All The Pretty Horses

Maybe.

Pérez smiled. You are free to go, he said. I can see you dont believe what I tell you. It is the same with money. Americans have this problem always I believe. They talk about tainted money. But money doesnt have this special quality. And the Méxican would never think to make things special or to put them in a special place where money is no use. Why do this? If money is good money is good. He doesnt have bad money. He doesnt have this problem. This abnormal thought.

John Grady leaned and stubbed out the cigarette in the tin ashtray on the table. Cigarettes in that world were money themselves and the one he left broken and smoldering in front of his host had hardly been smoked at all. I'll tell you what, he said.

Tell me.

I'll see you around.

He rose and looked at Pérez's man standing against the door. Pérez's man looked at Pérez.

I thought you wanted to know what would happen out there? said Perez.

John Grady turned. Would that change it? he said.

Pérez smiled. You do me too much credit. There are three hundred men in this institution. No one can know what is possible.

Somebodv runs the show.

Pérez shrugged. Perhaps, he said. But this type of world, you see, this confinement. It gives a false impression. As if things are in control. If these men could be controlled they would not be here. You see the problem.

Yes.

You can go. I will be interested myself to see what becomes to you.

He made a small gesture with his hand. His man stepped from before the door and held it open.

Joven, said Pérez.

John Grady turned. Yes, he said.

Take care with whom you break bread.

All right. I will.

Then he turned and walked out into the yard.

He still had forty-five pesos left from the money Blevins had given him and he tried to buy a knife with it but no one would sell him one. He couldnt be sure if there were none for sale or only none for sale to him. He moved across the courtyard at a studied saunter. He found the Bautistas under the shade of the south wall and he stood until they looked up and gestured to him to come forward.

He squatted in front of them.

Quiero comprar una trucha, he said.

They nodded. The one named Faustino spoke.

Cúanto dinero tienes?

Cuarenta y cinco pesos.

They sat for a long time. The dark indian face ruminating. Reflective. As if the complexities of this piece of business dragged after it every sort of consequence. Faustino shaped his mouth to speak. Bueno, he said. Dámelo.

John Grady looked at them. The lights in their black eyes. If there was guile there it was of no sort he could reckon with and he sat in the dirt and pulled off his left boot and reached down into it and took out the small damp sheaf of bills. They watched him. He pulled the boot back on and sat for a moment with the money palmed between his index and middle finger and then with a deft cardflip shot the folded bills under Faustino's knee. Faustino didnt move.

Bueno, he said. La tendré esta tarde.

He nodded and rose and walked back across the yard.

The smell of diesel smoke drifted across the compound and he could hear the buses in the street outside the gate and he realized that it was Sunday. He sat alone with his back to the wall. He heard a child crying. He saw the indian from Sierra León coming across the yard and he spoke to him.

The indian came over.

Siéntate, he said.

The indian sat. He took from inside his shirt a small paper bag limp with sweat and passed it to him. Inside was a handful of punche and a sheaf of cornhusk papers.

Gracias, he said.

He took a paper and folded it and dabbed the rough stringy tobacco in and rolled it shut and licked it. He handed the tobacco back and the indian rolled a cigarette and put the bag back inside his shirt and produced an esclarajo made from a half-inch waterpipe coupling and struck a light and cupped it in his hands and blew up the fire and held it for John Grady and then lit his own cigarette.

John Grady thanked him. No tienes visitantes? he said.

The indian shook his head. He didnt ask John Grady if he had visitors. John Grady thought he might have something to tell him. Some news that had moved through the prison but bypassed him in his exile. But the indian seemed to have no news at all and they sat leaning against the wall smoking until the cigarettes had burned away to nothing and the indian let the ashes fall between his feet and then rose and moved on across the yard.

He didnt go to eat at noon. He sat and watched the yard and tried to read the air. He thought men crossing were looking at him. Then he thought they were at pains not to. He said half aloud to himself that all this thinking could get a man killed. Then he said that talking to yourself could also get you killed. A little later he jerked awake and put one hand up. He was horrified to have fallen asleep there.

He looked at the width of the shadow of the wall before him. "'hen the yard was half in the shade it would be four oclock. After a while he got up and walked down to where the Bautistas were sitting.

Faustino looked up at him. He gestured for him to come forward. lie told him to step slightly to the left. Then he told him he was standing on it.

He almost looked down but he didnt. Faustino nodded. Siéntate, he said.

He sat.

Hay un cordón. He looked down. A small piece of string lay under his boot. When he pulled it up under his hand a knife emerged out of the gravel and he palmed it and slid it inside the waistband of his trousers. Then he got up and walked away.

It was better than what he'd expected. A switchblade with the handles missing, made in Mexico, the brass showing through the plating on the bolsters. He untied the piece of twine from around it and wiped it on his shirt and blew down into the blade cha

A half hour later the horn sounded across the yard for the evening meal. He waited until the last man had entered the hall and then walked in and got his tray and moved down the line. Because it was Sunday and many of the prisoners had eaten food brought by their wives or family the hall was half empty and he turned and stood with his tray, the beans and tortillas and the anonymous stew, and picked a table in the corner where a boy not much older than he sat alone smoking and drinking water from a cup.

He stood at the end of the table and set his tray down. Con permiso, he said.

The boy looked at him and blew two thin streams of smoke from his nose and nodded and reached for his cup. On the inside of his right forearm was a blue jaguar struggling in the coils of an anaconda. In the web of his left thumb the pachuco cross and the five marks. Nothing out of the ordinary. But as he sat he suddenly knew why this man was eating alone. It was too late to rise again. He picked up the spoon with his left hand and began to eat. He heard the latch click shut on the door across the hall even above the muted scrape and click of spoons on the metal trays. He looked toward the front of the hall. There was no one behind the serving line. The two guards were gone. He continued to eat. His heart was pounding and his mouth was dry and the food was ashes. He took the knife from his pocket and put it in the waist of his trousers.

The boy stubbed out the cigarette and set his cup in the tray. Outside somewhere in the streets beyond the prison walls a dog barked. A tamalera cried out her wares. John Grady realized he could not have heard these things unless every sound in the hall had ceased. He opened the knife quietly against his leg and slid it open longwise under the buckle of his belt. The boy stood and stepped over the bench and took up his tray and turned and started down along the far side of the table. John Grady held the spoon in his left hand and gripped the tray. The boy came opposite him. He passed. John Grady watched him with a lowered gaze. When the boy reached the end of the table he suddenly turned and sliced the tray at his head. John Grady saw it all unfold slowly before him. The tray coming edgewise toward his eyes. The tin cup slightly tilted with the spoon in it slightly upended standing almost motionless in the air and the boy's greasy black hair flung across his wedgeshaped face. He flung his tray up and the corner of the boy's tray printed a deep dent in the bottom of it. He rolled away backward over the bench and scrabbled to his feet. He thought the tray would clatter to the table but the boy had not let go of it and he chopped at him with it again, coming along the edge of the bench. He fell back fending him away and the trays clanged and he saw the knife for the first time pass under the trays like a cold steel newt seeking out the warmth within him. He leaped away sliding in the spilled food on the concrete floor. He pulled the knife from his belt and swung the tray backhanded and caught the cuchillero in the forehead with it. The cuchillero seemed surprised. He was trying to block John Grady's view with his tray. John Grady stepped back. He was against the wall. He stepped to the side and gripped his tray and hacked at the cuchillero's tray, trying to hit his fingers. The cuchillero moved between him and the table. He kicked back the bench behind him. The trays rattled and clanged in the otherwise silence of the hall and the cuchillero's forehead had begun to bleed and the blood was ru