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Back at the Carrigans', Doris's family is over for the usual Sunday di

"What a meal," says Grandpa Kirk, Doris's father.

"We are so lucky," says Grandma Sally, Doris's mother.

Brad feels incredibly lucky. Last night they did it in the living room, then in the bathroom, then twice more in the bedroom. Doris admitted she wasn't hot for Chief Wayne, exactly, just bored, plus she admired Wayne's direct and positive way of dealing with life, so untainted by neurotic doubts and fears.

"I guess I just want some fun," she'd said. "Maybe that's how I'd put it."

"I know," Brad had said. "I get that now."

"I just want to take life as we find it and enjoy its richness," Doris had said. "I don't want to waste my life worrying worrying worrying."

"I totally agree with you," Brad had said.

Then Doris disappeared beneath the covers and took him in her mouth for the third time that night. Remembering last night, Brad starts to get what Doris calls a Twinkie, and to counteract his mild growing Twinkie, imagines the Winstons' boxer, Mr. Maggs, being hit by a car.

"This meal we just ate?" says Aunt Lydia. "In many countries, this sort of meal would only be eaten by royalty."

"There are countries where people could live one year on what we throw out in one week," says Grandpa Kirk.

"I thought it was they could live one year on what we throw out in one day," says Grandma Sally.

"I thought it was they could live ten years on what we throw out in one minute," says Uncle Gus.

"Well anyway," says Doris. "We are very lucky."

"I like what you kids have done with the place," says Aunt Lydia. "The corn and all?"

"Very autumnal," says Grandpa Kirk.

Just then from the TV comes the brash martial music that indicates an UrgentUpdateNewsMinute.

Americans are eating more quail. Special quail farms capable of producing ten thousand quail a day are being built along the Brazos River. The bad news is, Americans are eating less pig. The upside is, the excess pigs are being slaughtered for feed for the quail. The additional upside is, ground-up quail beaks make excellent filler for the new national trend of butt implants, far superior to the traditional butt-implant filler of ground-up dog spines. Also, there has been a shocking upturn in the number of African AIDS babies. Fifteen hundred are now dying each day. Previously, only four hundred a day were dying. An emaciated baby covered with flies is shown, lying in a kind of trough.

"We are so lucky," says Aunt Lydia.

"There is no country in the history of the world as lucky as us," says Grandpa Kirk. "No country where people lived as long or as well, with as much dignity and freedom. Not the Romans. Not the Grecos."

"Not to mention infant mortality," says Uncle Gus.

"That's what I'm saying," says Grandpa Kirk. "In other countries, you go to a graveyard, you see tons of baby graves. Here, you don't see hardly any."

"Unless there was a car accident," says Uncle Gus.

"A car accident involving a daycare van," says Grandpa Kirk.

"Or if someone fell down the steps holding infant twins," suggests Grandma Sally.

Some additional babies covered with flies are shown in additional troughs, along with several grieving mothers, also covered with flies.

"That is so sad," says Aunt Lydia. "I can hardly stand to watch it."

"I can't stand to watch it," says Uncle Gus, turning away.

"So why not change it?" says Grandma Sally.

Doris changes it.

On TV six women in prison shirts move around a filthy house.

"Oh I know this one," says Grandma Sally. "This is Kill the Ho."

"Isn't it Kill Which Ho?" says Aunt Lydia.

"Isn't it Which Ho Should We Kill?" says Grandpa Kirk.

"All six are loose, poor, and irresponsible!" the a

"Told you," says Grandma Sally. "Told you it was Kill the Ho."

"They don't actually kill them though," says Grandpa Kirk. "They just do it on computers."

"They show how it would look if they killed that particular Ho," says Uncle Gus.

Then it starts to rain, and from the backyard comes a horrible scream. Brad tenses. He waits for someone to say: What the hell is that screaming?

But nobody seems to hear it. Everyone just keeps on eating.

We see from the concerned look on Brad's face, and the way he throws back his chair, and the concerned look Doris shoots him for throwing back his chair in the middle of di

Back at the Carrigans', Brad is struggling through a downpour in the familiar Carrigan backyard.

"What is it?" Brad shouts. "Why are you screaming?"

"It's the rain," screams the corpse who died fending off blows. "We find it unbearably painful. The dead do. Especially the dead not at peace at the time of their deaths."

"I never heard that before," says Brad.

"Trust me," says the corpse who died fending off blows.

The corpses, on their backs, are doing the weirdest craziest writhing dance. They do it ceaselessly, hands opening and closing, feet bending and straightening. With all that motion, their dried hides are developing surficial cracks.

"What can I do?" says Brad.

"Get us inside," gasps the woman corpse.

Brad drags the corpses inside. Because the house is a ranch house and has no basement, he puts the corpses in the back entry, near a bag of grass seed and a sled.

"Is that better?" Brad says.

"We can't even begin to tell you," says the corpse who died fending off blows.

Brad goes back to the dining room, where Doris is serving apple pie, peach pie, raspberry pie, sherbet, sorbet, coffee, and tea.

"Anything wrong, hon?" says Doris. "We're just having second dessert. Say, what's that on your shirt?"

On Brad's shirt is a black stain, which looks like charcoal but is actually corpse mud.

"Go change, silly," says Doris. "You're soaked to the bone. I can see your nipples."

Doris gives him a double-raise of her eyebrows, to indicate that the sight of his nipples has put her in mind of last night.

Brad goes into the bedroom, puts on a new button-down. Then he hears something heavy crashing to the floor and rushes out to find Doris sprawled in the back entry, staring in horror at the charred corpses.

"Bradley, how could you?" she hisses. "Is this your idea of a joke? Is this you getting revenge on me in a passive-aggressive way because I wouldn't let you waste our corn?"

"The rain hurts them," Brad says.

"Having my entry full of dead corpses hurts me, Brad," Doris says. "Did you ever think of that?"

"No, I mean it physically hurts them," says Brad.

"After all we shared last night, you pull this stunt?" Doris says. "Oh, you break my heart. Why does everything have to be so sad to you? Why do you have so many negative opinions about things you don't know about, like foreign countries and diseases and everything? Why can't you be more like Chief Wayne? He has zero opinions. He's just upbeat."

"Doris, I-" says Brad.

"I want them out," Doris says. "I want them out now, dumbass, and I want you to mop this entry, and then I want you to mop it again, shake out the rug, and also I may have you repaint that wall. Why do I have to live like this? The Elliots don't have corpses in their yard. Millie doesn't. Kate Ronston doesn't. The Winstons don't have any Filipinos trying to plunder their indoor vegetables. Only us. Only me. It's like I'm living the wrong life."

Doris storms back to the kitchen, high heels clicking sexily on the linoleum.