Diamond Age

Hackworth had been catapulted out of the rank-and-file and into Bespoke's elite ranks by his invention of the mediatronic chopstick. He'd been working in San Francisco at the time. The company was thinking hard about things Chinese, trying to one-up the Nipponese, who had already figured out a way to generate passable rice (five different varieties, yet!) direct from Feed, bypassing the whole paddy/coolie rat race, enabling two billion peasants to hang up their conical hats and get into some serious leisure time— and don't think for one moment that the Nipponese didn't already have some suggestions for what they might do with it. Some genius at headquarters, stewing over Nippon's prohibitive lead in nanotechnological rice production, decided the only thing for it was to leapfrog them by mass-producing entire meals, from wonton all the way to digital interactive fortune cookies. Hackworth got the seemingly trivial job of programming the matter compiler to extrude chopsticks.

Now, doing this in plastic was idiotically simple— polymers and nanotechnology went together like toothpaste and tubes. But Hackworth, who'd eaten his share of Chinese as a student, had never taken well to the plastic chopsticks, which were slick and treacherous in the blunt hands of a gwailo . Bamboo was better— and not that much harder to program, if you just had a bit of imagination. Once he'd made that conceptual leap, it wasn't long before he came up with the idea of selling advertising space on the damn things, chopstick handles and Chinese columnar script being a perfect match. Before long he was presenting it to his superiors: eminently user-friendly bamboid chopsters with colorful advertising messages continuously scrolling up their handles in real time, like news headlines in Times Square. For that, Hackworth was kicked upstairs to Bespoke and across the Pacific to Atlantis/Shanghai. He saw these chopsticks everywhere now. To the Equity Lords, the idea had been worth billions; to Hackworth, another week's paycheck. That was the difference between the classes, right there. He wasn't doing that badly, compared to most other people in the world, but it still rankled him. He wanted more for Fiona. He wanted Fiona to grow up with some equity of her own. And not just a few pe

Starting your own company and making it successful was the only way. Hackworth had thought about it from time to time, but he hadn't done it. He wasn't sure why not; he had plenty of good ideas. Then he'd noticed that Bespoke was full of people with good ideas who never got around to starting their own companies. And he'd met a few big lords, spent considerable time with Lord Finkle-McGraw developing Runcible, and seen that they weren't really smarter than he. The difference lay in personality, not in native intelligence.

It was too late for Hackworth to change his personality, but it wasn't too late for Fiona.

Before Finkle-McGraw had come to him with the idea for Runcible, Hackworth had spent a lot of time pondering this issue, mostly while carrying Fiona through the park on his shoulders. He knew that he must seem distant to his daughter, though he loved her so— but only because, when he was with her, he couldn't stop thinking about her future. How could he inculcate her with the nobleman's emotional stance— the pluck to take risks with her life, to found a company, perhaps found several of them even after the first efforts had failed? He had read the biographies of several notable peers and found few common threads between them.

Just when he was about to give up and attribute it all to random chance, Lord Finkle-McGraw had invited him over to his club and, out of nowhere, begun talking about precisely the same issue. Finkle-McGraw couldn't prevent his granddaughter Elizabeth's parents from sending her to the very schools for which he had lost all respect; he had no right to interfere. It was his role as a grandparent to indulge and give gifts. But why not give her a gift that would supply the ingredient missing in those schools?

It sounds ingenious, Hackworth had said, startled by Finkle-McGraw's offhanded naughtiness. But what is that ingredient?

I don't exactly know, Finkle-McGraw had said, but as a starting-point, I would like you to go home and ponder the meaning of the word subversive .

Hackworth didn't have to ponder it for long, perhaps because he'd been toying with these ideas so long himself. The seed of this idea had been germinating in his mind for some months now but had not bloomed, for the same reason that none of Hackworth's ideas had ever developed into companies. He lacked an ingredient somewhere, and as he now realized, that ingredient was subversiveness. Lord Alexander Chung-Sik Finkle-McGraw, the embodiment of the Victorian establishment, was a subversive. He was unhappy because his children were not subversives and was horrified at the thought of Elizabeth being raised in the stodgy tradition of her parents. So now he was trying to subvert his own granddaughter.

A few days later, the gold pen on Hackworth's watch chain chimed. Hackworth pulled out a blank sheet of paper and summoned his mail. The following appeared on the page:

THE RAVEN A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS LITTLE BROTHERS AND SISTERS by Samuel Taylor Coleridge (1798)

Underneath an old oak tree

There was of swine a huge company

That grunted as they crunched the mast:

For that was ripe, and fell full fast.

Then they trotted away, for the wind grew high:

One acorn they left, and no more might you spy.

Next came a Raven, that liked not such folly:

He belonged, they did say, to the witch Melancholy!

Blacker was he than blackest jet,

Flew low in the rain, and his feathers not wet.

He picked up the acorn and buried it straight

By the side of a river both deep and great.

Where then did the Raven go?

He went high and low,

Over hill, over dale, did the black Raven go.

Many Autumns, many Springs

Travelled he with wandering wings:

Many summers, many Winters-

I can't tell half his adventures.

At length he came back, and with him a She

And the acorn was grown to a tall oak tree.

They built them a nest in the topmost bough,

And young ones they had, and were happy enow.

But soon came a Woodman in leathern guise,

His brow, like a pent-house, hung over his eyes.

He'd an axe in his hanth not a word he spoke,

But with many a hem! and a sturdy stroke,

At length he brought down the poor Raven's own oak.

His young ones were killed; for they could not depart,

And their mother did die of a broken heart.

The boughs from the trunk the Woodman did sever;

And they floated it down on the course of the river.

They sawed it in planks, and its bark they did strip,

And with this tree and others they made a good ship.

The ship, it was launched; but in sight of the land

Such a storm there did rise as no ship would withstand.

It bulged on a rock, and the waves rush'd in fast;

Round and round flew the Raven, and cawed to the blast.

He heard the last shriek of the perishing souls-

See! see! o'er the topmast the mad water rolls!

Right glad was the Raven, and off he went fleet,

And Death riding home on a cloud he did meet,

And he thank'd him again and again for this treat:

They had taken his all, and REVENGE IT WAS SWEET!

Mr. Hackworth:

I hope the above poem illuminates the ideas I only touched on during our meeting of Tuesday last, and that it may contribute to your paroemiological studies.

Coleridge wrote it in reaction to the tone of contemporary children's literature, which was didactic, much like the stuff they feed to our children in the "best" schools. As you can see, his concept of a children's poem is refreshingly nihilistic.

Perhaps this sort of material might help to inculcate the sought-after qualities.

I look forward to further conversations on the subject. Finkle-McGraw

This was only the starting-point of development that had lasted for two years and culminated today. Christmas was just over a month away. Four-year-old Elizabeth Finkle-McGraw would receive the Young Lady's Illustrated Primer from her grandfather.

Fiona Hackworth would be getting a copy of the Illustrated Primer too, for this had been John Percival Hackworth's crime: He had programmed the matter compiler to place the cockleburs on the outside of Elizabeth's book. He had paid Dr. X to extract a terabyte of data from one of the cockleburs. That data was, in fact, an encrypted copy of the matter compiler program that had generated the Young Lady's Illustrated Prime r. He had paid Dr. X for the use of one of his matter compilers, which was co

The cockleburs had already self-destructed, leaving no evidence of his crime. Dr. X probably had a copy of the program on his computers, but it was encrypted, and Dr. X was smart enough simply to erase the thing and free up the storage, knowing that the encryption schemes apt to be used by someone like Hackworth could not be cracked without divine intervention.

Before long the streets widened, and the hush of tires on pavement blended with the buller of waves against the gradual shores of Pudong. Across the bay, the white lights of the New Atlantis Clave rose up above the particolored mosaic of the Leased Territories. It seemed a long way off, so on impulse Hackworth rented a velocipede from an old man who had set up a stall in the lee of the Causeway's thrust bearing. He rode out onto the Causeway and, invigorated by the cool moist air on his face and hands, decided to pedal for a while. When he reached the arch, he allowed the bike's internal batteries to carry him up the slope. At the summit he turned it off and began to coast down the other side, enjoying the speed.

His top hat flew off. It was a good one, with a smart band that was supposed to make these mishaps a thing of the past, but as an engineer, Hackworth had never taken the manufacturer's promise seriously. Hackworth was going too fast to make a safe U-turn, and so he put on the brakes. When he finally got himself turned around, he was unable to see his hat. He did see another cyclist coming toward him. It was a young man, covered in a slick Nanobar outfit. Except for his head, which was smartly adorned with Hackworth's top hat.