The Shipping News

The auditorium was jammed. A sweep of best clothes, old men in camphor-stinking black jackets that gnawed their underarms, women in silk and fine wools in the colors of camel, ci

Quoyle, carrying Sunshine, could not see Wavey. They sat beside De

The principal, dressed in her brown suit, came on the stage, a spotlight wavered across her feet and the junior choir began. Shrill, pure voices flooded over the audience.

It was not what he thought. Yes, children lisped comic or religious poems to thunderous applause. But it was not just schoolchildren. People from the town and the outlying coves came onstage as well. Be

“When I was a kid they came around at night and sang outside the door,” whispered De

Then Bu

“Hi Bu

“Quiet, now,” whispered Quoyle. The child like coiled wire.

Bu

“Pretty good,” croaked Quoyle.

“Oh, aye,” said De

Quoyle remembered Nutbeem’s tape. Had the children memorized some pagan song of unknown meaning from that tape? He hoped so.

A woman, perhaps seventy, glowing hair in a net like a roll of silver above her forehead came smiling onto the stage. Bunched cheeks over her smile like two hills above the valley. Eyes swimming behind lenses. A child ran out and placed a soccer ball on the floor behind her.

“Oh, this is good,” said De

She stood still a few seconds, long old arms in her jersey, the tweed skirt to the knees. Yellow stockings, and on her feet red slippers. Suddenly one of the legs scratched at the stage, the arms became wings, and, with a crooning and cackling, Auntie Sofier metamorphosed into a peevish hen protecting an egg.

Quoyle laughed until his throat ached. Though he had never found hens amusing.

Then Wavey and Herry. The boy wore a sailor suit, clacked across the stage in tap shoes. Wavey, in her grey, homemade dress sat on a chair, the accordion across her breast like a radiator grill. The few false notes. Wavey said something that only the boy heard. A strained silence. Then, “One, two, three,” said Wavey and commenced. The hornpipe rolled into the audience and at once hundreds of right heels bounced against the floor, the boy rattled his way up and down the blank boards. Quoyle clapped, they all clapped and shouted until Herry ran forward and bowed from the waist as his mother had taught him, smiling and smiling through the hinges of his face.

The showstopper was Beety.

The black cane appeared first from behind the curtain and a roar went up in the audience. She came out jauntily. Strutted. Wore dance tights and tunic covered with sequins and glass bugles, rondels, seed beads, satinas and discs, crow beads, crystal diamonds, cat’s-eyes, feather drops and barrels, sputniks and pearls, fluted twists, bumpy-edges and mother-of-pearl teardrops. She had only to breathe to send shimmering prisms at them. A topper that took the light like a boomerang. Leaned on the cane. Twirled the hat on one finger, flipped it in a double somersault and caught it square on her head.

“We all know Billy Pretty’s ways,” she said, voice charged with tricks and amusements, a tone Quoyle’d never heard. He glanced at De

“Proper thing to save a dollar, eh Billy?”

The audience, laughing, twisted around in their seats to stare at Billy who sat near the back, strangling. The cane twirled.

“Yes, we knows ‘is ways. But ‘ow many knows the time last winter, February it was, time we ‘ad that silver thaw when Billy wanted to ‘ave the old grandfather clock in ‘is kitchen repaired? It was like this, m’dears.” The cane walked around. “Billy called up Leander Mesher.”

The audience creaked and twisted in their seats again to look at the grocer whose hobby was repairing antique watches.

“Leander’s been known to fix a few watches at ‘is kitchen table. The old kind. There may be a few ‘ere remember them. You used to wind them up. Every day. S’elp me, it’s true! Every day. Life was terrible ‘ard in the old days. So! Calls Leander up on the telephone. It was a local call. No charge.” She became an unca

“ ‘Leander,’ he says. ‘Leander, what would you ask to repair me old grandfather clock that’s ‘ere in me kitchen the ‘undred years past. I winds it up with a key. It is not battery operated.’

“ ‘Ah,’ says Leander. ‘Could be about a hundred and ten dollars. The cost comes in getting it ‘ere. Pickup and delivery. Got to charge fifty each way. Got to ‘ire two strong lads, gas and oil for the truck. Insurance. Air in the tires.’

“ ‘There’s no cost to air in the tires,’ says Billy.

“ ‘Where ‘ave you been, Billy? ‘Tis called ‘inflation.’

“Well, m’dears, Billy thought about it a bit. We knows ‘e lives up on the ‘ill and Leander’s ‘ouse is down at the bottom and in between a dozen streets. Billy ‘as it all figured out. ‘E’ll carry the clock down to Leander ’imself. Save fifty dollars. Leander can bring it back. Uphill. After all, it’s not that it’s all that ‘eavy, being mostly an empty space for the pendulum, but it’s awkward. Very awkward.” She measured off the dimensions of the grandfather clock, reaching high with the cane to touch the wooden dove that everyone knew topped Billy’s clock, widening her arms, stooping and dusting a bit of lint from the carved fruitwood foot. Quoyle twisted around, saw Billy roaring with pleasure at the resurrection of his clock on the stage. Someone in the audience went TICK TOCK.

“ ‘E gets a good length of rope, you see, knotted and looped around nicely where ‘is arms’ll go. And ‘oists ‘er up on ‘is back and out the door! ‘Eading for Leander’s.” Now she was Billy teetering down the steep, icy hill.

“ ‘Awful slick,’ says our Billy.” Taking careful little steps.

“Now, down near the bottom of the hill is where Auntie Fizzard lives, ninety years old, isn’t that right m’dear?”