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She was a little more animated, smoked more, spoke more. She told him about the people she had met since she began to work with her father, how they were all the same. "The new Nigerian upper class is a collection of illiterates who read nothing and eat food they dislike at overpriced Lebanese restaurants and have social conversations around one subject: 'How's the new car behaving?'" Once, she laughed. Once, she held his hand. But she did not ask him into the suite and he wondered if she wanted to give it time or if she had decided that it was not the sort of relationship she wanted with him after all.
He could not bring himself to act. Days passed before she finally asked if he wanted to go inside, and he felt like an understudy who hoped the actor would not show up and then, when the actor finally did fail to come, became crippled by awkwardness, not quite as ready as he had thought he was for the stage lights. She led the way inside. When he began to pull her dress up above her thighs, she pushed him away calmly, as if she knew his frenzy was simply armor for his fear. She hung her dress over the chair. He was so terrified of failing her again that seeing himself erect made him deliriously grateful, so grateful that he was only just inside her before he felt that involuntary tremble that he could not stop. They lay there, he on top of her, for a while, and then he rolled off. He wanted to tell her that this had never happened to him before. His sex life with Susan was satisfactory, through perfunctory.
"I'm so sorry," he said.
She lit a cigarette, watching him. "Would you like to come to di
For a moment he was taken aback. Then he said, "Yes, I'd love to." He hoped the invitation meant something, reflected a change in her perception of the relationship. But when he arrived at her parents' house in Ikoyi, she introduced him by saying, "This is Richard Churchill," and then stopped with a pause that felt like a deliberate dare to her parents and the other guests to think what they would. Her father looked him over and asked what he did.
"I'm a writer," he said.
"A writer? I see," Chief Ozobia said.
Richard wished he hadn't said he was a writer and so he added, as if to make up for saying he was a writer, "I'm fascinated by the discoveries at Igbo-Ukwu. The bronze castings."
"Hmm," Chief Ozobia murmured. "Do you have any family doing business in Nigeria?"
"No, I'm afraid not."
Chief Ozobia smiled and looked away. He didn't say very much else to Richard for the rest of the evening. Neither did Mrs. Ozobia, who followed her husband around, her ma
He felt strangely bereft when she sat far from him at the table. The salad had just been served when she began to discuss politics with a guest. Richard knew it was about the need for Nigeria to become a republic and stop claiming Queen Elizabeth as head of state, but he did not pay close attention until she turned to him and asked, "Don't you agree, Richard?" as if his opinion mattered.
He cleared his throat. "Oh, absolutely," he said, even though he wasn't sure what it was he was agreeing with. He felt grateful that she had pulled him into the conversation, included him, and he was charmed by that quality of hers that seemed both sophisticated and naive, an idealism that refused to be suffocated by gritty reality. Her skin glowed. Her cheekbones rose as she smiled. But she lacked Kainene's melancholy mystique, which exhilarated and confused him. Kainene sat next to him and said little throughout di
Richard worried about Susan. He would watch her, the firm chin and green eyes, and tell himself that it was unfair to deceive her, to skulk in the study until she fell asleep, to lie to her about being at the library or museum or polo club. She deserved better. But there was a reassuring stability to being with her, a certain safety in her whispering and her study room with the pencil sketches of Shakespeare on the walls. Kainene was different. He left Kainene full of a giddy happiness and an equally dizzying sense of insecurity. He wanted to ask her what she thought of the things they never discussed-their relationship, a future, Susan-but his uncertainties muted him each time; he was afraid of what her answers would be.
He pushed any decisions away until the morning he woke up and thought about that day in Wentnor, when he was out playing and heard Molly calling him. "Richard! Supper!" Instead of answering "Coming!" and ru
His resolve buoyed him. Still, he put off telling Susan for another week, until the evening they returned from a party where she had drunk too many glasses of wine.
"Would you like a nightcap, darling?" she asked.
"Susan, I care very much about you," he said in a rush. "But I'm not quite sure that things are going very well-that is, things between us."
"What are you saying?" Susan asked although her hushed tone and blenched face told him that she knew very well what he was saying.
He ran his hand through his hair.
"Who is it?" Susan asked.
"It's not another woman. I just think our needs are different." He hoped he did not sound insincere, but it was true; they had always wanted different things, always valued different things. He should never have moved in with her.
"It's not Clovis Bancroft, is it?" Her ears were red. They always turned red after she drank, but he was only noticing the strangeness of it now, the angry-red ears jutting out by her pale face.
"No, of course not."
Susan poured herself a drink and sat on the arm of the sofa. They were silent for a while. "I fancied you the minute I saw you and I didn't think I would, really. I thought how handsome and gentle he is, and I must have resolved there that I would never let you go." She laughed quietly, and he noticed the tiny lines around her eyes.
"Susan-" he said, and stopped, because there was nothing else to say. He hadn't known she thought these things of him. He realized how little they had talked, how their relationship had been like an artless flow with little input from them, or at least from him. The relationship had happened to him.