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The paste-bucket bearers are silent. They have to be going now anyway. Outside the downpour is easing off but it is still shaking the panes to the foundations. No doubt a similar downpour is lashing Sophie's window and making the birch trees in the garden tremble, it may as well bear a message of love to her while it's about it. Without a shadow of a doubt, Sophie will be sitting in the lamplight doing her homework, how Hans would like to be doing that too, but he doesn't have a school to go to, nor any work worthy of the name.

So aren't you coming then, say the two poster-pasters, and they get up. Why not go along too, suggests Mother. In that pissy weather, no thank you, but even if the weather was fine I wouldn't go because that would be just right for te

You always enjoyed your work. Your work is what's really made you a member of the working class, one of the unbroken line of human beings stretching out before and behind you, the people who will forge the new era (Mother).

You must be joking. Enjoyed it? Manual labour is a primitive stage of employment which will come to an end altogether one day, says Rainer. He, A

Mother says she must be going crazy, and the two pasters say that they must too. We don't think we'll get through to him just now, Frau Sepp. Goodbye, then. We're going to leave this mate of ours, they've got to him, maybe he'll see the light but on the whole we rather doubt it. We're seeing more and more cases like his these days.

Mother says: Please stop by again when you can stay longer. We'll convince him, you'll see. But you have to be going now.

The gusts of wind outside take their cue, open their arms wide, and swallow up the two youths plus their bucket. Let's hope they don't swallow the posters too. The posters are paper and that means they are defenceless against the wet. They are protected by makeshift plastic sheeting. Anyway, the storm has abated, the walls of houses stand out wetly, the asphalt is gleaming again the way that wet asphalt gleamed in the film. After all, it was this asphalt's fellow-asphalt that played the part in the film.

Mother says: If your dead father knew, your father who sacrificed himself for the cause.

He didn't sacrifice himself, they killed him. If they hadn't he'd be alive today. Where did it get him. I'm sure I won't be sacrificing myself. If I read Rainer's books about pain it's more real than if I think about my father's pain in the deathcamp at Mauthausen.

Are you going out later, Hans?

In this lousy weather? Right now it's impossible to see fifteen feet ahead on horseback, which is where all earthly happiness is, and out in the country the evening mists are drawing in, reducing visibility further. On horseback the open country is different from when I visit Auntie Mali on the farm. Later on I may go to a jazz club.

When I look at you I feel as if I may have lived my life in vain and your father may have died in vain. But when I look at the two comrades who were here just now I know there was a meaning in it after all, a meaning my own son can't afford me.

Death's good for nothing anyway, it costs nothing, nothing but your life, giggles Hans wittily.

He is uninterested in strangers on principle, because he is only interested in himself and Sophie.

Go on, eat me, there may be worse times ahead, admonishes the spurned slice of bread and margarine. But Hans believes in a better future and does not eat it.

IT WAS NOT so very long ago that Rainer strayed and quit his predestined path as one of God's children. In the past the Catholic faith served him for many things which he now hopes to recover by violent means. Recently his sister A

Along with other misdeeds, Rainer used to be an altar boy at church. Nowadays this is a source of abhorrence that memory ca

Nonetheless, Father kicks him into the sacristy every Sunday, with his one remaining foot, to get dressed up and show off his talents to his auntie and grandma in the choir of bright and cheery youngsters. God especially loves the choir because it sounds so hale and fresh. Rainer's auntie and grandma are diligent churchgoers, and in May and in Lent they do extra shifts and now and then fork out funds in recognition of his pious duties at the altar, so that he can buy himself a pair of those fashionable shoes with the sharp points or a pullover some time. These funds, alas, are the whole point of the exercise as far as this superficial lad is concerned, but he will learn to search within himself. Right inside. And then the scratching and scraping of feet in outsize interiors that are just about suitable to the greatness of the Lord God, you can't see Him, true, but then He needs an awful lot of room. Boys on the left, the young servants of the Lord. On the right the girls, the young handmaids of the Lord. The dean's words go smack down the middle, to the effect that Our Lord has suffered the little children to come unto Him, even though they probably had something better pla