Great Jones Street

NEWSPAPER VOMIT SHIT GLASS CARDBOARD BOTTLE SHIT SPIT NEWSPAPER GLASS SHIT GARBAGE BOTTLE CARTON BOTTLE PAPER STOCKING SHIT GARBAGE SHIT GARBAGE GARBAGE SHIT

In barbershops Latin men stood talking in button-down shirts with collars open and sleeves folded two cuff-lengths to the lower forearm, apparel of an earlier Madison Avenue, that somber street now freshly regimented, paunchy and gay in Kool-Aid fiesta colors and Spanish sideburns. We headed west from the bridge districts and reached Chinatown, where Skippy seemed confused, apparently thinking this was San Francisco, and had to calm herself by standing for a while before the window of a fish market, watching a man guide a jagged blade up the belly of a trout as bits of fishy insides dripped onto the flaked ice. We hurried into the Criminal Court Building for warmth and sweets. The lobby was crowded and noisy, a chorus of the accused, the counter-accused, the victimized, and the lawyers, families and friends of all of these. With it all, more irate than the rest, came that special whine of minor violators. Everybody was smoking, shouting, biting down on stony Chiclets, sucking cough drops, everybody but the pimps, regal and absolute, who merely sca

HAND FOOT ARM GOD NOSE TOE FACE GOD LEG ARM LEG GOD SEE IT SEE IT RAIN TWAIN CAIN PAIN BRAIN SLAIN STAIN GAIN VAIN SEE IT SEE IT MOUTH EYE TEETH GOD NECK CHEST GOD SEE IT IN THE DARKNESS AND THE LIGHT

Harbors reveal a city's power, its lust for money and filth, but strangely through the haze what I distinguished first was the lone mellow promise of an island, tender retreat from straight lines, an answering sea-mound. This was the mist's illusion and the harbor's pound of flesh. Skippy tugged at licorice with her teeth, the black strands expanding between hand and jaw. She had a shaded face and she was ageless, a wanderer in cities, one of those children found after every war, picking in the rubble for scraps of food the gaunt dogs have missed. Such minds are unreclaimable but at the same time hardly dangerous and governments acknowledge this fact by providing millions of acres of postwar rubble. On our way to find a bus stop we saw the subway crowds drop into openings in the earth, on their way up the length of Manhattan or under rivers to the bourns and orchards, there to be educated in false i

Pigeons and meningitis. Chocolate and mouse droppings. Licorice and roach hairs. Vermin on the bus we took uptown. I wondered how long I'd choose to dwell in these middle ages of plague and usury, living among traceless men and women, those whose only peace was in shouting ever more loudly. Nothing tempted them more than voicelessness. But they shouted. Transient population of thunderers and hags. They dragged through wet streets speaking in languages older than the stones of cities buried in sand. Beds and bedbugs. Men and lice. Gono-coccus curling in the lap of love.

We rode past an urban redevelopment project. Machine-tooth shovels clawed past half-finished buildings stuck in mud, tiny balconies stapled on. All spawned by realtor-kings who live in the sewers. Skippy coughed blood onto the back of her hand. The bus panted over cobblestones and I studied words drawn in fading paint on the sides of buildings. Brake and front end service. Wheel alignment. Chain and belt. Pulleys, motors, gears. Sheet-metal machinery. Leather remnants. Die cutting and precision measuring. Cuttings and job lots. Business machines. Threads, woolens, laces. Libros en español. We left by the back door and Skippy went back to whatever she was doing (or dealing) in that hotel. Rain blew across the old streets. The toothless man was still at his cart, a visitation from sunken regions, not caring who listened or passed, his cries no less cadenced than the natural rain.

YOU'RE BUYING I'M SELLING YAFFLES YAFFLES YAFFLES

The bed remains at the center of the room. Visitors are rare now and I begin to feel I'm sinking into history. After Essex Street I spent weeks of deep peace. I lived in true eunuchry, bed-watching, forced to respond to nothing. Having no words for the things around me affected even my movements across the1 room. I walked more slowly, as though in fear of objects, all things with names unknown to me. Some of the careless passion people feel for unteachable children began to communicate itself from one part of my mind to another. I was unreasonably happy, subsisting in blessed circumstance, thinking of myself as a kind of living chant. I made interesting and original sounds. I looked out the window and moaned (quietly) at the lumbering trucks below and at the painters and sculptors now occupying windows across the way, placid faces suspended over Great Jones Street. But whatever else it was, the drug was less than lasting in its effect. Mouth was the first word to reach me, dropping from one speech mechanism to the other. It happened while I was looking at my face in the mirror, examining its strange parts, hanu, ous, leb, oog, nakka, and when I opened my mouth out came the word for that part, word instead of sound, mouth, startling me. More words followed and when I spoke them aloud the sound waves reached my brain in proper coded notes and I was able to comprehend what had passed between my tongue and i

the first, permanent withdrawal to that unimprinted level where all sound is silken and nothing erodes in the mad weather of language. Several weeks of immense serenity. Then ended. But I see no reason to a