Payment in Blood

The request, Lynley saw, was out of character for Macaskin. Giving the reins of an investigation over to another officer was not an accustomed routine for the Scot, and even as he spoke, the tips of his ears grew red against his fi ne, grey hair.

As if she recognised a concealed message within Macaskin’s words, the cook belligerently continued, “Ye ca

Lynley flipped open his pocket watch, surprised to see that it was half past eight. He couldn’t have been less hungry himself, but since the crime-scene men were finished, there was no further purpose to keeping the group from adequate food and from the relatively restricted, supervised freedom of the house. He nodded his approval.

“Then we’ll be off,” Macaskin said. “I’ll leave Constable Lonan with you and get back myself in the morning. I’ve a man ready to take Stinhurst to the station.”

“Leave him here.”

Macaskin opened his mouth, closed it, opened it again, throwing protocol to the wind long enough to say, “As to those scripts, Inspector.”

“I’ll see to it,” Lynley said fi rmly. “Burning evidence isn’t murder. He can be dealt with when the time arrives.” He saw Sergeant Havers move in a recoiling motion, as if she wished to distance herself from what she saw as a poor decision.

For his part, Macaskin seemed to consider arguing the point and decided to let it go. His official good-night comprised the brusque words: “We’ve put your things in the northwest wing. You’re in with St. James. Next to Helen Clyde’s new room.”

Neither the political manoeuvring nor the sleeping arrangements of the police were of interest to the cook, who had remained in the doorway, eager to resolve the culinary dispute that had brought her to the sitting room in the first place. “Twinty minutes, Inspector.” She turned on her heel. “Bey on time.”

It was a fine point of conclusion. And that is how Macaskin used it.

RELEASED at last from their day’s confi nement in the library, most of the group were still in the entrance hall when Lynley asked Joa

It looked as if she was considering that as a possibility, however, walking a quick line between outright refusal and hostile cooperation. The latter seemed ascendant, and as she approached the sitting-room door, Joa

Looking at her, Lynley found it hard to believe that she was nearly forty years old. She looked ten years younger, possibly more, and in the forgiving light of the fire that warmed her skin to a translucent gold, Lynley found himself recalling his first sight of François Boucher’s Diana Resting, for the splendid glow of Joa

No wonder Gabriel’s been after her, Lynley thought. He offered her a cigarette which she accepted. Her hand closed over his to steady the lighter’s flame with fingers that were long, very cool, flashing several diamond rings. It was a stagey sort of movement, intentionally seductive.

“Why did you argue with your husband last night?” he asked.

Joa

“You argued about the new play.”

“We argued about everything. The new play was just part of it.”

“And you objected to Irene Sinclair’s role as well.”

Joa

“Your husband says that you were out of your room for part of last night.”

“So I had the opportunity to do Joy in? Yes, I suppose it looks that way.”

“Where did you go after your row in the gallery?”

“To our room, at fi rst.”

“What time was this?”

“Shortly after eleven, I imagine. But I didn’t stay there. I knew David would be coming back, sorry about it all and eager to make it up in his usual fashion. And I wanted none of it. Or of him. So I went to the music room next to the gallery. There’s an ancient gramophone there and some even more ancient records. I played show tunes. Francesca Gerrard appears to be quite an Ethel Merman fan, by the way.”

“Would someone have heard you?”

“As corroboration, you mean?” She shook her head, apparently unconcerned by the fact that her alibi thus had absolutely no grounds for credibility. “The music room’s off by itself in the northeast corridor. I doubt anyone would have heard. Unless Elizabeth was doing her usual routine, snooping at doors. She seems to excel at it.”

Lynley let that one go by. “Who was in the reception area when you arrived yesterday?”

Joa