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I was a little flattered and a little alarmed to be included in that pronoun.

I said, "You're taking on a lot, aren't you?"

He looked at me sharply. "I'm doing exactly what E.D. trained me to do. From birth. He never wanted a son; he wanted an heir, an apprentice. He made that decision a long time before the Spin, Tyler. He knew exactly how smart I was and he knew what he wanted me to do with that intelligence. And I went along with it. Even when I was old enough to understand what he was up to, I cooperated. So here I am, an E. D. Lawton production: the handsome, savvy, sexless, media-friendly object you see before you. A marketable image, a certain intellectual acumen, and no loyalties that don't begin and end with Perihelion. But there was always a little rider on that contract, even if E.D. doesn't like to think about it."

"'Heir' implies 'inheritance.' It implies that, at some point, my judgment supersedes his. Well, the time has come. The opportunity before us is simply too important to fuck up."

His hands, I noticed, were clenched into fists, and his legs were shaking, but was that intensity of emotion or a symptom of his disease? For that matter, how much of this monologue was genuine and how much was the product of the neurostimulants I was prescribing for him?

"You look scared," Jason said.

"Exactly what Martian technology are we talking about here?"

He gri

"In English, please, Jase."

"Little tiny artificial replicators."

"Living things?"

"In a certain sense, yes, living things. Artificial living things we can launch into space."

"So what do they do, Jase?"

His grin got bigger. "They eat ice," he said, "and they shit information."

4X109 A.D.

I crossed a few yards of pressed earth to which weathered asphalt clung in scabrous patches, and came to an embankment and slid down it, noisily, with my hard shell suitcases full of modest clothing and handwritten notes and digital files and Martian pharmaceuticals. I landed in a drainage ditch, thigh-deep in water green as papaya leaves and warm as the tropical night. The water reflected the scarred moon and stank of manure.

I hid the luggage in a dry place halfway up the embankment and pulled myself the rest of the way up, lying at an angle that concealed my body but allowed a view of the road, Ibu Ina's concrete-box clinic, and the black car parked in front of it.

The men from the car had broken in through the back door. They switched on more lights as they moved through the building, making yellow squares of windows with drawn blinds, but I had no way of knowing what they were doing there. Searching the place, I guessed. I tried to estimate how long they spent inside, but I seemed to have lost the ability to calculate time or even to read the numbers on my watch. The numerals glowed like restless fireflies but wouldn't stand still long enough to make sense.





One of the men left by the front door, walked to the car, and started the engine. The second man emerged a few seconds later and ducked into the passenger seat. The midnight-colored car rolled close to me as it turned onto the road, headlights sweeping over the berm. I ducked and lay still until the motor noise faded.

Then I thought about what to do next. The question was difficult to answer, because I was tired—suddenly, massively tired; too weak to stand up. I wanted to go back to the clinic and find a phone and warn Ibu Ina about the men in the car. But maybe En would do that. I hoped so. Because I wasn't going to make it to the clinic. My legs wouldn't do anything but tremble when I willed them to move. This was more than fatigue. It felt like paralysis.

And when I looked at the clinic again there was smoke curling out of the roof vent and the light behind the blinds was flickery yellow. Fire.

The men from the car had set fire to Ibu Ina's clinic, and there was nothing I could do about it but close my eyes and hope I wouldn't die here before someone found me.

* * * * *

The stench of smoke and the sound of weeping woke me.

Still not yet daylight. But I found I could move, at least a little, with considerable effort and pain, and I seemed to be thinking more or less clearly. So I levered myself up the slope, inch after inch.

There were cars and people all over the open space between here and the clinic, headlights and flashlights cutting spastic arcs across the sky. The clinic was a smoldering ruin. Its concrete walls were still standing but the roof had collapsed and the building had been eviscerated by the fire. I managed to stand up. I walked toward the sound of weeping.

The sound came from Ibu Ina. She sat on an island of asphalt hugging her knees. She was surrounded by a group of women who gave me dark, suspicious looks as I approached her. But when Ina saw me she sprang to her feet, wiping her eyes with her sleeve. "Tyler Dupree!" She ran toward me. "I thought you were burned to death! Burned up along with everything else!"

She grabbed me, embraced me, held me up—my legs had turned rubbery again. "The clinic," I managed to say. "All your work. Ina, I'm so sorry…"

"No," she said. "The clinic is a building. The medical paraphernalia can be replaced. You, on the other hand, are unique. En told us all how you sent him away when the arsonists came. You saved his life, Tyler!" She stood back. "Tyler? Are you all right?"

I wasn't all right. I looked past Ina's shoulder at the sky. It was almost dawn. The ancient sun was rising. Mount Merapi was outlined against the indigo blue sky. "Just tired," I said, and closed my eyes. I felt my legs fold under me and I heard Ina calling for help, and then I slept some more—for days, they told me later.

* * * * *

For obvious reasons, I couldn't stay in the village.

Ina wanted to nurse me through the last of the drug crisis, and she felt the village owed me protection. After all, I had saved En's life (or so she insisted), and En was not only her nephew but was related to virtually everyone else in town, one way or another. I was a hero. But I was also a magnet for the attention of evil men, and if not for Ina's pleading I suspect the kepala desa would have put me on the first bus to Padang and to hell with it. So I was taken, along with my luggage, to an uninhabited village house (the owners had gone rantau months ago) long enough for other arrangements to be made.

The Minangkabau of West Sumatra knew how to duck and weave in the face of oppression. They had survived the coming of Islam in the sixteenth century, the Padri War, Dutch colonialism, Suharto's New Order, the Negari Restoration and, post-Spin, the New Reformasi and their thuggish national police. Ina had told me some of these stories, both at the clinic and afterward, when I lay in a tiny room in a wooden house under the huge, slow blades of an electric fan. The strength of the Minang, she said, was their flexibility, their deep understanding that the rest of the world was not like home and never would be. (She quoted a Minang proverb: "In different fields, different grasshoppers; in different ponds, different fish") The tradition of rantau, emigration—of young men going out into the world and coming back wealthier or wiser—had made them a sophisticated people. The simple wooden buffalo-horn houses of the village were adorned with aerostat ante

It was not surprising, then, that there were Minangkabau working at every level on the docks at Padang. Ina's ex-husband, Jala, was only one of many in the import/export trade who organized rantau expeditions to the Arch and beyond. It was no coincidence that Diane's inquiries had led her to Jala and thence to Ibu Ina and this highland village. "Jala is opportunistic and he can be mean in a petty way, but he's not unscrupulous," Ina said. "Diane was lucky to find him, or else she's a good judge of character—probably the latter. In any case Jala has no love for the New Reformasi, fortunately for all concerned."