy Chen’s documentary, The Chinatown Files, helped to illustrate the lingering bitterness, guilt, and sadness that resulted from the Confession Program. Special shout-outs to Kathy Ouyang Turner of the Angel Island Immigration Station Foundation, for taking me to the island; Casey Lee, for guiding us on the island; Emma Woo Louie, for her research on Chinese-American names; Sue Fawn Chung and Priscilla Wegars, for their work on Chinese-American death rituals; Theodora Lau, for her brilliant examination of the Chinese horoscope; Liz Rawlings, who now lives in Shanghai, for a bit of fact checking; and Judy Yung for Unbound Feet, for her family’s personal stories, for collecting the stories about Angel Island and the war years from so many others, and for answering my questions. I’m grateful as well for Rutha

I’ve been to Shanghai several times, but the works of Hallet Abend, Stella Dong, Hanchao Lu, Pan Ling, Ly

I wish to acknowledge Cindy Bork, Vivian Craig, Laura Davis, Mary Healey Linda Huff, Pam Vaccaro, and Debbie Wright-who participated in a monthlong Barnes & Noble on line discussion with me-for their insights and thoughts; the 12th Street Book Group for reminding me that sisters are for life; and Jean A

I am extraordinarily lucky to have Sandy Dijkstra as my agent. She and all the women in her office fight for me, encourage me, and push me into new worlds. Michael Cendejas has helped me navigate the movie world. Across the pond, Katie Bond, my editor at Bloomsbury, has been filled with bright good cheer. Bob Loomis, my editor at Random House, has been kindness itself. I love our conversations and his crazy dots. But I’d also like to thank everyone at Random House who has made these past few years so extraordinary, with special appreciation to Gina Centrello, Jane von Mehren, Tom Perry, Barbara Fillon, Amanda Ice, Sanyu Dillon, Avideh Bashirrad, Benjamin Dreyer, and Vincent La Scala.

A few final words of gratitude and thanks to Larry Sells, for help with all things Wikipedia, website content, and for ru