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Moisture drips down the wall and the cell has a musty smell which irritates me more than anything else, I think, for I am very sensitive to such things. The floor is of earth, hardened by the feet of those who have languished here. They ca

Such is my existence in this dungeon. I sit here setting my jaw and thinking my thoughts about life and human beings as I have always done, and I do not change in the least.

If they think they can subdue me they are wrong!

I HAVE had some contact with the outer world, thanks to the good man who is my jailer. When he comes with my food he tells me in his guileless way of what has happened, adding lengthy commentaries of his own. He is very much interested in everything and likes to voice the speculations which have caused him such travail. In his mouth everything becomes utterly fatuous: above all he wonders what can be God’s reasons for all that has happened. But my wider knowledge and experience help me to gain an approximate notion of what really took place, of all the circumstances attendant on the decline and death of the Princess and various other occurrences which followed my imprisonment. The Prince sat faithfully by her bed all day long watching her face become more and more transparent and what the court described as spiritualized. As though he had seen her himself, Anselmo maintained that she became as lovely as a mado

It was in such a mood that he had me jailed and tortured. He loved her because she was so unattainable and, because of that, he let me suffer. It does not surprise me, but then nothing surprises me.

Bernardo was there with some others, and saw her. The old master is said to have observed that her face was wonderful to look upon and that now he was begi

Then the priests put in their appearance, ru

After her death they found a dirty crumpled paper on which she had written that she wished to have her despicable body burned like that of the plague victims, and the ashes strewn on the street so that all might tread on them. These words, though undoubtedly they were sincerely meant, were looked upon as incoherent wanderings and nobody paid any heed to her last wishes. Instead, they took a middle course, embalmed her corpse and then placed it in a simple iron coffin which was borne unadorned through the streets to the princely crypt in the cathedral. The procession was as meager as was possible where a princess was concerned, and the commonest people walked very devoutly in it, the miserable starved wretches who still survived. Anselmo described this cortege through the plague-smitten city as something very moving and pathetic. It is quite possible that it was.

The people believed that now they knew everything about her and her last days. They took possession of her as their own rightful property, changing what they had heard according to their own fancy, as happens in such cases. Their imagination was stirred by the plain ugly coffin in the crypt among all the other magnificent princely coffins of silver and skillfully carved marble. Lying there, she seemed somehow to have become one of them. And her penances and scourgings, which the tiring wench had had time to relate to all and sundry, transformed her into one of the elect who, being an exalted personage despite her humiliation, had suffered more than all the others. Inasmuch as He was God’s son, Jesus too suffered more than anybody else even though many others have been crucified, some head downward, and had been killed and martyrized far more painfully than He. By degrees she became a saintly being who had despised and denied this life to such an extent that she had tortured her body to death of her own accord. Thus the legend was going on quite unaffected by reality, and they continued to work at it until it corresponded to their desires. God knows if there were not miracles by the black ugly iron coffin which contained her remains. At least Anselmo believed that there were. He declared that a light shone about it at night. This is possible. The cathedral is closed at that time so nobody can authentically deny or affirm it, and when believers have the choice between that which is true and that which is not, they always choose that which is not. Lies are far rarer and more impressive than the truth, and so they prefer them.

When I heard all this I was obliged to tell myself that, quite unsuspectingly, I had been the creator of this saintly halo, or at least contributed largely to its sheen. And because of that, I was now manacled to the wall down here. Of course they knew nothing about that, and had they done so they certainly would have taken no interest in my martyrdom. Nor did I desire anything of that kind. But I was surprised that anyone so unholy as I should be instrumental in bringing about anything like that.

In due time, I do not quite remember when, Anselmo began to relate how Bernardo was painting a Mado

It was not easy to get any notion of the picture from the foolish Anselmo’s descriptions, but as far as I could understand, the master really had succeeded in creating something which must appeal to the devout. He himself can scarcely believe in the Mother of God, yet he had been able to impregnate her portrait with a sincere religious feeling and thereby fill the onlooker with pious emotion. Crowds came to the heavenly new Mado