On The Road

Victor turned mournful high brown eyes on Dean. "Yeah, yeah."

"No, you didn't understand my question. What you boys talking about?"

"Oh," said Victor with great perturbation, "you no like this mar-gwana?"

"Oh, yeah, yes fine! What you talk about?"

"Talk? Yes, we talk. How you like Mexico?" It was hard to come around without a common language. And everybody grew quiet and cool and high again and just enjoyed the breeze from the desert and mused separate national and racial and personal high-eternity thoughts.

It was time for the girls. The brothers eased back to their station under the tree, the mother watched from her su

But now the bouncing was no longer unpleasant; it was the most pleasant and graceful billowy trip in the world, as over a blue sea, and Dean's face was suffused with an u

"You see my baby? Hees name Perez, he six month age."

"Why," said Dean, his face still transfigured into a shower of supreme pleasure and even bliss, "he is the prettiest child I have ever seen. Look at those eyes. Now, Sal and Stan," he said, turning to us with a serious and tender air, "I want you par-ti-cu-lar-ly to see the eyes of this little Mexican boy who is the son of our wonderful friend Victor, and notice how he will come to manhood with his own particular soul bespeaking itself through the windows which are his eyes, and such lovely eyes surely do prophesy and indicate the loveliest of souls." It was a beautiful speech. And it was a beautiful baby. Victor mournfully looked down at his angel. We all wished we had a little son like that. So great was our intensity over the child's soul that he sensed something and began a grimace which led to bitter tears and some unknown sorrow that we had no means to soothe because it reached too far back into i

"He is not sad, baby cry." In the doorway in back of Victor, too bashful to come out, was his little barefoot wife, with anxious tenderness waiting for the babe to be put back in her arms so brown and soft. Victor, having shown us his child, climbed back into the car and proudly pointed to the right.

"Yes," said Dean, and swung the car over and directed it through narrow Algerian streets with faces on all sides watching us with gentle wonder. We came to the whorehouse. It was a magnificent establishment of stucco in the golden sun. In the street, and leaning on the windowsills that opened into the whorehouse, were two cops, saggy-trousered, drowsy, bored, who gave us brief interested looks as we walked in, and stayed there the entire three hours that we cavorted under their noses, until we came out at dusk and at Victor's bidding gave them the equivalent of twenty-four cents each, just for the sake of form.

And in there we found the girls. Some of them were reclining on couches across the dance floor, some of them were boozing at the long bar to the right. In the center an arch led into small cubicle shacks that looked like the places where you put on your bathing suit at public municipal beaches. These shacks were in the sun of the court. Behind the bar was the proprietor, a young fellow who instantly ran out when we told him we wanted to hear mambo music and came back with a stack of records, mostly by Perez Prado, and put them on over the loudspeaker. In an instant all the city of Gregoria could hear the good times going on at the Sala de Baile. In the hall itself the din of the music – for this is the real way to play a jukebox and what it was originally for – was so tremendous that it shattered Dean and Stan and me for a moment in the realization that we had never dared to play music as loud as we wanted, and this was how loud we wanted. It blew and shuddered directly at us. In a few minutes half that portion of town was at the windows, watching the Americanos dance with the gals. They all stood, side by side with the cops, on the dirt sidewalk, leaning in with indifference and casualness. "More Mambo Jambo," "Chattanooga de Mambo," "Mambo Numero Ocho" – all these tremendous numbers resounded and flared in the golden, mysterious afternoon like the sounds you expect to hear on the last day of the world and the Second Coming. The trumpets seemed so loud I thought they could hear them clear out in the desert, where the trumpets had originated anyway. The drums were mad. The mambo beat is the conga beat from Congo, the river of Africa and the world; it's really the world beat. Oom-ta, ta-poo-poom – oom- ta, ta-poo-poom. The piano montunos showered down on us from the speaker. The cries of the leader were like great gasps in the air. The final trumpet choruses that came with drum climaxes on conga and bongo drums, on the great mad Chattanooga record, froze Dean in his tracks for a moment till he shuddered and sweated; then when the trumpets bit the drowsy air with their quivering echoes, like a cavern's or a cave's, his eyes grew large and round as though seeing the devil, and he closed them tight. I myself was shaken like a puppet by it; I heard the trumpets flail the light I had seen and trembled in my boots.

On the fast "Mambo Jambo" we danced frantically with the girls. Through our deliriums we began to discern their varying personalities. They were great girls. Strangely the wildest one was half Indian, half white, and came from Venezuela, and only eighteen. She looked as if she came from a good family. What she was doing whoring in Mexico at that age and with that tender cheek and fair aspect, God knows. Some awful grief had driven her to it. She drank beyond all bounds. She threw down drinks when it seemed she was about to chuck up the last. She overturned glasses continually, the idea also being to make us spend' as much money as possible. Wearing her flimsy housecoat in broad afternoon, she frantically danced with Dean and clung about his neck and begged and begged for everything. Dean was so stoned he didn't know what to start with, girls or mambo. They ran off to the lockers. I was set upon by a fat and uninteresting girl with a puppy dog, who got sore at me when I took a dislike to the dog because it kept trying to bite me. She compromised by putting it away in the back, but by the time she returned I had been hooked by another girl, better looking but not the best, who clung to my neck like a leech. I was trying to break loose to get at a sixteen-year-old colored girl who sat gloomily inspecting her navel through an opening in her short shirty dress across the hall. I couldn't do it. Stan had a fifteen-year-old girl with an almond-colored skin and a dress that was buttoned halfway down and halfway up. It was mad. A good twenty men leaned in that window, watching.