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Secondly, from the more personal standpoint, back in 1958 I decided I had done enough science fiction. I had been successful in writing nonfiction of various types and it seemed to me I could make a living if I concentrated on nonfiction (and, to tell you the truth, I preferred nonfiction). In that way I could leave science fiction to the talented new writers who were making their way into the field.
So from 1958 to 1981, a period of nearly a quarter of a century, I wrote virtually no science fiction. There was one novel and a handful of short stories, but that’s all. And meanwhile, along came the “New Wave. “ Writing styles changed drastically, and I felt increasingly that I was a back-number and should remain out of science fiction.
The trouble was that all this didn’t help. The science fiction books that I published in the 1950s refused to go out of print and continued to sell steadily through the 1960s and 1970s. And because I wrote a series of nonfiction essays for Fantasy and Science Fiction. I remained in the consciousness of the science fiction public. I was therefore still one of the Big Three.
Then, in 1981, my publisher insisted (with a big INSIST) that I write another novel and I did and, to my horror, it hit the bestseller lists and I’ve had to write a new novel every year since then, in consequence.
That would have made me feel guiltier than ever, but I’ve done various things to pull the fangs of that guilt. For instance, I have, quite deliberately, decided that since my name has developed a kind of weight and significance, I would use it, as much as possible, for the benefit of the field rather than of my self.
With my dear and able friends, Martin Harry Greenberg and Charles Waugh (and occasionally others), I have helped edit many anthologies. More than a hundred of these have now been published with my name often in the title. What these serve to do is to rescue from the shadows numbers of stories that are well worth exposing to new generations of science fiction readers. Quite apart from the fact that the readers enjoy it, it means a little money to some veteran authors, as well as a shot in the arm to encourage continued production. The thought that the presence of my name might make such anthologies do better and be more efficacious in this respect than otherwise makes me feel fine.
Then, too, a number of novels by young authors have been published under the “Isaac Asimov Presents” label. In this way, the young authors get perhaps a somewhat better sale than they might otherwise have, and even (perhaps) a better break at the bookshelves.
I have even granted the right to make use of some of the themes that I have developed in my own books. There is a series of a dozen books, for instance, that have the generic title “Isaac Asimov’s Robot City.” They are written by young writers who have my express permission to use my Three Laws of Robotics, and for each one I write an introduction on one phase or another of robotics. The books are doing well, actually, and it is clear that the presence of my name doesn’t hurt.
Then another way of using my name came up. Marty Greenberg suggested that, rather than have writers use a “universe” I had already invented and made my own, I invent a brand-new one I had never used and donate it to some publishing house that would be willing to have writers produce stories built about the concepts of the “universe”-and, of course, find the writers who would want to try their hand at it.
I agreed enthusiastically. After all, I had just devised a new background for my 1989 novel, Nemesis, one which had not been used in any piece of fiction I had written before, so I did not foresee any great difficulty in inventing an “Isaac’s Universe” for other writers to use. (The use of the word “Isaac” in the title was Marty’s idea but I snatched at it eagerly. There are well over sixty books that I have writtenby no means all anthologies-with either “ Asimov” or “Isaac Asimov” in the title, but none with “Isaac” alone, until this one.)
In making up a new “Universe” there were some things I couldn’t abandon, of course. We would be working within our own Galaxy in which I postulated the existence of 25,000,000 star systems containing a habitable world, the whole being linked together by devices that made it possible to travel and communicate at faster-than-light speeds. The shorthand for this is “hyperspatial travel and communication.”
I have this in my Foundation universe, and the other novels I have been co
In my Foundation series and the novels related thereto, the Galaxy contains only one intelligent species-our own. All the habitable worlds have been colonized by human beings so that we, in effect, have an all-human Galaxy. I may have been the first to write important novels based on such a theme, and the reason I did it was to pare away the complexities that would arise from a multiplicity of intelligences. I wanted to be able to deal with humanity and its problems in a detailed all-human ma
However, I was well aware that there was the alternative multiple-intelligence Universe. We see that now constantly on such television shows as Star Trek and in many of the older “space opera “ stories.
There we always have the risk of a failure of imagination that leads to the portrayal of other intelligences as differing from ourselves superficially by the possession of green faces, or ante
E. E. Smith’s Galactic Patrol and its sequels had a multi-intelligence Universe that had its intelligences encased in radically different physiologies and this I found satisfying when I read the stories as a young man. I was particularly pleased with the feeling Smith labored to give of a communal mental feeling among individuals who had nothing physically in common.
It was something like this, then, that I wanted for my Universe, but I wanted to make my Universe more specific in its description of the different species and more concerned with the various political, economic, and social problems of the Galaxy. It was to be less space-opera-ish and more quasi-historical, a melding to some extent of Galactic Patrol and Foundation.
I wanted a Universe with millions of planets bearing life, with the indigenous life on every planet unique to itself and with differences limited only by the imagination of the writer. However, there are only six intelligent species-widely different in nature:
1. Earthmen.
2. An aquatic race, vaguely analogous to Earthly porpoises.
3. A fragile, skeletal insectlike species adapted to a low oxygen atmosphere plus neon rather than nitrogen.
4. A sinuous, limbless species, possessing fringed flippers, however, that are snakish in a way.
5. A small, winged species adapted to a thick atmosphere.
6. A strong, slow-moving, blocklike species with no appendages, and adapted to a gravity higher than Earth’s.
The intelligences each control more than their native planets. They can be pictured as going through the Galaxy, colonizing and settling planets suitable to themselves. In general, a world suitable for one is not particularly desirable for any of the others, and with plenty of each variety, there is no push for going to the enormous expense of modifying a planet to suit one’s own kind. The intelligences can therefore live together in the Galaxy without treading on each other’s toes. There is nothing to fight over unless there is an inability to overcome the unreasoning dislike of one species for another because, of course, each appears incredibly ugly to all the others, and each may have social customs and ways of thought that are distasteful to the others.
Yet the various intelligences need to be in contact, since trade among them is useful for all, and since advances in technology by one species may be useful to others as well (and each intelligence has its own specialities in technology, some of which are unpalatable to the others for one reason or another), and since disputes may arise occasionally and there must be some form of political/social machinery to settle them. There are even occasional dangers that might require Galactic cooperation. What’s more, each intelligence may be split up into several mutually hostile subcultures.
So, you see, the Universe I invented (and which I described in considerable detail to the publishers and to the writers who were willing to chance working within it) supplies plenty of problems, some of which would certainly be beyond my imagination to handle well, and has broad enough limits to allow the writer a great deal of personal room for his own visions.
You can see how it works out in the sampling of stories in this volume, which (we very much hope) will be but the first of a series. Good reading-and if you like it, write and say so. It will lower my level of guilt, and I can always use that.
Flying Saucers And Science Fiction
I am helping to edit a book on flying saucers? Isaac Asimov? Surely, I am a leading and vocal skeptic where flying saucers are concerned!
Have I changed my mind now? Do I believe in the existence of flying saucers?
That depends on what you mean by the question. Do I believe that many people have seen something in the sky that they can’t explain?
Absolutely! Of course! You bet! Seeing something one can’t explain is very common. Every time I watch a magician perform his act I see something I can’t explain.
However, when I see something I can’t explain, I assume there is a perfectly normal explanation, one that fits in with the structure of the universe as worked out by modern science. I don’t instantly jump to the idea that there is no explanation short of the supernatural or of some far-out near-zero-probability hypothesis.
For that reason, I have no tendency to explain every appearance of a light in the sky by declaring it to be a spaceship ma
Nowadays, in an effort to gain respectability, people who accept the wilder hypotheses about flying saucers call them “unidentified flying objects” and abbreviate it UFO. On numerous occasions, I have been asked if I “believe” in UFOs.