Blow Fly

51

BEV CANT STOP thinking about her. She should stay far away from that lamb who just gave her five dollars in the Wal-Mart parking lot. But she can't. Bev can't control the compulsion, and although her reaction defies any rational explanation, there is a cause and effect in her black, ugly thoughts. The lamb spurned her. The woman backed away from Bev as if she was repulsive and then dared to degrade her further by giving her money.

Inside Wal-Mart, Bev lingers near a display of insect repellents, picking up bottles, pretending to read the labels as she watches the parking lot through the plate glass. To her surprise, the lamb isn't driving a new car, but an old forest-green Explorer that for some reason doesn't seem in character for a spoiled, rich housewife or girlfriend. More interesting yet, she's sitting inside the SUV with the engine ru

The Explorer hasn't moved. Bev walks directly to Jay's beat-up, filthy white SUV, confident the lamb doesn't notice her or at least doesn't co

Maybe she is on the phone. Maybe this time she is fighting with her man instead of sounding so disgustingly sweet. Bev is an expert at tailing people. She does it regularly when she is driving Jay's Cherokee. Before she began biding her time as a fugitive at a fishing camp, she followed people, depending on what needed to be done or just for the hell of it. But in those days, her activities had a purpose, or at least were a means directed toward a useful end. Whatever Bev did, she was following orders.

To some extent, she is following Jay's orders now, but methods and emotions change when one is asked repeatedly to perform the same task. Bev has begun to indulge herself, entertain her own fantasies and have her own fun. It's her right.

The Explorer heads into the heart of the Old Garden District. The pretty blonde driver has no idea that the woman with the bad knee is not far behind. This amuses Bev. She smiles as the Explorer slows down and makes a right turn into a dark driveway bordered by tall shrubs. Bev drives past, pulls off the road and gets out. She quickly covers herself in her dark rain slicker and backtracks to the white brick house just in time to see its front door close, the woman safely inside. Bev returns to her Cherokee, writes down the address and cuts across a side road so she doesn't pass the house again. She waits.

52

MORE THAN ANYTHING, Jean-Baptiste Chando

Inmates who enjoy favored status can buy dipole ante

Jean-Baptiste does not care about a weapon. His body is his weapon, should he ever decide to uncoil it. Uncoiling it is of no interest, not now. When he is led in restraints to the shower, he has no need to attack officers, which he could most assuredly do because of his magnetism, which is only enhanced when he is led past multiple metal doors with iron bars. His power builds. It throbs in his groin and lifts the top of his skull to a hover above his head. He leaves a visible trail of sparks. The corrections officers never understand what he smiles about, and his demeanor greatly a

Lights-out was at nine. The officer in the control booth enjoys flipping every switch and throwing the inmates into complete darkness in the pod. Jean-Baptiste has overheard officers comment that darkness gives the "dirtbags" time to think hard about their impending executions, the punishment for what they did when they were on the outside, free and able to satisfy their love. Those who do not kill do not understand that the ultimate union with a woman is to release her, to hear her scream and moan, to cover himself with her blood as he ravishes her body and then poses her, that all people might see, and therefore share in her ecstasy and the marriage of her magnetism to him for all eternity.

He lies on his bunk, sweat soaking through the sheets, his odor filling his small, airless cell, the stainless-steel toilet a toadstool shape against the right side of the back wall. The condemned inmates are quiet, with the exception of Beast. He talks quietly to himself, almost whispers, not realizing that Jean-Baptiste can hear without ears. Beast is transformed at night into the powerless, weak entity that he really is. He will be so much better off when the cocktail settles him to sleep and he no longer needs his weak, flawed flesh.

"… Hold still. It's nice, isn't it? Feels so nice. Stop it, please stop it. Stop it! That hurts! Don't cry. This feels good. Don't you understand, you little bitch. It feels good! I want my mommy! So do I. But she's a whore. Now you quit crying, you hear me! You scream one more time…"

"Who's there?" Jean-Baptiste asks the foul-smelling air.

"Shut up. Shut the fuck up. It's your fault. You had to scream, didn't you. When I told you not to. Well, no more chewing gum for you. Ci

"Who's there?"

"Knock, knock, who's there?" Beast calls back in a searing, mocking tone. "Hairy, hairy, quite contrary, how does your dickie grow? With little nuts hiding in your butt and a weenie smaller than your nose." Softly, softly singing, but loud enough. "I'm a poet, don'cha know it? You know that, dickless wonder? A real sensitive guy, I am, I am. Green eggs and ham. Cat in the hat. I like 'em meaty but not too fat. A drumroll please."

"Who's there?" Jean-Baptiste bares his widely spaced, tiny, pointed teeth. He licks them hard and tastes the salty metallic flavor of his own blood.

"Just me, Hair Ball. Your best pal in the world. Your only pal in the world. You got nobody but me, you know that? You must. Who else talks to you and sends little love notes door to door to door until it's slid under yours, all dirty and read by everybody?"

Jean-Baptiste listens, sucking blood out of his tongue.

"You got this pow-er-ful family. I heard all about it on my radio. More'an once I heard it."

Silence. Jean-Baptiste's ears are satellite dishes.

"Con-nec-tions. Where are those fucking guards when you need 'em?" he mocks the darkness.

His hateful voice flies like tiny bats through the iron bars in Jean-Baptiste's door. Words flutter around him, and he waves them off with sweeps of his hairy hands.