Circus of the Damned

5

There was a bouquet of spotlights on the top of the Circus of the Damned. The lights slashed the black night like swords. The multicolored lights that spelled the name seemed dimmer with the huge white lights whirling overhead. Demonic clowns danced around the sign in frozen pantomime.

I walked past the huge cloth signs that covered the walls. One picture showed a man that had no skin; See the Skinless Man. A movie version of a voodoo ceremony covered another ba

Who did they have raising zombies for them? I knew it had to be someone new because I had helped kill their last animator. He had been a serial killer and had nearly killed me twice, the second time by ghoul attack, which was a messy way to die. Of course, the way he died had been messy, too, but I wasn't the one who ripped him open. A vampire had done that. You might say I eased him on his way. A mercy killing. Ri-ight.

It was too cold to be standing outside with my jacket half-unzipped. But if I zipped it all the way, I'd never get to my gun in time. Freeze my butt off, or be able to defend myself. The clowns on the roof had fangs. I decided it wasn't that cold after all.

Heat and noise poured out to meet me at the door. Hundreds of bodies pressed together in an enclosed space. The noise of the crowd was like the ocean, murmurous and large, sound without meaning. A crowd is an elemental thing. A word, a glance, and a crowd becomes a mob. A different being entirely from a group.

There were a lot of families. Mom, Dad, the kiddies. The children had balloons tied to their wrists and cotton candy smeared on their faces and hands. It smelled like a traveling carnival: corn dogs, the ci

There was no smell of dirt in the air, but there was something else just as singular. The smell of blood. So faint you'd almost think you dreamed it, but it was there. The sweet copper scent of blood mingled with the smells of cooking food and the sharp smell of a snow cone being made. Who needed dust?

I was hungry, and the corn dogs smelled good. Should I eat first or accuse the Master of the City of murder? Choices, choices.

I didn't get to decide. A man stepped out of the crowd. He was only a little taller than me, with curly blond hair that fell past his shoulders. He was wearing a cornflower-blue shirt with the sleeves rolled up, showing firm, muscular forearms. Jeans no tighter than the skin on a grape showed slender hips. He wore black cowboy boots with blue designs tooled into them. His true-blue eyes matched his shirt.

He smiled, flashing small white teeth. "You're Anita Blake, right?"

I didn't know what to say. It isn't always a good idea to admit who you are.

"Jean-Claude told me to wait for you." His voice was soft, hesitant. There was something about him, an almost childlike appeal. Besides I'm a sucker for a pair of pretty eyes.

"What's your name?" I asked. Always like to know who I'm dealing with.

His smile widened. "Stephen; my name is Stephen." He put out his hand, and I took it. His hand was soft but firm, no manual labor but some weightlifting. Not too much. Enough to firm, not explode. Men my size should not do serious weightlifting. It may look okay in a bathing suit, but in regular clothes you took like a deformed dwarf.

"Follow me, please." He sounded like a waiter, but when he walked into the crowd, I followed him.

He led the way towards a huge blue tent. It was like an old-fashioned circus tent. I'd only seen one in pictures or the movies.

There was a man in a striped coat yelling, "Almost showtime, folks! Present your tickets and come inside! See the world's largest cobra! Watch the fearsome serpent be taken through amazing feats by the beautiful snake charmer Shahar. We guarantee it will be a show you will never forget."

There was a line of people giving their tickets to a young woman. She tore them in half and handed back the stubs.

Stephen walked confidently along the line without waiting. We got some dirty looks, but the girl nodded to us. And in we went.

Tiers of bleachers ran up to the top of the tent. It was huge. Nearly all the seats were full. A sold-out show. Wowee.

There was a blue rail that formed a circle in the middle. A one-ring circus.

Stephen scooted past the knees of about a dozen people to a set of steps. Since we were at the bottom, up was the only way to go. I followed Stephen up the concrete stairs. The tent may have looked like a circus tent, but the bleachers and stairs were permanent. A mini-coliseum.

I have bad knees, which means that I can run on a flat surface but put me on a hill, or stairs. and it hurts. So I didn't try to keep up with Stephen's smooth, ru

I unzipped the leather jacket but didn't take it off. My gun would show. Sweat glided down my spine. I was going to melt.

Stephen glanced over his shoulder to see if I was following, or maybe for encouragement. He flashed a smile that was just lips curling back from teeth, almost a snarl.

I stopped in the middle of the steps, watching his lithe form glide upward. There was an energy to Stephen as if the air boiled invisibly around him. A shapeshifter. Some lycanthropes are better than others at hiding what they are. Stephen wasn't that good. Or maybe he just didn't care if I knew. Possible.

Lycanthropy was a disease, like AIDS. It was prejudice to mistrust someone for an accident. Most people survived attacks to become shapeshifters. It wasn't a choice. So why didn't I like Stephen as well, now that I knew? Prejudiced, moi ?

He waited at the top of the stairs, still pretty as a picture, but the air of energy contained in too small a space, like his motor was on high idle, shimmered around him. What was Jean-Claude doing with a shapeshifter on his payroll? Maybe I could ask him.

I stepped up beside Stephen. There must have been something in my face, because he said, "What's wrong?"

I shook my head. "Nothing."

I don't think he believed me. But he smiled and led me towards a booth that was mostly glass with heavy curtains on the inside hiding whatever lay behind. It looked for all the world like a miniature broadcast booth.

Stephen went to the curtained door and opened it. He held it for me, motioning me to go first.

"No, you first," I said.

"I'm being a gentleman here," he said.

"I don't need or want doors opened for me. I'm quite capable, thank you."

"A feminist, my, my."

Truthfully, I just didn't want ol' Stephen at my back. But if he wanted to think I was a hard-core feminist, let him. It was closer to the truth than a lot of things.

He walked through the door. I glanced back to the ring. It looked smaller from up here. Muscular men dressed in glittering loincloths pulled a cart in on their bare shoulders. There were two things in the cart: a huge woven basket and a dark-ski

Goosebumps prickled up the back of my neck, creeping into my hair. I shivered while I stood there and sweated in the heat. What was in the basket? The barker outside had said a giant cobra, but there was no snake in the world that needed a basket that big. Not even the anaconda, the world's heaviest snake, needed a container over ten feet tall and twenty feet wide.

Something touched my shoulder. I jumped and spun. Stephen was standing nearly touching me, smiling.

I swallowed my pulse back into my throat and glared at him. I make a big deal about not wanting him at my back, then let him sneak up behind me. Real swift, Anita, real swift. Because he'd scared me, I was mad at him. Illogical, but it was better to be mad than scared.

"Jean-Claude's just inside," he said. He smiled, but there was a very human glint of laughter in his blue eyes.

I scowled at him, knowing I was being childish, and not caring. "After you, fur-face."

The laughter slipped away. He was very serious as he stared at me. "How did you know?" His voice was uncertain, fragile. A lot of lycanthropes pride themselves on being able to pass for human.

"It was easy," I said. Which wasn't entirely true, but I wanted to hurt him. Childish, unattractive, honest.

His face suddenly looked very young. His eyes filled with uncertainty and pain.

Shit.

"Look, I've spent a lot of time around shapeshifters. I just know what to look for, okay?" Why did I want to reassure him? Because I knew what it was like to be the outsider. Raising the dead makes a lot of people class me with the monsters. There are even days when I agree with them.

He was still staring at me, with his hurt feelings like an open wound in his eyes. If he started to cry, I was leaving.

He turned without another word and walked through the open door. I stared at the door for a minute. There were gasps, screams from the crowd. I whirled and saw it. It was a snake, but it wasn't just the world's biggest cobra, it was the biggest freaking snake I'd ever seen. Its body was banded in dull greyish black and off-white. The scales gleamed under the lights. The head was at least a foot and a half wide. No snake was that big. It flared its hood, and it was the size of a satellite dish. The snake hissed, flicking out a tongue that was like a black whip.

I'd had a semester of herpetology in college. If the snake had been a mere eight feet or less, I would have called it a banded Egyptian cobra. I couldn't remember the scientific name to save myself.

The woman dropped to the ground in front of the snake, forehead to the ground. A mark of obedience from her to the snake. To her god. Sweet Jesus.

The woman stood and began to dance, and the cobra watched her. She'd made herself a living flute for the nearsighted creature to follow. I didn't want to see what would happen if she messed up. The poison wouldn't have time to kill her. The fangs were so damn big they'd spear her like swords. She'd die of shock and blood loss long before the poison kicked in.