Страница 8 из 56
At two-fifteen, aggravated, I set the matter aside and spent the rest of the day on routine paperwork. I knew I could ill afford to get obsessed with Bibia
4
THE NEXT MORNING, I showered and do
"Oh, hi," said I. "May I speak to the owner, please?"
"This' the plant. He just left on his way over to the other place," she said. "You want that number?"
"Sure."
She recited the number to me carefully and I recited it back as if I were writing it down. What did she know? She couldn't see what I was doing anyway.
"Thanks," I said. I hung up and hopped in my car, flowers on the seat beside me. I drove over to the plant. There was a nice green length of curb out in front, fifteen minutes of free parking. I locked the car and went in. I stood at the counter briefly, waiting for service. The place smelled of soap products, damp cotton, chemicals, and steam. The area behind the counter was a forest of clothing in clear plastic bags. On my left, an elaborate electronic tram moved hanging garments in a tortuous track that snaked up and around, returning to the point of origin so that any garment on board could be delivered to the station when the proper number was punched in.
To the right, a maze of overhead pipes supported garments in the process of being pressed. There were ten women within my visual range, most of them Hispanic, working machines whose function one could only guess. A radio had been tuned to a Spanish-language station that was blasting out an up-tempo cut from a Linda Ronstadt album. Two of the women sang as they worked, moving men's shirts expertly across the machines in front of them. With the syncopated rhythm of the irons, the shirt machines, the clouds of billowing steam, the place looked like the perfect setting for a musical number.
One of the two singing women finally noticed me. She left her machine and came over to the counter where I was waiting. She was short and compact, with a round face, eyes the color of chocolate M amp;M's, and coarse dark hair pulled into a snood. The loose gold satin blouse she wore was sprinkled with sequins. She glanced at the bouquet. "Those for me?"
I checked the attached florist's card. "Are you Bibia
"Nah. She's off this week."
"She won't be in at all?"
The woman shook her head. "She hurt her back in this accident… mmm, about two months ago, and it's still botherin' her. The pain flares up, she says, real bad. She can't hardly walk. Boss told her, no way, don't come in. He don't want no kind of lawsuit. She got a boyfriend?"
I turned the card over, holding it up to the light. "Looks like a get-well card, actually. Shoot. Now what am I supposed to do?"
"Take 'em to her house," she said.
"I can't. This is the only address he gave. You don't happen to have her home address, do you?"
"Nah. I never been there myself," the woman said. She turned to one of the other women. "Hey, Lupe. Where's Bibia
The second woman shook her head, but a third piped up. "On Castano. I don't know the number, but it's this big brown house in front and her place in back. She's got this little bungalow. Real cute. Between Huerto and Arroyo."
The woman at the counter turned back to me. "You know the block she's talkin' about?"
"I'll find it," I said. "Thanks. You've been a big help."
"I'm Graciela. Tell the guy to look me up he gets tired of her. I got all the same equipment, just arranged different."
I smiled. "I'll do that."
The second address on Bibia
There were no cars in the drive. According to the claim form, her 1978 Mazda was still in the body shop, having the right side panel replaced (among other things). I waited twenty minutes, but there was no visible activity. I torqued myself around, reaching into the backseat for the locked briefcase where I keep assorted false ID's for occasions such as this. I pulled a set for "Ha
The tall trees on the property shaded it to an unpleasant chill, and I found myself wishing I'd brought a windbreaker or a sweat shirt. The exterior of Bibia