Shroud

What did it mean, that I would not go back? Was I to die here, in this city? I am not superstitious, I do not believe in premonitions, yet there it was, the conviction – no, the knowledge – that I would not return home again, ever. But then I thought: Home? I walked along the street in wonderment and muddled alarm, in the unfamiliar air, smelling the city's unfamiliar smells. At the sunlit corner I came upon the flower seller. She was seated beside her stall on a folding canvas stool. She was a foreigner, another refugee, I surmised, not Russian, this time, but a native of one of those statelets wedged like boulders of basalt, though begi

I dodged into the first caffè that I came to and sat at a table far at the back, as if to hide from a pursuer. My upper lip was damp with sweat and my heart was joggling from side to side like a cartoon alarm clock. What was the matter, why had that encounter so disturbed me? I recalled the old man in Paris, a distant relative on my mother's side, in his dank apartment in the Marais, pressing fistfuls of francs into my hands and reciting for me the names of people who might help me, in Lisbon, London, New York, chanting them over and over in an urgent murmur, as if they were the verses of the Law. Even now, half a century later, I can recall a surprising number of them – their names, that is, for of course I never went near the people themselves. They would all be dead by now, most likely, and their children grown up, become lawyers or doctors or big shots in the insurance business, who would not care who I was, or what I had made of myself, or how, for no good reason, I had deceived that old man in the Marais, telling him I was someone other than who I was. I lifted my coffee cup with a hand that was trembling again and sought to quell the memories welling up out of the murk of the past. What is remarkable is not that we remember, but that we forget – who was it that said that? I looked about me at the caffè's ornate trappings, the chandeliers, the potbellied coffee machines, the gleaming copper spigot at the bar from which a constant purling cord of water flowed. There were few patrons: a panting old man and his panting dog, a woman in an elaborate hat eating pastries, and a clownish, carrot-haired fellow wearing an ill-fitting, loud, checked blazer and a bright yellow shirt with a soiled collar, the wide wings of which were spread flat over the lapels of his blazer, who kept glancing surreptitiously in my direction with a faint, elusive leer. By the door three black-tied waiters loitered, exchanging desultory remarks and eyeing the toecaps of their patent-leather shoes. For a second, strangely, and for no reason that I knew, everything seemed to stop, as if the world had missed a heartbeat. Is this how death will be, a chink in the flow of time through which I shall slip as lightly as a letter dropping with a rustle into the mysterious dark interior of a mailbox? I paid my bill and rose abruptly and made for the door, again as if I were fleeing someone, and had the sensation, as so often at such precipitate moments, of having left something of myself behind, and thought that if I were to look back now I would see a crude parody of myself sprawled on the chair where I had been sitting, a limp, life-sized marionette, hands hanging and jointed limbs all awry, gri

The door, heavy and high, resisted me, and I had to lean my weight into it to push it open. At my back I heard a flapping step, and saw in the sunstruck, bevelled glass panel of the door in front of me the reflection of a gri

Out of the shadows into the long piazza I stepped, and paused to stand a moment, breathing hard, waiting for my anger and disquiet to abate, still wondering what the fellow could have wanted of me. With a cold eye I took in what the guidebooks would call the panorama: the wedding-cake façades, the bronze horseman unsheathing his sword, the famed twin churches down at the far end of the square, all bathed in a honeyed, sunlit haze. I find this city no more attractive or interesting than any other I have known. Customs, legends, tales of colourful characters and events, such stuff leaves me cold; the picturesque in particular I find revolting. I do not care what battles Emanuele Filiberto won or lost, or where Cavour liked to eat his di