The Burglar in the Library

“Maybe I was wrong and the door was open,” Millicent suggested.

“And maybe it wasn’t,” Carolyn said. “Maybe you looked through the keyhole.”

Millicent giggled. “Maybe I did.”

“I say,” the colonel said. “That’s no way to behave, young lady.”

“I know,” she said. “But I’m only ten years old. It would be a lot worse if a grown-up did it. And I never would have done it except for the music.”

“The music?”

“That she was dancing to. It was all dreamy and gooey and romantic, and I heard it coming through the door, and that’s what made me look.”

“I don’t believe you,” Carolyn said. “I bet you look in keyholes all the time.”

“Not all the time.” The imp giggled. “You’d be surprised what you can see that way.”

“And what did you see this time?”

“Miss Dinmont dancing, and she was very graceful, too. She had her arms held out as if she was dancing with a partner, but she was all by herself. Unless she was dancing with a ghost. But I’m sure she wasn’t.”

I’d have let that pass, but Carolyn thought to ask her what made her so certain.

“Because it wouldn’t have been decent.”

“To dance with a ghost?”

“Not like that.”

“Not like what?”

“Naked,” Millicent said. “Miss Dinmont didn’t have any clothes on.”

Rufus Quilp was apt to drop off to sleep at any moment. It might be Pickwickian syndrome and it might be apnea. And it might be feigned-sometimes he appeared to be sleeping, but something he said later would indicate that he’d overheard what was being said during his little nap.

Miss Hardesty had been seen in urgent conversation with the cook. Greg Savage, who mentioned seeing the two of them, had assumed the conversation had something to do with Miss Dinmont’s dietary requirements, which one somehow knew would be complicated. Now, though, it seemed to him that Miss Hardesty had appeared a bit agitated, and the cook faintly disgruntled.

Jonathan Rathburn, whom I had observed writing at the desk in the library, had been spotted doing the same thing in other parts of the house as well. There was some disagreement as to what he’d been writing. I’d sort of assumed he’d been writing letters, as that’s one of the things people are forever doing in English country houses, but someone reported him as having written on a pad, and another thought he had been making entries in a diary. Neither letters nor a diary had been found on his body, or elsewhere in the library, which might mean that the murderer had carried them off, or that he hadn’t had them with him when he was murdered.

No one admitted to having met Rathburn prior to his arrival at Cuttleford House. Hardly anyone could recall exchanging a word with him. Several people described him as preoccupied, and Leona Savage, who’d also seen him scribbling away, had thought he might be a writer. “Struggling to make headway on a book or story,” she said. “He had that air about him, as if he’d come to the country to free himself creatively.”

“And she never laid eyes on him before,” the colonel said after she’d left the room, “and yet Cissy Eglantine saw Rathburn give her a significant glance.”

“Cissy could be mistaken,” Carolyn said, “or Rathburn could have recognized Leona even if Leona didn’t recognize him. Or he could have thought he knew her even if he didn’t.”

“Or she could be lying,” I said.

“Or she could be lying. Anybody could be lying about anything, couldn’t they? You know those party games where one person’s the murderer, and when you interrogate all the players, everybody except the murderer has to tell the truth? Well, that’s what this is like, except it isn’t.” The colonel looked puzzled, and I suppose I did, too. “Because any of them could be lying and it wouldn’t prove anything,” she explained. “Not necessarily. Suppose Jonathan and Leona had a brief fling twenty years ago when they were both counselors at Camp Yahrzeit. That would be reason enough for him to give her a significant glance, and it might also be reason enough for her to insist she’d never met him before, no matter who killed him.”

We tossed that back and forth, and wound up agreeing with her. Anybody could lie, not just the murderer. It didn’t seem fair, but that’s the way it was.

It left me wondering at the point of our efforts. I’d deliberately turned things around during our session with Cissy, switching from a clinical look at alibis and schedules to a more gossipy, anecdotal approach. After she’d left the room I had explained why.

“You described me as an amateur sleuth,” I told Carolyn, “and that’s what all three of us are, amateurs. We all have a little experience that might prove useful, but we’re not cops. A professional approach won’t work for us. But an amateur approach, where people wind up telling us the kind of observations and inferences they wouldn’t dream of sharing with a policeman, well, that might be fruitful.”

And I suppose it had been, in a way. We’d since learned from Quilp that Gordon Wolpert was a picky eater and not to be trusted, and in due course we learned from Wolpert that Earlene Cobbett, the freckled chambermaid so distraught over Orris’s fatal fall, had been noisily ill several mornings in succession. “Now that doesn’t mean the girl is in the family way,” he said, “or that Orris put her there, and even if she is and he did, that doesn’t begin to implicate either of them or anyone else in the events you’re attempting to investigate.” But we’d said we wanted to know what he had observed, and he’d heard her retching three mornings in a row, so he was reporting it.

But what good did it do us to know it? What profit was there in having learned that Miss Dinmont danced in the nude, or that Millicent Savage peeped at keyholes? What difference did it make if Miss Hardesty had had words with the cook, or that Dakin Littlefield had been spotted casting speculative glances at Molly Cobbett?

It was Mrs. Colibri who’d reported Littlefield’s evident interest in the downstairs maid. Lettice in turn had Molly sized up as a saucy tart ready to throw herself at anything in pants. (The most interesting thing about her observation was Carolyn’s reaction to it; she looked down at herself to make sure she wasn’t wearing a skirt.) “My own husband hasn’t noticed the little tramp,” Lettice added, “but we’re on our honeymoon, and that makes a difference. I’m sure the rest of the men have noticed, and I wouldn’t be surprised if some of them have given her a tumble.”

If Dakin had entertained thoughts of luring the downstairs maid upstairs, he was keeping them to himself. According to him, he hadn’t paid a great deal of attention to the staff, or to the other guests either. Nor was he much interested in our inquiry, or in staying any longer than he had to at Cuttleford House.

“In the morning,” he said, “we’re out of here.” He tossed his head, a gesture that someone must have told him showed off his wavy hair. “I understand if you walk downstream a ways there’s a place where you can get across the creek without breaking your neck in the process. Then it’s just a matter of finding your way out to the main road. It’s too late to try it now, but as soon as the sun’s up that’s what Lettice and I are going to do.”

“But there’s been murder done,” the colonel told him. “I thought it was agreed that we would all remain here until the police arrive.”

“Maybe that’s what you thought,” Dakin said, “but so what? I didn’t agree to anything, and the rest of you haven’t got any authority over me. Once we get out of here we’ll call the cops and they’ll be out here like a shot, and isn’t that what you people want?”

“Yes, but-”

“I don’t know why the hell I ever came here in the first place,” he went on. “It was Lettice’s idea, and don’t ask me where she got it from. This place is supposed to be so exclusive and special, and all I see is a run-down pile of bricks run by a dizzy dame with a drunk for a husband. Every place you go nowadays you got satellite TV with fifty or a hundred cha