The Zero

“I got the flakes!” said one, and Remy thought he sensed just the slightest disappointment in this boy, who also had slices of bananas in his cereal.

“I got marshmallows!” said the other kid, with no reservations.

And then the deep-voiced narrator said: “First Responder. The cereal of heroes.”

When it was over, McIntyre, Carey, and Tara applauded. Remy didn’t know what to do.

“Baby,” said Tara, “you’re a star.”

“So what do you think, Brian?” Guterak asked nervously.

But before Remy could answer, he felt the moment slipping and-

AT DAWN, joggers circled the kidney-shaped lawn. Their footfalls echoed softly against the retaining walls surrounding the edge of the park. Remy sat on the steps leading to the park, above the dewy grass. He had an open book in his hands, but he was staring past it toward the damp field. He was getting used to seeing out of one eye, to seeing around corners. In some ways, he wondered if this wasn’t a more accurate view of the world, without the gap between his eyes, that little bit of distance that the brain corrected and covered. And he wondered about blind spots, if there weren’t things that only he could see now, things the binocular missed.

In the park, a woman walking a little dog looked both ways before allowing the animal to shit in the bark surrounding the red jungle gym. Closer, a homeless man slept at the edge of the grass, parting the flow of ru

Women in dark pantyhose and te

The homeless man rose in the park. He was a chunk of a black man in grease-stained jeans and a parka. He stretched and immediately went to work – even the homeless have to be ambitious down here, Remy thought, Type A panhandlers – and his outstretched hand only drove the flow of passersby further afield. Most held a single hand up to stop him from asking, though a few shook their heads and eventually one man was distracted into kindness, digging in his pocket absentmindedly as he talked on his cell, as if the beggar were a tollbooth.

Two more rejections, and then the homeless man hooked another one, a young Middle Eastern man. Remy raised his head. The man… was Kamal, Assan’s brother, Subject Number One. He was sure of it. Wearing a blue blazer and tan slacks, Kamal seemed like a thi

At eight sharp, a second figure approached the bench where Kamal was sitting. It was Bishir, the agency’s man inside the cell. He was wearing a windbreaker. He sat down and pretended not to speak to Kamal. After a moment, Subjects Number One and Two stood up, moments apart, and began walking toward the street. This time, Bishir was carrying the sandwich. They walked next to one another, but moved stiffly, trying so hard not to draw attention that they looked ridiculous.

Remy scrambled down the steps and fell in behind the men. They walked slowly across the street and paused at a grade school, arguing about something in front of its fanciful brick and iron fence. Kamal gestured at the section of fence that looked like a ship on gently rolling seas, and Remy touched his pirate’s eye patch and felt himself go cold. Not a school. They wouldn’t try a school…

They began walking and Remy moved behind them again. As they turned a corner, he saw the agent Dave sitting in a parked car with another man he didn’t recognize. Was the agency in control of all this? Did Remy need to follow Kamal anymore? A moment later, Kamal and Bishir disappeared down the stairs of a subway station. Dave and the other agent hurried behind them.

Was that it? Had Remy done his part? Perhaps it was possible after all – that if he just went with events as they presented themselves, things would work out. Traffic was begi

Then Kamal came out of the subway entrance across the street. Alone. He walked quickly down the sidewalk, breaking into a kind of skip-run. Remy looked around in vain for Dave, and now Kamal was rushing down the block. Remy ran across the street, trying to look like someone late for a bus, and stayed half a block from Kamal, whose head swung regularly as he moved, like a lizard. Remy felt frantic with confused adrenaline. Was he supposed to stop Kamal? Was something happening? Would he recognize it if it did?

He stayed behind Kamal, keeping an eye out for Dave, but the agent was nowhere to be found. Had Kamal lost him? Subject Two turned north, then west, south, and finally east again – a completed circle around the block. Remy stayed back at least a half block, trying to look nonchalant, which was difficult at the pace Kamal was setting for him. He paused here and there, ostensibly to check his watch, and kept moving down the block.

Kamal hurried toward a cluster of public buildings. Remy felt a surge of angry hopelessness. Everything here was a potential target. Cupolas and arches and pillars, the breathless neoclassical mass at the end of the block: Any of them would work, Remy thought, all of them packed with people and symbolic weight. He thought of a map of downtown tourist attractions he’d seen once, and he thought: The whole city is a target. Ahead of him, Kamal stopped suddenly, looked back over his shoulder, and took a sharp left, disappearing into an ornate building Remy had never really noticed before, wedged between all of these larger structures.

Remy hurried to catch up, but he didn’t know if he should go inside, and he didn’t want to lose Kamal, who might come right back out. Instead, Remy drifted into a small park across the street, where he could see the whole building. He stood behind a tree and took in the face of the grand building, which he noticed now was like a kind of coded map. Three arches on the first floor gave way to a row of three-story columns and then a wedding-cake topper lined with statues of men – famous men Remy didn’t recognize, men looking down on him in judgment, men waiting for history to occur. Even towering over the street, the men seemed real, down to the wrinkles in the sculpted folds of their coats. Above the statues, gaudy dormers poked from the roof, home to cherubs and eagles and shields, a symbolic, indecipherable alphabet that sparked in Remy an old wish for more education, enough to illuminate the significance of the ship’s prow, or the soldier and maiden on one side and the Indian and Pilgrim on the other, staring down at him with a sepulchral patience that was as terrifying as anything he’d ever felt.