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Sara nodded, trying to keep up.

"You should be glad she passed out. Couple'a more minutes she'd be telling you how she always depends on the kindness of strangers."

Sara took a sip of beer.

"Slick hasn't been back here in forever. Left town like he was ru

"Thank you for apologizing."

"I near about cracked up when you said that about the balloon animals." She laughed. "He told me you were a doctor, but I didn't believe him."

"Pediatrician," Sara confirmed.

Nell sat back in the chair. "You have to be smart to get into medical school, right?"

"Pretty much."

She nodded appreciatively. "Then I'll assume you know what you're doing with Jeffrey."

"Thank you," Sara told her, and meant it. "You're the first person I've met who's said that."

Nell turned serious, looking at Sara with something like pity. "Don't be surprised if I'm the last."

Chapter Six

During the five hours she spent at Nell's, Sara found out more about Jeffrey Tolliver than she had in three months of dating him. Jeffrey's mother was a confirmed alcoholic and his father was serving time in prison for something no one was very specific about. Jeffrey had dropped out of Auburn two classes away from graduating and joined the police force without telling anybody why. He was an excellent dancer and he hated lima beans. He was definitely not the marrying kind, but Sara did not need Nell to tell her this. Jeffrey radiated the words "confirmed bachelor."

Considering Nell had managed to mumble most of these details under her breath during a particularly competitive game of Trivial Pursuit, Sara was only privy to the headlines and none of the details behind them. It was pitch dark by the time they left the group, and as Sara and Jeffrey walked down the street toward his mother's house, she tried to think of a way to find out more.

She settled on "So, what does your mother do?"

"Different things," he said, not offering anything else.

"And your dad?"

He switched her suitcase to his other hand and wrapped his arm around her. "You seem like you had a good time tonight."

"Nell's just full of insight."

"She likes the sound of her own voice." He slid his hand to her hip. "I wouldn't believe everything she says."

"Why is that?"

His hand slid lower as he nuzzled her neck. "You smell good."

She got the message, but did not exactly change the subject. "Are you sure your mother won't mind us staying over?"

"I called her from Nell's a few hours ago," Jeffrey said. "You remember when Nell was telling you my life story?" He gave her a look that said he knew exactly what had been going on with Nell, though Sara had to assume Jeffrey would not have taken her to meet his friends without knowing exactly what would happen.

She decided to call him on it. "This is a pretty cheap way for me to find out all about your life without you having to say a word."





"I told you, I wouldn't believe everything Nell has to say."

"She's known you since you were both six."

"She's not exactly my biggest fan."

Sara finally picked up on the tension between them. "Don't tell me you dated her, too?"

He didn't answer, which she took for an affirmation. "It's right here," he said, indicating a house with a beat-up Chevy Impala parked in the driveway. Even though Jeffrey had called ahead, his mother hadn't bothered to leave on any lights for them. The house was completely dark.

Sara hesitated. "Shouldn't we stay in a hotel?"

He laughed, helping her as her foot caught on some loose gravel. "There aren't any hotels here except the one behind the bar that truck drivers rent by the hour."

"Sounds romantic."

"Maybe for some of them," he suggested, leading her up the front steps. Even in the darkness, Sara could tell the house was one of the ones that had been allowed to fall into disrepair. Jeffrey warned her, "Watch that board," as he slid his hand along the top of the door-frame.

"She locks her door?"

"We were robbed when I was twelve," he explained, jiggling the key in the lock. "She's lived in fear ever since." The door stuck at the bottom and he used his foot to push it open. "Welcome."

The smell of nicotine and alcohol was overwhelming, and Sara was glad the darkness hid her expression. The house was stifling and she could not imagine spending the night, let alone living here.

"It's okay," he said, indicating she should go in.

She lowered her voice, "Shouldn't we be quiet?"

"She can sleep through a hurricane," Jeffrey said, closing the door behind him. He locked it with the key, then, judging from the sound, dropped the key into a glass bowl.

Sara felt his hand on her elbow. "Back this way," he said, walking close behind her. She took about four steps through the front room before she felt the dining room table in front of her. Three more steps and Sara was in a small hallway, where a nightlight revealed a bathroom in front of her and two closed doors on either side. He opened the door on the right and followed her through, closing the door again before he turned on the light.

"Oh," Sara said, blinking at the small room. A twin bed with green sheets and no blanket was pushed into the corner under a window. Posters of half-naked women were taped around the walls, with Farrah Fawcett given a place of prominence over the bed. The closet door was the only departure from the decorating scheme: a poster showed a cherry red convertible Mustang with an exaggerated blonde leaning over the hood – probably because the weight of her enhanced breasts prevented her from standing up straight.

"Lovely," Sara managed, wondering how bad the hotel was.

Jeffrey seemed embarrassed for the first time since she had met him. "My mother hasn't changed things much since I left."

"I can see that," she said. Still, part of Sara was intrigued. As a teenager, her parents had made it clear that boys' rooms were off-limits and Sara had therefore missed the experience. While the Farah Fawcett poster was predictable, there was something else to the room, some sort of essence. The smell of cigarette smoke and bourbon did not exist here. Testosterone and sweat had muscled it out.

Jeffrey put her suitcase flat on the floor and unzipped it for her. "I know it's not what you're used to," he said, still sounding embarrassed. She tried to catch his eye, but he was busy sorting through his duffel bag. She realized from his posture that he was ashamed of the house and what she must be thinking about him for growing up here. The room looked different in light of this, and Sara noticed how neatly everything had been arranged and the fact that the posters were hung equidistant, as if he had used a ruler. His house back in Grant County reflected this need for orderliness. Sara had only been there a few times, but from what she had seen, he kept everything exactly in its place.

"It's fine," she assured him.

"Yeah," he said, though not in agreement. He found his toothbrush. "I'll be right back."

Sara watched him leave, pulling the door shut quietly behind him. She took advantage of the situation and quickly changed into her pajamas, all the while keeping her eye on the door in case his mother walked in. Nell had not sounded exactly complimentary when she had talked about May Tolliver, and Sara did not want to meet the woman with her pants down.

Sara sat on the floor and went through her suitcase, looking for her hairbrush. She found it wrapped up in a pair of shorts and managed to remove her hair clip without tearing out too much of her curly, tangled hair. She looked around the room as she brushed her hair, taking in the posters and the various items Jeffrey had collected throughout his childhood. On the windowsill were several dried bones that had once been in a small animal. The bedside table, which looked homemade, had a small lamp and a green bowl with a handful of loose change. Track ribbons were scattered on a bulletin board, and a milk crate held cassette tapes with song titles typewritten neatly across the labels. Across from where she sat was a makeshift bookshelf of two-by-fours and bricks, stacked end to end with books. Where Sara had been expecting comic books and the occasional Hardy Boys, she found thick tomes with titles such as Strategic Battles of the Civil War and The Socio-Political Ramifications of Reconstruction in the Rural South.