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The house on Algonquin Lane had been full of stuff, bursting with it. Miriam hadn’t minded at first. For one thing, so much of what they carried then had belonged to the girls. Children didn’t travel light, not even in those pre-car-seat days. They had toys and hats and mittens and dolls and stuffed animals and those hideous plastic trolls and, in Heather’s case, a blanket known as “Bud,” whose intermittent disappearances kept the household in a frenzy. Su

The house on Algonquin Lane had baggage of its own, as it turned out. Purchased at auction, Miriam’s first taste of her talent for real estate, it had come “as is.” Miriam and Dave had understood that this meant the systems weren’t guaranteed, that it was a bit of a Let’s Make a Deal gamble. What they hadn’t realized was that the house wouldn’t be cleaned in any way. The longtime residence of an elderly woman, it had the feel of a life interrupted, as if aliens had swept in and kidnapped the people there. A cup and saucer sat on the table, a spoon at the ready for a pot of tea that was never made. A book lay on the stairs, as if to remind someone to carry it up. The old furniture was draped with antimacassars, a few askew, waiting for a gentle hand to set them straight. It reminded Miriam of a nineteenth-century version of the automated house in that Bradbury story “There Will Come Soft Rains.” The family was gone, but the house lived on.

Initially, the things left behind had seemed a bonus, a windfall. Some of the furniture was usable, and the dishes were actually valuable- Lowestoft china, too good for everyday use, nicer even than Miriam’s di

“That’s why it went to auction,” said the neighbor, Tillie Bingham. “She was dead and he was in prison, so he couldn’t inherit.”

She lowered her voice, although the girls were out of earshot and uninterested in this over-the-fence conversation. “Drugs.”

Spooked, Miriam had tried to persuade Dave to put the house back on the market, even if it meant taking a loss. They could be downtown homesteaders, she told him, knowing what would appeal to him, settling in one of the grand old town houses of Bolton Hill. This was before the era of the dollar house, before the great revival of downtown, but Miriam’s instincts about real estate were always sound. If Dave had heeded her advice, they would have had a far more valuable house in the end, for the values in their little corner of Northwest Baltimore remained flat for years.

And, of course, the girls would be alive.

That was the secret game that Miriam could never stop playing with herself, unhelpful as she knew it to be. Go back into history, change one thing. Not the day itself. That was too obvious, too easy. Their doom was sealed before that day dawned, when Su

Hindsight was twenty-twenty, as the cliché would have it, but not always. After the girls had disappeared, Dave had proved to be even more myopic about their past than he had been about their present. Their problem, their curse, he insisted to neutral third parties, was that they were happy. Life was perfect, and therefore they had to fall. To hear Dave tell it, Algonquin Lane was a veritable Eden, and some unknown force had slithered through their lives and pi

The media had bought it, too. People were less cynical then, resources fewer. Today the shock of two missing sisters would have dominated national news cha

Yet Dave’s version-spin, as it might be called now-had proved to be good for his business, not to mention her own career. Especially in that first year, Miriam could tell when it was her name, more than anything else, that had been the chief factor in attracting a new client. Midway through her spiel, while laying out what she could do for a motivated seller, how the firm could help with financing for pre-qualified buyers, she would catch one of the clients, usually the wife, inspecting her gravely. How do you go on? was the unspoken question. How do you not? was Miriam’s unstated answer. What are my choices?

She sometimes wished Dave could see her now, working in a store not unlike the one he had run. He would appreciate the irony-Miriam, who had so loathed The Man with the Blue Guitar, selling the very same Oaxacan pottery that Dave had tried to persuade middle-class Baltimore to buy long before it was ready for such wares. But she’d needed a job and, although she had little use for the gallery owner’s taste, she liked him immediately. Joe Fleming was a jolly, flamboyantly gay man-when he was talking to customers. But Miriam had known from the moment she met him that it was an act, a cover for something dark and sad. Faux Joe, she called it now. “Here come some customers,” she would call out to him. “Time to put on our faces, the ones we keep in the jars by the door.” “I’ll be right there, Miss Rigby,” Joe replied, exaggerating his Texas drawl. And although Miriam didn’t share Joe’s taste, she was superb at selling the things he stocked. Her secret was that she really didn’t give a shit. With her good posture and her marvelous figure still intact, her dark hair shot through with wiry strands of silver, she had a reserved, cool ma

It was quiet in the shop this morning. The snowbirds had started migrating north; the frenzy generated by Easter was still a week away. Miriam had first arrived in San Miguel de Allende in Easter Week 1989, completely by accident. Before, Easter had been a secular holiday to her, more about the baskets that she assembled so painstakingly, the elaborate egg hunts that Dave staged in the yard. Neither one of them had grown up in observant homes; Miriam was “Jewish” and Dave was “Lutheran” in the same way that she was German and he was a Scot. And while many had counseled a return to religion as a way of coping with her grief, Miriam had even less use for it after the girls disappeared. “Faith explains nothing,” she told her parents. “It simply asks you to wait for an explanation that may or may not come after you die.”