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"Was that your team broke away and run just now?" I asks him, polite. "I tried to stop 'em," says I, "but I couldn't. I guess they're half way back to the farm by now."
"Gosh blame them darned mules," says Straw-top, in a voice so good that I nearly apologized; "they're a'lus bustin' loose." And then he looks at me close, and then he takes off his hayseed hat, and says, in a different voice: "I'd like to shake hands with Parleyvoo Pickens, the greatest street man in the West, barring only Montague Silver, which you can no more than allow."
I let him shake hands with me.
"I learned under Silver," I said; "I don't begrudge him the lead. But what's your graft, son? I admit that the phantom flight of the non-existing animals at which you remarked 'Whoa! has puzzled me somewhat. How do you win out on the trick?"
Buckingham Ski
"Pocket money," says he; "that's all. I am temporarily unfinanced. This little coup de rye straw is good for forty dollars in a town of this size. How do I work it? Why, I involve myself, as you perceive, in the loathsome apparel of the rural dub. Thus embalmed I am Jonas Stubblefield—a name impossible to improve upon. I repair noisily to the office of some loan company conveniently located in the third-floor, front. There I lay my hat and yarn gloves on the floor and ask to mortgage my farm for $2,000 to pay for my sister's musical education in Europe. Loans like that always suit the loan companies. It's ten to one that when the note falls due the foreclosure will be leading the semiquavers by a couple of lengths.
"Well, sir, I reach in my pocket for the abstract of title; but I suddenly hear my team ru
"Then I spreads out my tarpaulin, like the Israelites, and waits for the ma
"'Why, no, Mr. Stubblefield, says the lobster-colored party in the specs and dotted pique vest; 'oblige us by accepting this ten-dollar bill until to-morrow. Get your harness repaired and call in at ten. We'll be pleased to accommodate you in the matter of this loan.
"It's a slight thing," says Buckingham Ski
"It's nothing to be ashamed of," says I, in respect for his mortification; "in case of an emergency. Of course, it's small compared to organizing a trust or bridge whist, but even the Chicago University had to be started in a small way."
"What's your graft these days?" Buckingham Ski
"The legitimate," says I. "I'm handling rhinestones and Dr. Oleum Sinapi's Electric Headache Battery and the Swiss Warbler's Bird Call, a small lot of the new queer ones and twos, and the Bonanza Budget, consisting of a rolled-gold wedding and engagement ring, six Egyptian lily bulbs, a combination pickle fork and nail-clipper, and fifty engraved visiting cards—no two names alike—all for the sum of 38 cents."
"Two months ago," says Buckingham Ski
"No man," says I, kindly, "need to be ashamed of putting the skibunk on a loan corporation for even so small a sum as ten dollars, when he is financially abashed. Still, it wasn't quite the proper thing. It's too much like borrowing money without paying it back."
I liked Buckingham Ski
"Anything," says Buck, "that is not actually dishonest will find me willing and ready. Let us perforate into the inwardness of your proposition. I feel degraded when I am forced to wear property straw in my hair and assume a bucolic air for the small sum of ten dollars. Actually, Mr. Pickens, it makes me feel like the Ophelia of the Great Occidental All-Star One-Night Consolidated Theatrical Aggregation."
This scheme of mine was one that suited my proclivities. By nature I am some sentimental, and have always felt gentle toward the mollifying elements of existence. I am disposed to be lenient with the arts and sciences; and I find time to instigate a cordiality for the more human works of nature, such as romance and the atmosphere and grass and poetry and the Seasons. I never skin a sucker without admiring the prismatic beauty of his scales. I never sell a little auriferous beauty to the man with the hoe without noticing the beautiful harmony there is between gold and green. And that's why I liked this scheme; it was so full of outdoor air and landscapes and easy money.
We had to have a young lady assistant to help us work this graft; and I asked Buck if he knew of one to fill the bill.
"One," says I, "that is cool and wise and strictly business from her pompadour to her Oxfords. No ex-toe-dancers or gum-chewers or crayon portrait canvassers for this."
Buck claimed he knew a suitable feminine and he takes me around to see Miss Sarah Malloy. The minute I see her I am pleased. She looked to be the goods as ordered. No sign of the three p's about her—no peroxide, patchouli, nor peau de soie; about twenty-two, brown hair, pleasant ways—the kind of a lady for the place.
"A description of the sandbag, if you please," she begins.
"Why, ma'am," says I, "this graft of ours is so nice and refined and romantic, it would make the balcony scene in 'Romeo and Juliet' look like second-story work."
We talked it over, and Miss Malloy agreed to come in as a business partner. She said she was glad to get a chance to give up her place as stenographer and secretary to a suburban lot company, and go into something respectable.
This is the way we worked our scheme. First, I figured it out by a kind of a proverb. The best grafts in the world are built up on copy-book maxims and psalms and proverbs and Esau's fables. They seem to kind of hit off human nature. Our peaceful little swindle was constructed on the old saying: "The whole push loves a lover."
One evening Buck and Miss Malloy drives up like blazes in a buggy to a farmer's door. She is pale but affectionate, clinging to his arm—always clinging to his arm. Any one can see that she is a peach and of the cling variety. They claim they are eloping for to be married on account of cruel parents. They ask where they can find a preacher. Farmer says, "B'gum there ain't any preacher nigher than Reverend Abels, four miles over on Caney Creek." Farmeress wipes her hand on her apron and rubbers through her specs.
She is a peach and of the cling variety.
Then, lo and look ye! Up the road from the other way jogs Parleyvoo Pickens in a gig, dressed in black, white necktie, long face, sniffing his nose, emitting a spurious kind of noise resembling the long meter doxology.