London Bridges

The next-door neighbor, Delta Shore, ran over to Frances. "What's happening, hon? Why are all these soldiers here? My good God Almighty! Can you believe it? They must be from Nellis or Fallon or someplace. I'm a little scared, Frances. You scared, hon?"

The clothespin in Frances 's mouth finally dropped to the ground as she spoke to Delta. "They say that they're evacuating us. I've got to get the girls."

Then Frances ran inside the mobile home, and at 240-some pounds, she had believed her sprinting, or even jogging, days were far behind her.

"Madison, Brett, c'mere, you two. Nothin' to be scared of. We just have to leave for a while! It'll be fun. Like a movie. Get a move on, you two!"

The girls, ages two and four, appeared from the small bedroom where they'd been watching Rolie Polie Olie on the Disney Cha

Frances grabbed her cell phone off the kitchen counter-and then the next really strange thing happened. She tried to get a line to the police, but there was nothing except loud static. Now that had never happened before, not that kind of a

"Damn it!" she snapped at the buzzing cell phone, and almost started to cry. "What is going on here?"

"You said a bad word!" Brett squeaked, but she also laughed at her mother. She kind of liked bad words. It was as if her mother had made a mistake, and she loved it when adults made mistakes.

"Get Mrs. Summerkin and Oink," Frances told the girls, who would not leave the house without their two favorite lovies, not even if the infernal plague of Egypt had come to town. Frances prayed that it hadn't-but what had? Why was the U.S. Army swarming all over the place, waving scary guns in people's faces?

She could hear her frightened neighbors outside, verbalizing the very thoughts racing around in her head: "What's happened?" "Who says we have to leave?" "Tell us why!" "Over my dead body, soldier! You hear me, now?"

That last voice was Dougie's! Now what was he up to?

"Dougie, come back in the house!" Frances yelled. "Help me with these girls! Dougie, I need you in here."

There was a gunshot outside! A loud, lightning-bolt crack exploded from one of the rifles.

Frances ran to the screen door-here she was, ru

Oh my God, Dougie isn't moving. Oh my God, oh my God! The soldiers had shot him down like a rabid dog. For nothing! Frances started to shiver and shake, then threw up lunch.

Her girls screeched, "Yuk, Mommy! Mommy, yuk! You threw up all over the kitchen!"

Then suddenly a soldier with a couple of days' facial growth on his chin kicked open the screen door and he was right in her face and he was screaming, "Get out of this trailer! Now! Unless you want to die, too."

The soldier had the business end of a gun pointed right at Frances. "I'm not kidding, lady," he said. "Tell the truth, I'd just as soon shoot you as talk to you."

Chapter 4

The job-the operation, the mission-was to wipe out an entire American town. In broad daylight.

It was some eerie, psycho gig. Dawn of the Dead, either version, would be mild compared to this. Sunrise Valley, Nevada; population, 315 brave souls. Soon to be population, 0. Who was going to believe it? Well, hell, everybody would in less than about three minutes.

None of the men on board the small plane knew why the town was being targeted for extinction, or anything else about the strange mission, except that it paid extremely well, and all the money had been delivered to them up front. Hell, they didn't even know one another's names. All they had been told was their individual tasks for the mission. Just their little piece of the puzzle. That's what it was called-their piece.

Michael Costa from Los Angeles was the munitions expert on board and he'd been instructed to make a "bootleg fuel-air bomb with some real firepower."

Okay, he could do that easily enough.

His working model was the BLU-96, often called a Daisy Cutter, which graphically described the end result. Costa knew that the bomb had originally been designed to clear away mine fields, as well as jungles and forests for military landing zones. Then some really crazy, sick dude had figured out that the Daisy Cutter could wipe out people as easily as it could trees and boulders.

So now here he was inside an old, beat-to-hell cargo plane flying over the Tuscarora Mountain range toward Sunrise Valley, Nevada, and they were very close to T, for target.

He and his new best friends were assembling the bomb right there on the plane. They even had a diagram showing how to do it, as if they were idiots. Assembling Fuel-Air Bombs for Dummies.

The actual BLU-96 was a tightly controlled military weapon and relatively hard to obtain, Costa knew. Unfortunately for everybody who lived, loved, ate, slept, and shit in Sunrise Valley, Daisy Cutters could also be assembled at home out of readily obtainable ingredients. Costa had purchased a thousand-gallon supplemental fuel bladder, then filled it with high-octane gas, fitted a dispersing device, and inserted dynamite sticks as an initiator. Next, he made a motion brake and trigger assembly using a parachutist's altitude-deployment device for parts. Simple stuff like that.

Then, as he'd told the others on board the cargo plane, "You fly over the target. You push the bomb out the payload door. You run like your pants are on fire and there's an ocean up ahead. Trust me, the Daisy Cutter will leave nothing but scorched earth below. Sunrise Valley will be a burn mark in the desert. A memory. Just you watch."

Chapter 5

"Easy does it, gentlemen. No one is to be hurt. Not this time."

Nearly eight hundred miles away, the Wolf was watching in live time what was happening in the desert. What a flick! There were four cameras on the ground at Sunrise Valley that were pumping video footage to four monitors in the house in the Bel Air section of Los Angeles, where he was staying. For the moment, anyway.

He watched closely as the inhabitants of the mobile-home park were escorted by army perso

Suddenly he spoke out loud, "Shit! Don't do that!" He started to squeeze the black handball rapidly in his fist, a habit when he was anxious or angry, or both.

One of the male civilians had pulled a gun and had it pointed at a soldier. Incredibly dumb mistake!

"You imbecile!" the Wolf shouted at the screen.

An instant later the man with the handgun was dead, facedown in the desert dust, which actually made it easier to get the other retards from Sunrise Valley into the transport trucks. Should have been part of the plan in the first place, the Wolf thought. But it hadn't been, so now it was a small problem.

Then one of the handheld cameras focused on a small cargo plane as it approached the town and circled overhead. This was just gorgeous to behold. The handheld was obviously on board one of the army trucks, which were, he hoped, speeding out of range.

It was amazing footage-black and white, which somehow made it even more powerful. Black and white was more realistic, no? Yes-absolutely.

The handheld was steady on the plane as it glided in over the town.

"Angels of death," he whispered. "Beautiful image. I'm such an artist."

It took two of them to push the bladder of gas out the payload door. Then the pilot banked a hard left, fire walled the engines, and climbed out of there as fast as he could. That was his job, his piece of the puzzle, and he'd done it very well. "You get to live," the Wolf spoke to the video again.