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"Na-na, would you like a popsicle?" I didn't want to ask her for the three fen too bluntly.

"No, they are too cold for me. I haven't had a popsicle for years," she replied.

"Niang doesn't have three fen for me to buy a popsicle," I said. "My dia has the money. Can you lend me three fen?" I asked, and quickly added, "All my friends have bought popsicles!"

Na-na searched around, but had no change, only a one-yuan note.

"I would be happy to take a yuan if you could spare it. I'll pay you back later! I promise!"

She thought this was very fu

During those summers, some of the nights were unbearably hot. We had no fans in our house, and the breezes were too slight to blow away the swarming mosquitoes. To keep us out of mischief during these hot summer nights, the adults always told us stories. The most popular storyteller was the Wuho man, who had given my niang the cure for our warts. We loved him. He told good Kung Fu stories and countless fascinating fables. When he died a few years later, I went to see his body lying in a simple coffin. It seemed as though his body had shrunk. He had no children, so his coffin was donated by the neighbours and his burial ceremony was simple. I missed him and his enticing stories-they had a profound effect on my life.

One of my favourite activities on those summer days was catching dragonflies. They would rest on the water in the dams and I would sit by the edge and wait for them, a bamboo broom at the ready. I would tiptoe up to them, sweep them with my broom into the water, and then lift them out. Then I would tie the females to a wooden stick and circle the dragonfly aloft, so she would attract male dragonflies. I would pull down the mating pair, slowly, in circles, and catch the male when it was within reach. I caught flies or worms to feed my dragonflies, and I would let them go at night.

I also liked to catch crickets, but only male crickets, which we used in cricket fighting competitions. I loved the sound the crickets made-it was just like music or singing. Night or day I would follow the crickets' singing until I caught one, but we had to take care because we often looked in dangerous areas where there might also be snakes. The crickets were smart little creatures: they concealed their homes well, and would stop their singing long before I got close. A lot of patience was needed.

I was kind to my crickets and tried to provide them with the best food and housing I could. I kept them in glass bottles with rocks, dirt and even grass, along with their water and food, but often my brave cricket fighters would become big and lazy on the good food I fed them. I would reward my top fighter with a female for company. It is not surprising then, that one of my favourite fables the Wuho man used to tell us was about a cricket. We would sit around the Wuho man in a huge circle, mostly with no clothes on because it was so hot, and he would begin, one hand smoothing his long silver beard, his ancient pipe in the other:

Once there was a Chinese emperor who loved cricket fighting. Each year the emperor required the governors in each province to donate their best crickets. To win the emperor's favour, each governor ordered his people to search for the best crickets all over the land. Under a mountain in a small village lived a poor family, with one ten-year-old son. They named him Brave Hero. His father was a courageous hunter and his mother was kind. They loved their boy. He was the sunshine in their eyes. One day the father came home from the mountains with his biggest catch, a beautiful cricket. He named the cricket Brave Hero, after his boy. The father was relieved-he would have been fined heavily if he hadn't found a cricket within twenty-four hours. The young boy was beside himself with this cricket. He begged his father to allow him to look at it. At first his father said no, but the boy kept begging and he eventually relented. Just as the boy opened the bamboo tube in which the cricket was kept, the cricket jumped out and hopped away. Their rooster near by ate the cricket up. The boy's father was in such a rage over the loss of the cricket that he ordered his son to find another cricket or else never return. The poor boy went into the mountains. They found him next day lying on a big rock, almost dead. The father cried his heart out. As he picked up his son's limp body, a small and ugly cricket jumped on the boy's pale face. The father brushed the cricket off and carried the boy home. The parents wept over their dying boy. They placed him in a coffin in the middle of their living room waiting for the last breath to leave him. As they prayed in front of the coffin, they heard the faint sound of a cricket. It was the same ugly cricket that the father had brushed away from the boy's face before. The father was very a

I loved this tale. I loved the boy's bravery and I wished that I too could turn myself into a cricket and save my family from poverty. What a shame Chairman Mao didn't like cricket fights.

Our childhood in the Li Commune could never be just games and fables of course. It was around this time that the Cultural Revolution reached its most chaotic period, from about the middle of 1966. Jing Tring and I were too young to participate-six, seven, eight years old. But my three eldest brothers did. They would go out in the evenings and return late at night. They would tell me horror stories about the young Red Guards, how they burnt and destroyed anything that had a Western flavour: books, paintings, artwork-anything. They tore down temples and shrines: Mao wanted communism to have no competition from other religions. Communism was to be our only faith. The young Guards would travel to other regions and investigate possible counter-revolutionary suspects. They only had to mention Chairman Mao's name and the Red Guards would not have to pay for a thing. For a brief period, those young Guards nearly bankrupted China and the country teetered on the edge of civil war as different factions of the military supported different government leaders. But back in the New Village, we knew little of that wider picture.