The Killing Kind

Thick green firs grew on either side of the road as it made its way to the remains of the lighthouse, where the road became part of a gravel courtyard that touched on the entrance to each of the island's structures. There should have been nothing more than a pile of old stones where the original lighthouse had once stood, but instead I found an edifice about thirty feet high, with an open gallery at the top surrounded by a chain-link fence, offering a clear view of the causeway and the coast itself. It was a lighthouse without a light, except for a faint illumination in one of the windows at the highest enclosed level.

To the right of the new lighthouse stood a long wooden single-story building with four square windows covered with wire frame, two on either side of the heavy door. A greenish glow emanated from it, as if the light inside was struggling to penetrate water or the leaves of plants. In front of the lighthouse, blocking my view of its entrance, was what I took to be a garage. Farther back, almost at the eastern edge of the island, was a second similar structure, possibly a boathouse. I leaned against the back of the garage and listened, but I could hear nothing except the steady falling of the rain. Staying on the grass and using the building as a shield, I began to make my way toward the lighthouse.

It was only when I cleared the garage that I saw him. Two tree trunks had been bound together to form an X, supported in turn by a second pair of trunks that kept the cross at an angle of sixty degrees to the ground. He was naked, and his arms and legs had been bound to the wood with wire. There was a lot of bruising to his face and his upper body, and swellings on his arms, chest, and legs that looked like the result of bites. Blood had flowed from the wounds in his femoral arteries and lay pooled on the ground below him. The rain washed over his pale body, dripped from the soft flesh on his arms and glistened on his bare skull and white, hairless face. A patch of skin was missing from his stomach. I moved closer to him and checked his pulse, his skin still warm to the touch. The Golem was dead.

I was about to leave him when gravel crunched to my right and the mute appeared. There was mud on her boots and her loose denim jeans, and she wore a yellow windbreaker, which hung open over a dark sweater. She held a gun in her right hand, pointing to the ground. There was no time for me to hide, even if I wanted to.

She stopped short when she saw me, her mouth opened soundlessly, and she raised her arm and fired. I dived left. Beside me, the Golem's body shuddered slightly as the bullet struck his shoulder close to where my head had been. I knelt, sighted, and squeezed the trigger. My first shot took her in the neck, the second in the chest. She twisted, her legs wrapped themselves around each other, and she fell, loosing off two shots into the air as she hit the ground. I ran to her, keeping the gun trained on her body, and kicked her gun away from her right hand. Her left leg was trembling uncontrollably. She looked up at me, the scars on her neck now obscured by the blood flowing from her wound. Something rattled in her throat, her mouth opened and closed twice, and then she died.

In the outbuilding to my right, a shape distorted the flow of green light for an instant. A thin shadow passed across the glass and I knew instinctively that Mr. Pudd was waiting inside for me. He could not have failed to have heard the shots, yet he hadn't responded. Behind me the door of the lighthouse remained securely closed, but when I looked to the top of the building, the light that had been burning was now burning no longer. In the darkness it seemed to me that something was watching me closely. Pudd would have to be dealt with first, I thought; I did not want him at my back.

Quickly, my hands brushing the long, wet grass, I ran to the door of the outbuilding. There was a small glass panel at about face level, crisscrossed with wire, and I stayed low as I passed beneath it. A bolt had been pulled across midway down the door, and a lock hung open beneath it. Stepping to one side, I eased my foot against the crack and pushed the door open.

Three shots sounded and the door frame exploded in showers of splinters and flaking paint. I jammed my gun into the gap and fired five times in an arcing pattern, then threw myself into the room. I could still hear glass falling as I sprinted to the far left wall, but no more shots came. Working quickly, I ejected the magazine from the Smith amp; Wesson and replaced it with a full clip, sca

The stench was incredible, a powerful smell of decay and defecation. There were no lights on the ceiling or on the walls, and the single skylight had been draped with folds of thick, dark cotton to prevent direct sunlight from falling on the room. Instead, the only illumination came from small shielded bulbs set below the metal shelves that ran in five rows across the width of the room. The shelves had four levels, and the green tint to the light came from plants that grew in pots alongside the glass cases that rested on each shelf. Every case or cage on the shelves had a thermometer and a humidity gauge, and dimmer switches had been placed in series with the lightbulbs to reduce the intensity of their radiant heat. Aluminum foil had been used to partially shield the bulbs, protecting the spiders and insects in the cases from direct light, while the use of foliage further softened the glare. The bulbs were not powerful enough to penetrate to the farthest corners of the room, where thick pools of darkness lay. Somewhere among them, Pudd waited, his form hidden by the shadows and the greenery.

A sound came from close to where my hand rested on the ground, a soft tapping on the stone floor. I looked to my left and saw, resting in a small arc of green light, a dark, semicircular shape, its body perhaps an inch and a half long and its spiny legs, it seemed, at least as long again. Instinctively, I yanked my hand away. The spider tensed, then raised its first pair of legs and exposed a set of reddish jaws.

Suddenly, and with surprising speed, it moved toward me, its legs almost a blur and the rhythm of the tapping increasing. I backed away, but it kept coming as I lashed out with my foot and felt it co

In my panic, I had moved almost to the aisle between the first and second lines of shelves. To my right, shards of glass caught the light and the remains of a case shattered by my 10-millimeter bullets lay in pieces on the second level. A square of card, heat-sealed in plastic, was among the glass fragments on the floor. In ornate black script were written the words Phoneutria nigriventer and then, in English below, Brazilian wandering spider. I glanced back toward the shadows into which the aggressive brown spider had bounced, and shuddered.

From far to my right came the sound of something brushing against the leaves of a plant, and the shadows on the ceiling rearranged themselves briefly. Pudd now knew where I was. The sounds of my frantic kicks at the spider had alerted him. I found that my left hand was trembling, so I used it to double-grip my gun. If I couldn't see it shaking, then I could convince myself that I wasn't afraid. Slowly, I moved to the second row of shelves, took a deep breath, and glanced into the aisle.

It was empty. Beside my left eye, a shape shifted in a case. It was small, maybe just over an inch in total, with a broad red stripe ru