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And it wasn't water. It was more like mud, like warm earth. This must be what a worm feels moving along underground, she thought. She remembered, long ago, struggling through the damp soil of Gaea toward the light: hairless, disoriented, frightened as a new-born babe. This wasn't like that. There was no fear.

Then she was standing in a huge cave, with no memory of how she had come to be there. The cave stretched farther than she could see. She walked with Gaby beside the dry-docked, dormant, spidery forms of spaceships.

"I started saving these when the war started," Gaby said. "Captains would show up and refuse to go back to the war. They scuttled their ships. I brought them here and saved them."

There were hundreds of them. They looked very strange sitting there.

"It looks so ... forlorn," Cirocco said.

"Most of the damage is easily fixable," Gaby assured her.

"I suppose. But ... they weren't meant to be here. You know what it looks like? Jellyfish tossed up on the beach."

Gaby looked out over the silent armada and nodded. Spaceships did have a lot in common with the soft-bodied anatomical fantasies achieved by the more exotic marine invertebrates.

"You brought them here, you said. Not Gaea."

"I did. I thought they might come in handy one day. I brought a lot of other stuff, too, when I realized Gaea wanted the war to go on. Take a look over here." Gaby gently turned Cirocco ...

... and the darkness closed in again. When it lifted, Cirocco realized they were in a different place entirely.

"How did you do that?"

"Honey, I could never possibly explain how. Just accept that I can."

Cirocco thought about it. She felt a little fuzzy-headed, something like being drunk, something like dreaming. It was an accepting state of mind.

"Okay," she said, placidly.

They were in an endless tu

"This isn't real time you're seeing," Gaby explained.

"I'm dreaming, right?"

"Something like that. This is The Alchemist's Ring. It's a four-thousand-kilometer circular colliding-beam atom smasher ... and it uses some other techniques that soup it up way beyond anything we ever built on Earth. This is where Gaea makes heavy metals-mostly gold, lately. Before that, she stockpiled a lot of plutonium. I just wanted to show it to you."

Cirocco stared at the lights. They moved along the tu

Not real time, Gaby had said. The lights had to be atomic nuclei, and they had to be pushing the speed of light. It's all a visual aid, she thought. Not a dream, but something like it. More like a film.

"There's no air in here, is there?"

"No, of course not. Does that bother you?"

Cirocco shook her head.





"Okay, take a look over here ... "

... and she turned again...

This time Cirocco held her head and it was a little easier. She never closed her eyes, but it didn't do her any good. She was in another cave, much smaller than the spaceship hangar.

"It's very close to absolute zero in here. These are frozen samples from several hundred thousand Earth animal and plant species. Gaea collected some of them. I ordered others, just before the war started. I hope they might come in useful some day, like the ships. Now, take one step up ... "

Cirocco did, and almost lost her balance. Gaby's hand steadied her, and her feet came down on the familiar black sand. She took a deep breath, one she could believe in.

"I don't like to go that way," she complained.

"Okay. But I have some other things to show you. You still want to go?"

"Yes."

"Then hold my hand and don't be afraid."

Cirocco did, and they rose into the air.

Cirocco had flown before, many times, in dreams. There were two ways of going about it, possibly having to do with some psychological weather report. Low visibility in the cerebrum; clear air in the medulla. One way was to sit and float, like on a Persian magic carpet. That way one could drift slowly over the world. The other was to swoop and soar-but never with quite the amount of control one had in an airplane.

This flying was like the second way, but very precise. She flew with her arms extended-holding Gaby's hand at first, but later letting go and flying on her own-and her feet together, legs outstretched.

It gave her a giddy feeling; it was wonderful. By sweeping her arms backward, she could go faster. The palms of her hands functioned as ailerons for banking and turning. Various movements of her feet put her into a climb or a dive. She experimented with it, doing some tight turns and loops. Something was very different from "normal" dream flying, and she quickly realized it was the kinesthetic sense. Though her vision was still oddly hazy and her mind very slightly drugged, she could smell and taste the air, feel it rushing over her body, and-most important of all-she had mass and inertia. She pulled gees at the bottom of her loops, having to strain to hold her arms out rigid, feeling the flesh of her cheeks and thighs and breasts pulled down.

She glanced over at Gaby, who was flying in the same way.

"Very nice," she said.

"I thought you'd like it. But we're ru

Gaby turned and started climbing over the dark terrain of Dione. Cirocco did as she had been told, falling in behind, finding herself accelerating without having intended to do so. She folded her arms back against her side, and the two of them streaked upward. This wasn't like flying in an airplane. There was no sense of strain, no laboring engines. They just went straight up, like rockets. Soon they were entering the mouth of the Dione Spoke. Cirocco no longer felt any air resistance, though they must have been moving hundreds of miles per hour. Experimentally, she extended her arms, and felt no wind. Turning her hands or feet did nothing. She just followed Gaby.

The Dione Spoke, like all of the six spokes of the great wheel, was oval in cross-section, about a hundred kilometers along one axis and fifty along the other. It joined the rim in a vast, bell-shaped flare of tissue that gradually became the arched rim-roof. At the top of the bell was a sphincter that could be completely closed. At the other end, near the hub, was another sphincter. By opening or closing these valves and by flexing the three-hundred-kilometer-high spoke walls, Gaea pumped air from one region to another, heating or cooling it as needed.

Except for the Oceanus Spoke, which was barren, the interiors of these towering cylinders supported life in abundance. Huge trees grew horizontally from the vertical walls. Complex eco-systems flourished in the labyrinth branches, in hollows of the trees, and in the walls of the spoke itself.

There were dozens of species of angel in Gaea, most of them too dissimilar to inter-breed. The Dione Spoke supported three species-or Flights, as they called themselves. At the top, where gravity was almost nonexistent, were the spidery Air Flight: dwarves among angels, with translucent wings and skin, ephemeral, not too bright, more like bats than birds. They seldom landed anywhere except to lay eggs, which they abandoned to fate. They lived on a diet of leaves.

The middle part of the spoke belonged to the Dione Eagles, related to Eagle Flights in Rhea, Phoebe, and Cronus. Eagles did not form communities. In fact, when two Eagles met there was likely to be a bloody fight. Their young were born live, in mid-air, and had to learn to fly on the long fall to the rim. Many of them did.

But the Airs and the Eagles were in the minority. Most Gaean angels nested and nurtured their young. There were a lot of different ways to go about it. One species in Thea had three sexes: cocks, hens, and neuters. The hens were flightless and huge, the cocks small and savage. The neuters were the only intelligent ones, and they cared for the young, which were born alive.