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Ray said the crystals were kept in one of the slots under the control panel. But where was the control panel? And where were Ray and Michael?
She couldn't risk going back to look for them. If she was the only one who'd made it onto the ship, she was Max's only hope.
She wished she had a map of the ship's interior. It was a lot bigger than she thought it was. It was as if the ship was larger inside than out, the walkways branching off in all directions. She wasn't sure she was even on the right one. She could be rushing completely the wrong way. She'd only picked this walkway because it looked slightly wider than the others.
Isabel's walkway widened and widened until it formed a large room with huge windows. She couldn't see anything out of them. She didn't know if it was some kind of cloaking mechanism or what. And she didn't care. She didn't see any controls of any kind, so she was obviously in the wrong place.
Two more walkways branched off the observation room. They looked pretty much identical. Isabel chose the closest one. She ran down it with her head ducked. It got wider and wider until it opened into a room that had something Isabel figured could be a control panel. Thank God.
Now where were those slots Ray mentioned? She didn't see anything that could be called a slot or a hole or a cubby or anything. She dashed over and slid her fingers over the smooth metal beneath the controls. She felt a little raised spot and hit it. A slot opened up. No crystals.
Isabel heard footsteps approaching. "Finally," she called. "I can use some help in here." She felt for another raised spot, then jammed it so hard, she broke a nail.
She started searching for another spot. Then she realized the footsteps were getting closer, but no one had answered her. Isabel felt the hairs at the back of her neck stand up. That meant that whoever was moving toward her wasn't Ray or Michael.
Oh, that was very smart, just a
The footsteps were very close now. Isabel swept her hands back and forth, leaving smears of sweat behind. She found another trigger spot. Punched it. And saw three crystals glowing softly in the dim light. She snatched them up and jammed them in her pockets.
"Hold it right there. Put your hands over your head," a voice commanded.
Isabel put her hands up and slowly turned. A guard stood blocking the center walkway. A guard with a machine gun over his chest.
Her eyes darted to the other two walkways. Could she make it to one of them in time? Or was that just a good way to get herself shot in the back?
"Get over here. And don't lower your hands, or I will shoot you," the guard ordered.
Isabel walked toward him. She was going to have to knock him out, and that meant touching him so she could make a co
She wondered how fast his reflexes were. Could he realize he was in danger and pull the trigger faster than she could find a nice vein in his head and squeeze?
At least she had her fake face back in place. Even better, the face was pretty. Not quite as pretty as her own, but still plenty pretty. That gave her a little advantage. Guys didn't tend to think of pretty girls as potentially lethal. Plus it made for a good distraction.
A couple more steps and she'd be close enough to reach him. Isabel made her bottom lip tremble a little, a trick she'd learned in the fourth grade. She hoped he'd think she was completely scared and helpless.
Isabel took a step, then another. Okay, hope this works, she thought. Because if it doesn't, one of us is leaving the compound in a body bag.
She took one more step, then pretended to stumble. She let herself fall, arms outstretched. The guard instinctively moved to catch her. His hand touched hers, and she willed herself to make the co
The rush of images began. Isabel let them rush past her in a. blur of color. She heard the guard's heart begin to beat along with her own. Quickly she began to explore his body. Their body.
She chose a vein deep in his head and used her mind to squeeze the molecules together. She felt his pain and bewilderment, but she didn't let go. Not until he fell to the floor.
Isabel leaped over him and ran down the walkway to the observation room. She picked the widest walkway that branched off the room and sprinted down it.
She came to an abrupt halt when she reached the exit door. She could hear a fight going on. She took a step closer and leaned partway out. Her heart stopped, then gave a hard double slam in her chest.
Michael and Ray were battling against five guards. The guards had some kind of electrical stu
She hesitated, bouncing her weight from one foot to the other. Should she just make a run for it? That was probably her best chance of escaping. If she tried to help Michael and Ray, she might not get to Max in time. And Michael and Ray had each other for backup.
Yeah, she decided. She'd have to go without them. Isabel locked her eyes on the big metal doors leading out of the room. Then she ran full out.
She didn't know if the guards even saw her fly by. If they had, they weren't chasing her. Not yet. She wheeled around a corner and froze.
Sheriff Valenti was halfway down the cement hall, gun drawn. His cold gray eyes locked on her.
This was the moment Isabel had been fearing all her life. The moment the wolf came and dragged her off to his cave. One thing was clear-she would not let him take her alive.
"I don't want to shoot you. So be sensible. Don't try anything silly," Valenti said.
Of course he didn't want to shoot her. She was much more valuable to him alive. But the only way she was going to let him have her was dead.
Don't be insane, a little voice in her head pleaded. Let him take you. Michael and Ray will come after you. You know that. There's no way Michael would let Valenti keep you here.
But Michael could die. Ray could die. And Isabel would be left at Valenti's mercy.
That thought decided her. Isabel let out a roar of rage and terror and launched herself at Valenti.
"Stop," he shouted. "Now!"
"Stop!" another voice yelled. A hand reached out and grabbed her by the back of the shirt. Isabel jerked her head to face her captor. Ray.
"Don't shoot. We're stopping. We're stopping right here," Ray told Valenti.
Ray was going to let Valenti take her. Examine her. Experiment on her. And finally dissect her.
No! Isabel jerked away and leaped toward the sheriff.
Ray flung himself in front of her. A shot rang out. And Ray fell to the ground, the green and blue whorls of his aura instantly turning black.
Oh God. Oh no. Ray was dead.
Isabel didn't want to leave him. Didn't want Valenti to have his poor, defenseless body. But Ray was dead. And Max was still alive.
She didn't hesitate more than a quarter of a second. She raced past Valenti and hurled herself around the next corner. She spotted another set of the metal doors. She dashed through them, then used her power to shove the molecules together, slamming the doors shut.
That's not enough, she thought. Valenti would have no problem getting through that door, with a couple of guards to back him up.
Isabel yearned to run for her life and Max's. But she forced herself to stand still. She kept her focus on the molecules, making them move faster and faster until the metal doors got so hot, they began to melt. Then she allowed the molecules to slow. The doors cooled, but now they were sealed together.