Cosmicomics

In any case, I had many other witnesses awaiting me: it was only natural that, out of the whole number, some should fail; I wasn't the sort of person to become distraught over such a little setback. In fact, from a galaxy a bit farther on, I finally had the proof that someone had seen perfectly how I had behaved and had evaluated my action properly, that is, enthusiastically. Indeed, on a sign he had written: THAT CHARACTER'S REALLY ON THE BALL. I noted it with complete satisfaction – a satisfaction, mind you, which merely confirmed my expectation, or rather my certainty that my merits would be suitably recognized – but then the expression THAT CHARACTER attracted my attention. Why did they call me THAT CHARACTER, if they already knew me and had seen me, even in that unfortunate circumstance? Shouldn't I be quite familiar to them already? With some adjustment, I improved the focus of my telescope and discovered, at the bottom of the same sign, another sentence written in smaller letters: WHO THE HELL CAN HE BE? Can you imagine a worse stroke of luck? Those who held the key to understanding who I really was hadn't recognized me. They hadn't co

My first impulse was to brandish a sign: IT'S ME! I gave up the idea: what would be the good of it? They would see it more than a hundred million years after moment x had gone by; we were approaching the half-billion mark; to be sure of making myself understood I would have to specify, dig up that old business again, and this was just what I wanted most to avoid.

By now I had lost my self-confidence. I was afraid I wouldn't receive any greater amends from the other galaxies, either. Those who had seen me had seen me in a partial, fragmentary, careless way, or had understood only up to a point what was happening, missing the essential quality, not analyzing the elements of my personality which, from one situation to the next, were thrown into relief.

Only one sign said what I had really been expecting: YOU KNOW SOMETHING? YOU'RE REALLY ON THE BALL! I hastened to leaf through my notebook, to see what reactions had come from that galaxy at moment x. By coincidence, that was the very place where the sign had appeared saying WE CAN'T SEE A DAMN THING. In that zone of the universe, I surely enjoyed a higher esteem, no denying that, and I ought to have rejoiced at last, but instead I felt no satisfaction at all. I realized that, since these admirers of mine weren't those who might earlier have formed an unfavorable opinion of me, I didn't give a damn about them. The assurance that moment y had refuted and erased moment x couldn't come to me from them, and my uneasiness continued, exacerbated by the great length of time and by my not knowing whether the causes of my dismay were there and whether or not they would be dispelled.

Naturally, for the observers scattered over the universe, moment x and moment y were only two among countless observable moments, and in fact, every night on the constellations located at the most varied distances signs appeared referring to other episodes, signs saying STRAIGHT AHEAD YOU'RE ON THE RIGHT TRACK, THERE YOU GO AGAIN, WATCH YOUR STEP, I TOLD YOU SO. For each of them I could work out the calculation, the light-years from here to there, the light-years from there to here, and establish which episode they were referring to: all the actions of my life, every time I picked my nose, all the times I managed to jump down from a moving tram, were still there, traveling from one galaxy to another, and they were being considered, commented on, judged. The comments and judgments were not always pertinent: the sign TCHK TCHK applied to the time I gave a third of my salary to a charity subscription; the sign THIS TIME I LIKE YOU, to when I had forgotten in a train the manuscript of a treatise that had cost me years of study; my famous prolusion at the University of Gottingen was commented on with the words: WATCH OUT FOR DRAFTS.

In a certain sense, I could set my mind at rest: no action of mine, good or bad, was completely lost. At least an echo of it was always saved; or rather, several echoes, which varied from one end of the universe to the other, and in that sphere which was expanding and generating other spheres; but the echoes were discontinuous, conflicting pieces of information, inessential, from which the nexus of my actions didn't emerge, and a new action was unable to explain or correct an old one, so they remained one next to the other, with a plus or minus sign, like a long, long polynomial which ca

What could I do, at this point? To keep bothering with the past was useless; so far it had gone the way it had gone; I had to make sure the future went better. The important thing was that, in everything I did, it should be clear what was essential, where the stress should be placed, what was to be noted and what not. I procured an enormous directional sign, one of those huge hands with the pointing index finger. When I performed an action to which I wanted to call attention, I had only to raise that sign, trying to make the finger point at the most important detail of the scene. For the moments when, instead, I preferred not to be observed, I made another sign, a hand with the thumb pointing in the direction opposite the one I was turning, to distract attention.

All I had to do was carry those signs wherever I went and raise one or the other, according to the occasion. It was a long-term operation, naturally: the observers hundreds of thousands of light-years away would be hundreds of thousands of mille

For example, at a certain moment I was sure I was about to do something that would give me dignity and prestige; I hastened to wave the sign with the index finger pointed at me; and at that very moment I happened to make a dreadful faux pas, something unforgivable, a display of human wretchedness to make you sink into the ground in shame. But it was done; that image, with the pointing sign, was already navigating through space, nobody could stop it, it was devouring the light-years, spreading among the galaxies, arousing in the millions of future centuries comments and laughter and turned-up noses, which from the depths of the mille

Another day, instead, I had to face an unpleasant situation, one of those situations in life that one is obliged to live through, knowing that, whatever happens, there's no way of showing up well. I shielded myself with the sign with the thumb pointing in the other way, and I went off. Unexpectedly, in that delicate and ticklish situation, I displayed quick-wittedness, a balance, a tact, a decisiveness that no one – myself least of all – had ever suspected in me: I suddenly revealed hidden talents that implied a long ripening of character; and meanwhile the sign was deflecting the observers' gaze, making them look at a pot of peonies nearby.

Cases like these, which at first I considered exceptions, the result of my inexperience, kept happening to me more and more frequently. Too late I realized I should have pointed out what I hadn't wanted seen and should have hidden what I had instead pointed out: there was no way to arrive before the image and to warn them not to pay attention to the sign.

I tried making a third sign with the word correction, to raise when I wanted to a