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"Of course," I said. "The house isn't fussy about what it eats."

Suzie looked at me steadily, waiting. Without an enemy she could hit or shoot, she was pretty much lost for another option; but she trusted me to find a way out of this mess. She'd always been too ready to trust me. That was one of the reasons why I'd left the Nightside in the first place. I got tired of letting my friends down. I thought hard. There had to be a way out of this. I hadn't come back after all these years, fought my way through all the madness, just to die in an oversized stomach. I hadn't come back to fail again. I looked at Cathy, and then I looked at Joa

"Joa

She turned her head slowly to look at me, and

there was a slow horror forming in her eyes that made me want to look away.

"Why are you talking to her about me?" said Cathy.

"Because I need your mother's help in this," I said.

"But that's not my mother," said Cathy.

The words seemed to resonate endlessly in the quiet room, their sudden awful significance driving all other thoughts out of my head. It never even occurred to me to doubt Cathy's word. I could hear the truth in her voice, even if I didn't want to. So many little things that hadn't made sense suddenly came together, in one terrible moment of insight. Joa

"I'm sorry, John," she said slowly. "But I think it's all over now. My purpose is over, now you're here. I think I did care for you ... but I don't think I'm who I thought I was ..." Her voice changed, and under it I heard the harsh alien voice that had briefly spoken through Cathy. "I'm just a Judas Goat, the perfect bait, designed and programmed specifically to lure you back into the Nightside, so that you could be ... dealt with."

"Why?" I said, and my voice was little more than a whisper.

"The house was provided with all the necessary details—the exact kind of client, the exact kind of case, the exact kind of woman who would most appeal to you. Someone who would slip past all your defences, make you disregard all your instincts, and lead you unresisting to your doom. There never was a Joa

"Was none of what we had real?" I said.

"Only you were real, John. Only you."

"And all... this?" I said. "Was all this set up just for me? Was the house invited into the Nightside, allowed to hunt and feed and kill, just to get me? Why? I'd left the Nightside! I was no threat to anyone any more! Why bring me back now?"

"Ask your mother," said the thing with Joa

"Who did this?" I said. "Who's behind this?"

"Can't you guess?" said Joa

I think I cried out then; the sound of some small animal as the steel trap finally closes on it. Joa





soft pulsing surface closing over her as the house re-absorbed the thing it had created, or birthed. In a moment she was gone, leaving only slow ripples behind, and soon they were gone too. I should have known. I should have remembered. You can't trust anyone, or anything, in the Nightside, to be what it appears to be. Walker had tried to warn me, but I didn't listen. I'd forgotten that here, love is just another weapon they can use to hurt you, and that the past never goes away. I felt the tears ru

"Damn," said Suzie, glowering at the wall Joa

She looked at me, and sighed when I didn't react. The digestive juices were falling from the ceiling in a steady rain now, stinging and burning my bare face and hands, and I didn't care at all. Someone, or something, had just punched my heart out, and I didn't care about anything. Suzie came over and put a hand on my shoulder, staring right into my face. She wasn't very good with emotions, but she did her best.

"John, you have to listen to me. You can mourn her later. Whatever she was, or might have been. You can't fall apart now. We have to get out of here."

"Why?" I said. "Everyone wants me dead; and maybe I do too."

She slapped me across the face, more professionally than angrily. "What about me, John?"

"What about you?"

"All right, maybe I deserved that. I never should have let you go ru

I turned my head slowly, and looked at Cathy. What was left of her. "No," I said finally. "None of this is her fault. And I never let a client down. Take my hand, Suzie."

"What." This is no time to be getting sentimental, John."

I looked back at her. "You have to trust me on this, Suzie. Trust me to know what I'm doing. We can't fight our way out, so that just leaves me, and my gift."

Suzie looked at me for a long moment, reassuring herself that I was back in control again, and then nodded briskly. She slid her shotgun into the holster behind her shoulder and took my hand in hers. I could feel the calluses on her palm, but her grip was firm and steady. She had faith in me. Which made one of us. I sighed, tiredly, getting ready to fight the

good fight one more time, because that was all I had left.

"We need to find the heart of the house," I said. "Kill the heart, and kill the house. But the heart won't be anywhere here. The house will have hidden it somewhere else, for protection. Somewhere... no-one would be able to reach it, normally. But then, I'm not normal. I can find it. I can find anything."

Except what matters most. I reached inside myself and summoned up my gift, opening my mind again. And the house pounced.

For a long time I was nowhere, and it felt good. Good not to have to worry about bills that needed paying, cases that couldn't be solved, clients who couldn't be helped. Good not to have to worry about all the mysteries of my life, and the endless pain they brought to me and those I cared for. When I started out I had a dream, a dream of helping people who had nowhere else to turn; but dreams don't last. They can't compete with reality. The reality of struggling to find money for food and rent, and the way your feet hurt from pounding the streets looking for people who don't want to be found.

The harsh, unyielding reality of having to compromise your ideals bit by bit, day by day, just to achieve a few little victories in the face of the world's malice, or indifference. Until sometimes you wonder

if there's nothing left of you but the shell of the man you intended to be, just going through the motions because you've nothing better to do.