The Names

A

The room with its stone hearth, marble font, its ferns and fan palms and village rugs was devised by Lindsay to make her husband feel he had put behind him, at least for a time, all airports and travel. At regular intervals she apologized for the size of the place. The marble balustrade on the terrace, the glass wall producing a sunset, the ship painting from Hydra still unhung in a corner. Too large, she'd say, letting her hands swing out. Too long, too tall, too grand. Not one of life's pressing dilemmas, we reply. But we have to remember that queasiness of this kind has always been a form of middle-class grace, especially when it arises from a feeling of privilege that is binding, privilege that does not allow easy denial, and Lindsay had arrived here, the new young wife, some weeks after David found the apartment. The place made her uneasy. It made her feel, among other things, that whatever risks David ran in places like Lebanon and Turkey were co