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Uh uh, uh uh. Cutter heard it, the wheels, the clatter of tracks. He ran to the edge of the gap and shouted though he could not be heard. He saw that Judah was crying but still smiling, and A

Cutter stumbled, and behind him he heard Judah muttering, heard Judah repeat the two-part rhythm, the repeating beat of the train. He was singing along with the train, and there was something expectant in him. Cutter leaned over, looked down on the train and the Councillors preparing for war, their last war, for their city again. He saw ahead of them a strange pattern of obstructions between the ties, nothing heavy enough to derail or damage the engine, but a precise set of interruptions, looking from above like the points of a pictogram, over a few yards of track.

“Uh uh uh uh, ” Judah said, and below in time sounded uh uh, and the front of the Iron Council passed over a mechanism Cutter had seen, that he had thought a signal relict or something half-finished; and as the wheels touched it and it clattered, it beat into motion, and Judah gasped and dropped to his knees. His skin stretched; the very meat of him seemed bled away. Cutter saw the force of his cathexis, the yank of energy.

He heard the syncopation of the train and of something else now, a complex interfering, percussion in antiphase. Iron Council tripped the switch that Judah had laid for it and the circuit he had left went live, siphoning force from him, and only Cutter could see. Cutter watched Judah blink and gasp.

The little blockade between the tracks, which Judah’s first shout had stopped Cutter or A

reshaped the time itself, and made it

a golem

time golem

which stood into its ablife, a golem of sound and time, stood and did what it was instructed to do, its instruction become it, its instruction its existence, its command just be, and so it was. This animate figure carved out of time itself, the rough hew-marks of its making the unshaped seconds and crushed moments at its edges, the split instances where its timelimbs joined its timebody. It was. The shape of a figure in dimensions insensible even to its maker, unseen by any there; its contours, seen another way, enveloping the train.

The time golem stood and was, ignored the linearity around it, only was. It was a violence, a terrible intrusion in the succession of moments, a clot in diachrony, and with the dumb arrogance of its existence it paid the outrage of ontology no mind.

His face bloodied, making some beached fish-flapping motion as he crawled and smeared his gore on the earth, as he shambled like a drunk man to stand, broken by the effort of thaumaturgy, Judah Low looked into the cut and smiled. Cutter watched him.

There was an ugly noise. The tearing and crush of a weighty impact. A

The perpetual train. The Iron Council itself. The renegade, returned, or returning and now waiting. Absolutely still. Absolutely unmoving in the body of the time golem. The train, its moment indurate.

It could not always clearly be seen. The crude rips in the temporal from which the golem was made gave it edges like facets, an opalescence of injured time. From some angles the train was hard to see, or hard to think of, or difficult to remember, instant to instant. But it was unmoving.

For yards over its chimneys the exhaust was fast as smokestone, motionless until the set billows reached the limits of the split in time, the golem’s body, and above that random barrier gusted away in drifts, the last of the effluvia escaping into history. The Councillors were still poised, their weapons were still ready, the train was bursting into the plains beyond the city, and was without motion.

The last carriage, one of the two engines that pushed instead of pulling, had missed the protection of that cosseting unmoment, had stayed dynamic, and had been derailed and crushed against the sudden crisis of untimed matter. It had burst, scattering hot coal and debris and dying engineers. The last fringe of the car ahead of it was concertinaed and torn, and where it met the unending time golem, the edge of the wound was scored like a line.

A

No noise came from it. It was a huge silence shaped like women and men on a train. The Iron Council was made of quiet. A

At the head of the train, reaching with his brawny thorned arm, was Thick Shanks. He was staring at the massed militia in the distance. He was smiling, his mouth open. Beside him a laughing man whose string of spittle was stretched to the point of snapping. The train was occluded with suspended unmoving dust. Its headlights relucent, their shed light absolute and unwavering. A

Cutter looked on the impossibility. He jumped when Judah put his hands on him.

“Come,” said the somaturge. His voice was not Judah’s. A torn-up ruined thing that came up with blood and sputum, though he still smiled. “Come. I saved them. Come.”

“How long? Will it last?” Cutter heard his quaver.

“Don’t know. Perhaps till things are ready.”

“They died.” Cutter pointed at the train’s rear. Judah turned his head away.

“It’s what it is. I did all I could. Gods, I saved them. You saw.” He rose. He held his stomach. He let out a gasp. He swayed and left a spatter pattern around him. The daylight seemed to strengthen him. He reached, and Cutter gave him his hand, and they began to descend, Judah lolling as if he were stitched from old cloth, down into the rocks, hidden from the tracks. In the very far off, noise said that the militia were coming. That they saw something was not as it should be, and were coming.

Cutter and Judah climbed down, away.