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The light in the kitchen was snapped on. Selma appeared in the doorway, still wearing her fur coat. She stood as still as a soldier and took in the sight before her. Brant was now moaning. Blood was pouring from his nose and he was struggling for breath. "Mom, watch out. She's stoned," he croaked.
Selma backed into the kitchen. I was moving away from her down the corridor, looking for Brant's gun when she showed up again, this time with the Smith Wesson in her right hand. I had no idea where Brant's gun had gone. I remembered the telltale thump at the end of its airborne journey.
"Stop right there," she said. She was now holding the gun with two hands, arms extended stiffly at shoulder height. I went about my business, ignoring her little drama. She had no way of knowing I'd been sanctified by Angel Dust. I was higher than a kite on PCP, methamphetamines, whatever it was-some amazing mix of excitation and immortality. The unpleasant side effects were now gone and I was detached from all feeling, secure in the sense that I would prevail over this bitch and anyone else who came after me.
"You're not going to take my son away from me."
As much as anything, I was a
"You are completely mistaken. I haven't lost Brant at all," she said. "Now get up right this minute! Do as I say!"
"Blow it out your ass, Selma. Do you see Brant's gun? I heard it bang against the wall. It's gotta be here somewhere."
"I'm warning you. I'll count to three and then I'm going to shoot you."
"You do that," I said. I moved into the dining room, convinced the gun had somehow become wedged under the hutch, the centerpiece in Selma's entire set of handsome, formal, glossy dark wood furniture. I placed my shoulder against the floor, reaching under the hutch as far as the length of my arm. It was in this awkward position-me spread-eagled on my stomach, Brant handcuffed and moaning in the hall, Selma angling herself into position to blow my head off if she could manage it-that I chanced to look up at her, watching in slow-motion amazement as she screwed up her face, closed her eyes, turned her head, and squeezed the trigger. There was a bright flash and a loud bang. The bullet exited the barrel at a lethal velocity. The normal football-shaped muzzle flash out the front of the gun and the vertical fan-shaped flashes at the cylinder gap seemed to be enhanced, a dazzling yellow. Brant had apparently packed the first cartridge with an overload of fast powder. I thought I knew now who Judy Gelson's lover was the night she blew a hole in her husband's chest. The chamber and the top strap ruptured. The blast unlatched the cylinder and drove it out to the left side of the gun. The brass cartridge case shredded and tiny bits of brass peppered Selma's hands, flakes of unburned powder peppering her face as well. Simultaneously, as though by magic, all the glass in the cabinet doors, including the crystal goblets and the bone china plates, exploded like fireworks and formed a glittering starburst of falling glass and debris.
"Fuck. That was great. You should try that again," I said.
Selma was weeping as I walked to the phone and dialed 9-1-1.
EPILOGUE
Later, the Nota County Sheriff gave me permission to read the file on the Ritter/Toth murders. Rafer and I sat down together and by comparing Tom's notes with other reports submitted in the case, we managed to piece together the course of Tom's investigation. The irony, of course, was that the evidence he'd collected was not only spotty, but entirely circumstantial. None of it was sufficient to result in an arrest, let alone a conviction. Tom realized Brant had committed double murder and he knew it was something he couldn't keep to himself for long. Revealing the truth would destroy his marriage. Concealing the truth would destroy everything else he valued. Tom had died in silence, and if Selma had been content to leave it there, the case might have died, too.
Brant is currently out on bail on a charge of attempted murder for what he did to me. Selma's hired a fancy-pants attorney who (naturally) advised him to plead not guilty. I suspect if we get to court this same attorney will find a way to blame the whole thing on me. That's the way justice seems to work these days.
In the meantime, Selma 's house is on the market and she's leaving Nota Lake. The town is unforgiving and the people there never liked her anyway. I guess what it all boils down to is a lesson in personal insecurity and low self-esteem. If I'd been clairvoyant-if I'd been capable of seeing all of these events in advance-I'd have told her to have her teeth capped instead of hiring me. She'd have been better off that way.
Respectfully submitted,
Kinsey Millhone