The Names

In the painted evening they walk past the windmill. He points out to sea, about a hundred yards, to the place where dolphins breached, a week ago, in a softfall of violet light. It is one of those imprinted moments, part of him now, contained in island time. A fishing boat approaches in the calm that settles in at this hour. It is blood red, the Katerina, a life ring fixed to the mast. She smiles as he makes out the name. The motor leaves a cadenced noise.The small Cretan rugs. The plank floors. The old lamp with its sepia shade. The donkey bag on the wall. The flowers in rusty cans on the roof, the steps, the window ledges. Tap's handprint on a mirror. The cane chair in a rectangle of light.In the morning they leave. From the top deck of the boat they see the white village rocking in the mist. How brave and affecting it is, houses clustered on a windy rock, news and reassurance. They eat the food she has packed, sitting low in their slatted bench, out of the wind. He asks her the names of things, ship parts, equipment, and later they walk across the lower deck to trace the system of ropes and anchor chains.The sun is obscured in dense ascending cloud. Soon the island is a silhouette, a conjecture or mood of light, scant and pale on the iron sea.

The Mountain

6

The aircraft veered into position, halting. We waited for clearance. I looked out the window, trying to find something that might distract me from the meditative panic I always experience, the dream-rush before takeoff, all the week's measures of self-awareness in one charged moment. The pale sand stretched level in the distance. A figure was out there, a man in a flax robe. I watched him walk into nothing. Erased in chemical flame. The plane moved down the runway and I sat back, rigid, looking straight ahead.Words sounded incomplete to me. The starts and stops in people's voices came unexpectedly. I couldn't figure out the rhythm. But the writing flowed, of course. It seemed to have a movement top to bottom as well as right to left. If Greek or Latin characters are paving stones, Arabic is rain. I saw writing everywhere, the cursive beaded slant in tile, tapestry, brass and wood, in faience mosaics and on the white veils of women crowded in a horse-drawn cart. I looked up to see words turning corners, arranged geometrically on mud-brick walls, knotted and mazed, stuccoed, painted, inlaid, climbing gateways and minarets.I sat across the aisle from a dead man on a Yemen Airways flight from San'a to Dhahran. He died about fifteen minutes into the flight and the people traveling with him started wailing. They carried cloth-covered bundles and wailed. A man behind me remarked to his companion, "But credit extension isn't the issue here." I gripped the arm rests and looked straight ahead. We were over the Empty Quarter.I found myself studying doors, shutters, mosque lamps, carpets. Surfaces were dense and abstract. Where figural things were present they were rendered as nuances of line or curve, taken out of nature to the level of perfect repetition. Even writing was design, not meant to be read, as though part of some unbearable revelation. I didn't know the names of things.Forty men and women in immaculate white robes with close-fitting head-scarves filled the rear section of the plane, a Tunis Air flight, Cairo-Damascus. The women's hands were covered with small red marks, designs of some kind. At first I thought they were letters of the alphabet. Not that I knew which alphabet. Possibly the obscure language of some religious sect. Finally I decided the figures were crosses, although some might have been chevrons and others might have been variations of either of these. I couldn't tell whether the marks were ingrained or simply applied to the surface of the skin with cosmetic dye. The people had been on the plane when I boarded, all quietly in place, waiting. After we landed I looked back that way as I moved up the aisle toward the nose exit. They were still in their seats.Women's eyes glanced away, windows were false, shadows crossed the wall in dappled patterns, architectural planes receded, prayer niches were aligned with Mecca. This last fact supplied an axis to the vapor of fleeting shapes. So much that happened seemed to happen simultaneously. Animals everywhere. The cramped passages of the souk were the least secret places. Loud voices, hanging meat. The crowd was soft, however, floating in robes, sandaled, billowing, touched by the light that fell through broken places in the roof.I stood waiting at the baggage conveyor in the airport in Amman. The king would be arriving later that afternoon after seventeen days abroad. When the king returns to Jordan after a trip abroad, two camels and a bull are slaughtered at the airport. The drive to the palace follows.I was staying at the Inter-Con, which was near the palace and across the street from the U.S. embassy, a not uncommon Mideast cluster. I took the oversized map I'd bought in the lobby and spread it across the bed. There they were, as Owen had said, the anagrammatic place-names. Zarqa and Azraq. Between them, west of the midway point, the hilltop fortress of inscribed stones. Qasr Hallabat.It didn't mean anything. I'd only thought of checking the map for these places on my way up in the elevator. They were a curiosity, that was all. But I was interested to find that he hadn't invented them.

Volterra wore a battered field jacket. Paramilitary drab had always been his color, I realized. He had about two weeks' growth on his face and looked crafty and drawn. We embraced silently. He looked at me, nodding, his biblical gesture of friendship and memory and elapsed time. Then we went into the restaurant.It was an Indian place, empty except for us and two boys, the waiters, who took our orders and then stood motionless at the end of the long dark narrow room. We sat in tall chairs and talked about Kathryn. It was she who'd given him my number in Athens. When I told him I expected to be in Amman in three weeks' time he said he would try to meet me there. He was calling from Aqaba."I thought you had a traveling companion, Frank.”"She's in the room watching TV.”"Where are you staying?”"Small place near the fourth circle. You've been to Amman?”"First time.”"Transit cranes," he said. "Beeping taxi horns.”"You've spent all this time in Aqaba?”"On and off. It's our base. We make three-day trips into the Wadi Rum with a guide and a LandRover. We camp out, in our fashion. Then we go back to Aqaba to water-ski.”"I don't see you on water-skis.”"That's an abbreviation. 'Water-ski.' It's shorthand. It means everything in the world that doesn't involve looking for a bunch of crazy people in a barren waste with a guide whose true purpose is to lead us in circles.”"Why are you looking for them?”Frank laughed. "Is this an interview?”The boys pushed a large and elaborate serving table along the carpeted floor. On it were two cans of beer."Owen seemed to think the cult struck a romantic chord somewhere deep in your breast.”"When you put it that way, Jim, I don't think I'm obliged to discuss the matter further, friends or not.”"I take it back.”He poured the beer into his glass, watching me."I'm looking for something outside the range of expectations, you know? It's just a probe. The Wadi Rum's been filmed before, wide screen, soaring music. The place intrigues me in a totally different way. It has to be linked to this homicidal calculation. These small figures in the landscape. Brademas says these people are stalkers. They pick a victim and they watch. They wait for something. There's a particular logic.”"You've walked away from three or four projects, Kathryn told me.”"They were safe, " he said.Something came into his eyes, a cold light I recognized as the contempt he often summoned to respond to challenges."They weren't worth sticking with. They were exercises. I found myself getting interested in things because they presented a familiar theme or subject I thought I could handle differently, I thought I could give a sweet twist to. Genre crap. I was trying to force these ideas to deliver up riches they didn't contain.”His mood softened, one word to the next."I've been feeling the pressure. I admit it. People alighting in helicopters. Clapped-out producers. Lawyer-agents in Nazi sunglasses. They come down out of the sky. Nobody likes the way I work. I don't talk to anybody. I ban people from the set. Do you know what a dumb little napoleonic thing that is? But I do it. I like to do things in secret. I don't say a word to people who want to write about me. Two good films, made money. It happens I like doing deals. Today we do deals. You don't have to pretend money is dirty. Or a deal memo is too complicated for your sensibility. It's a Jewish science, movie-dealing, like psychoanalysis. Only what's the co