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Uncle Bob filmed Pepe and I pornographically on numerous occasions, producing bestiality films that I would later learn Pierre Trudeau was privy to. Pepe remained a part of my experience long after Grandpa Van divorced himself from my Grandma, and long after I developed beyond Trudeau's perversion for little children.

I was slow to grow into adolescence. By the time I was thirteen years old, my breasts were tender and begi

My MPD/DID existence became more regimented from that point on. I was kept physically worn down to the point of exhaustion in order that I be sufficiently receptive to my father's limited hypnotic programming capabilities to condition my mind for mind control. The pornography I was forced to anticipate in became much more violent immediately after Byrd, switching me from predominantly pedophile and bestiality themes to torturous versions of sadomasochism (S&M). My father and mother worked in tandem daily to "break my spirit," destroying any remnants left of my self-confidence, tearing down my self-esteem, and thus a

My television, books, and music became even more strictly controlled and monitored that before. This was not only to infringe on my last minuscule freedom of choice, but for total mind-control conditioning purposes. For example, the a

My father insisted I watch the Walt Disney movie Cinderella with him, paralleling my existence to Cinderella's — "magically trance-forming from a dirty little slave to a beautiful Princess". In typical "reverse psychology" humor, he referred to pornographic photos when singing "Someday my Prince (prints) will come," or by placing literal sexual emphasis on "will come".

My brother, Bill, who was often featured in kiddie porn with me, was not a "chosen one" for Project Monarch (beyond supplying more children to be dedicated in later years). Yet my father figured that "what was good for me would be good for my brother". He took us to see Walt Disney's Pinocchio, explaining that my brother and I were his puppets still in the carving stage. The distortions of reality that these and other Disney theme movies provided when coupled with my father's government trained conscious and subconscious controlling influence, began to further erode our ability to discern fantasy from reality. My brother, now 37, remains psychologically locked into those traumatic childhood years and is obsessed with Disney themes and productions to this day. His house is decorated in Disney memorabilia, he wears Disney clothes, listens to my father's instructions on his Disney telephone, and maintains "When You Wish Upon a Star" as his favorite song, which has locked his children into the same theme.

My father also instructed me to watch Alfred Hitchcock's horrifying movie The Birds with him. This reinforced in my mind the movie's theme that there is "no place to hide from the birds/Byrd".

I was quickly begi

My television programming was then expanded to include the shows that every Project Monarch Mind-Control slave I knew had to watch: I Dream Of Jea

As suggested, I read the Boxcar Children Series over and over again, I empathized with the trials, traumas, and tribulations the children endured while they fended for themselves from their boxcar home along the railroad tracks. My father often made train sounds at me in passing to subconsciously remind me that I was currently "in Train-ing" on the undeterable track of the "Freedom Train."[12] This term, taken from Harriet Tubman's underground railroad for slaves, reversed the meaning of the word «freedom» to confuse one's "one track mind" and instill the belief "I am free to be a slave". This also reinforced my training to stay on track-the plan (track) laid our for me. My father would often quip, "When God passed out brains, you thought he said 'trains' and got in the wrong line". Convicted (capital crime) career criminal, country music entertainer, and CIA operative Merle Haggard often used well documented cryptic language in his songs pertaining to government mind-control slave operations. He released songs including "Freedom Train" and "Over the-Rainbow". My father told me repeatedly that Merle Haggard was my «favorite» singer, and his songs reinforced my programming.

12

"Freedom Train" is the internationally recognized cryptic code term for Project Monarch slave operations that I heard repeatedly throughout my victimization.