Tripwire

“Go a few blocks north,” he said. “We’ll come in from a distance. They’ll be expecting us to come straight home.”

She swung wide to the right and headed north on Lafayette. Hung a tight left and another and came back traveling south on Broadway. The light at Leonard was red. Reacher sca

“Three blocks,“ Jodie said.

“Where do you park?”

“Garage under the building.”

“OK, turn off a block short,” he said. “I’ll check it out. Come around again and pick me up. If I’m not waiting on the sidewalk, go to the cops.”

She made the right on Thomas. Stopped and let him out. He slapped lightly on the roof and she took off again. He walked around the comer and found her building. It was a big square place, renovated lobby with heavy glass doors, big lock, a vertical row of fifteen buzzers with names printed behind little plastic windows. Apartment twelve had Jacob/ Garber, like there were two people living there. There were people on the street, some of them loitering in knots, some of them walking, but none of them interesting. The parking garage entrance was farther on down the sidewalk. It was an abrupt slope into darkness. He walked down. It was quiet and badly lit. There were two rows of eight spaces, fifteen altogether because the ramp up to the street was where the sixteenth would be. Eleven cars parked up. He checked the full length of the place. Nobody hiding out. He came back up the ramp and ran back to Thomas. Dodged the traffic and crossed the street and waited. She was coming south through the light toward him. She saw him and pulled over and he got back in alongside her.

“All clear,” he said.

She made it back out into the traffic and then pulled right and bumped down the ramp. Her headlights bounced and swung. She stopped in the center aisle and backed into her space. Killed the motor and the lights.

“How do we get upstairs?” he asked.

She pointed. “Door to the lobby.”

There was a flight of metal steps up to a big industrial door, which had a steel sheet riveted over it. The door had a big lock, same as on the glass doors to the street. They got out and locked the car. He carried her garment bag. They walked to the steps and up to the door. She worked the lock and he swung it open. The lobby was empty. A single elevator opposite them.

“I’m on four,” she said.

He pressed five.

“We’ll come down the stairs from above,” he said. “Just in case.”

They used the fire stairs and came back down to four. He had her wait on the landing and peered out. A deserted hallway. Tall and narrow. Apartment ten to the left, eleven to the right, and twelve straight ahead.

“Let’s go,” he said.

Her door was black and thick. Spy hole at eye level, two locks. She used the keys and they went inside. She locked up again and dropped an old hinged bar into place, right across the whole doorway. Reacher pressed it down in its brackets. It was iron, and as long as it was there, nobody else was going to get in. He put her garment bag against a wall. She flicked switches and the lights came on. She waited by the door while Reacher walked ahead. Hallway, living room, kitchen, bedroom, bathroom, bedroom, bathroom, closets. Big rooms, very high. Nobody in them. He came back to the living room and shrugged off his new jacket and threw it on a chair and turned back to her and relaxed.

But she wasn’t relaxed. He could see that. She was looking directly away from him, more tense than she’d been all day. She was just standing there with her sweatshirt cuffs way down over her hands, in the doorway to her living room, fidgeting. He had no idea what was wrong with her.

“You OK?” he asked.

She ducked her head forward and back in a figure eight to drop her hair behind her shoulders.

“I guess I’ll take a shower,” she said. “You know, hit the sack.”

“Hell of a day, right?”

“Unbelievable.”

She crabbed right around him on her way through the room, keeping her distance. She gave him a sort of shy wave, just her fingers peeping out from the sweatshirt sleeve.

“What time tomorrow?” he asked.

“Seven-thirty will do it,” she said.

“OK,” he said. “Good night, Jodie.”

She nodded and disappeared down the i

It wasn’t really a loft, as such. It was an old building with very high ceilings, was all. The shell was original. It had probably been industrial. The outside walls were sandblasted brick, and the i

The parts of the walls that were brick were a warm natural brick color, but everything else was white, except for the floor, which was pale maple strips. The decor was cool and neutral, like a gallery. There was no sign that more than one person had ever lived there. No sign of two tastes competing. The whole place was very unified. White sofas, white chairs, bookshelves built in simple cubic sections, painted with the same white paint that had been used on the walls. Big steam pipes and ugly radiators, all painted white. The only definite color in the living room was a life-size Mondrian copy on the wall above the largest sofa. It was a proper copy, done by hand in oil on canvas, with the proper colors. Not garish reds and blues and yellows, but the correct dulled tones, with authentic little cracks and crazings in the white, which was nearer a gray. He stood and looked at it for long time, totally astonished. Piet Mondrian was his favorite painter of all time, and this exact picture was his favorite work of all time. The title was Composition with Red, Yellow and Blue. Mondrian had painted the original in 1930 and Reacher had seen it in Zurich, Switzerland.

There was a tall cabinet opposite the smallest sofa, painted the same white as everything else. There was a small TV in it, a video, a cable box, a CD player with a pair of large headphones plugged into the jack. A small stack of CDs, mostly fifties jazz, stuff he liked without really being crazy about.

The windows gave out over lower Broadway. There was a constant wash of traffic hum, neon blaze from up and down the street, an occasional siren wailing and booping and blasting loud as it came out through the gaps between blocks. He tilted the blind with a clear plastic wand and looked down at the sidewalk. There were still the same knots of people hanging around. Nothing to make him nervous. He tilted the blind back and closed it up tight.

The kitchen was huge and tall. All the cupboards were wood, painted white, and the appliances were industrial sizes in stainless steel, like pizza ovens. He had lived in places smaller than the refrigerator. He pulled it open and saw a dozen bottles of his favorite water, the same stuff he had grown to love in the Keys. He took the seal off one of them and carried it into the guest bedroom.

The bedroom was white, like everything else. The furniture was wood, which had started out with a different finish, but which was now white like the walls. He put the water on the night table and used the bathroom. White tiles, white sink, white tub, all old enamel and tiling. He closed the blinds and stripped and folded his new clothes onto the closet shelf. Threw back the cover and slid into bed and fell to thinking.

Illusion and reality. What was nine years, anyway? A lot, he guessed, when she was fifteen and he was twenty-four, but what was it now? He was thirty-eight, and she was either twenty-nine or thirty, he wasn’t exactly sure which. Where was the problem with that? Why wasn’t he doing something? Maybe it wasn’t the age thing. Maybe it was Leon. She was his daughter, and always would be. It gave him the guilty illusion she was somewhere between his kid sister and his niece. That obviously gave him a very inhibiting feeling, but it was just an illusion, right? She was the relative of an old friend, was all. An old friend who was now dead. So why the hell did he feel so bad about looking at her and seeing himself peeling off her sweatshirt and undoing the belt from around her waist? Why wasn’t he just doing it? Why the hell was he in the guest room instead of on the other side of the wall in bed with her? Like he’d ached to be through countless forgotten nights in the past, some of them shameful, some of them wistful?