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I didn't know what to say. All I knew was that I had to say something, that silence was almost worse than anything.
He spoke without turning around. "Go ahead, Anita, tell me I'm a fool. Tell me I sacrificed both of them on the altar of my ideals." His voice was bitter enough to choke on, just hearing the pain in it.
"Louisa and her husband wanted to hold true to who they were. You wanted to help them do that. It's perfectly, logically you." My voice was empty, but at least it wasn't reproachful. It was the best I could do. Because it was a waste, a waste because Richard and the girl and her fiance had been more worried about appearance than reality. Or maybe I'm just cynical, and tired, oh, so tired.
It was like any really good tragedy — entirely dependent on the personalities of the people involved. If Richard had been more practical and less idealistic; if Louisa and her late husband had been less religious, less pure; hell, if the husband really brought her to orgasm with just intercourse, then if he'd only been less talented. So many things had gone into making all the good intentions go horribly wrong.
"Yes, it was perfectly, logically me, and I was wrong. I should have at least forced her to have her first experience with Guy where the pack could oversee it, save him. But Louisa was so … delicate about it. I just couldn't insist. I just couldn't make her strip down in front of strangers and have her most intimate moment witnessed. I just couldn't do it."
I didn't know what to say. I did the only thing I could think of to comfort him. I went to him and put my arms around his waist, put my cheek against the smooth firmness of his back, and held him. "I am so sorry, Richard, so very sorry."
His body started to shake, and I realized he was crying again, still soundlessly, but not gently. Great racking sobs shook his body, but the only sound he allowed himself was the harsh shaking of his breath as he gasped, trying to get enough air.
He slid slowly to his knees, his hands making harsh sounds down the glass of the door, as if he were taking skin off as his hand slid down the glass. I stayed standing, leaning over him, cradling his head against my body, my hands on his shoulders and chest, trying to hold him.
He fell backwards, and I was suddenly trying to hold all his weight as he went for the floor. I tripped on the hem of the robe, and we ended in a heap on the floor, with his head and shoulders in my lap and me struggling to sit up. The knot on the towel had loosened, and a long, uninterrupted line of his body showed from his waist down his hip to his foot. The towel was still in place, but it was losing the battle.
His mouth opened in a soundless cry, then suddenly there was sound. He gave one ragged, tear-choked scream, and the sound seemed to free something inside him. Because the sobbing was suddenly loud, full of small, awful, painful sounds. He sobbed, and whimpered, and screamed, and clutched at my arms, enough that I knew I'd be bruised. And all I could do was hold on, touch him, rock him, until he quieted. He finally lay on his side, his upper body as far into my lap as he would fit, the rest of him curled up so that one thigh covered him. The towel formed a heap on the floor underneath him. I didn't even know when the towel had fallen away. I was sort of proud of that, because usually when I see Richard naked, I lose about forty points of IQ and most of my reasoning ability. But now, his pain was so raw, that that took precedence. It was comfort he needed, not sex.
He finally lay quiet in my arms, his breathing slowed almost to normal. His eyelids had fluttered shut, and for a moment I thought he was asleep. Then he spoke, eyes still closed. "I appointed an Eros and Eranthe for the pack." His voice was still thick with all the crying.
Eros was the Greek god of love, or lust, and Eranthe was the muse of erotic poetry; in werewolf lore they were the names for sexual surrogates. A man and a woman that did what needed doing when a werewolf's sponsor was too squeamish. Verne's pack had them, because Verne's lupa was very jealous of her Ulfric, and sometimes you just needed someone who isn't emotionally involved.
"That's good, Richard. I think it will make things easier."
He opened his eyes, and they were bleak. It made my chest ache to see that look in his eyes. "There are other positions that would make a lot of things easier," he said, voice thick and low.
I tensed up. I couldn't help it, because I knew that there were titles among the lukoi that would make all the problems he'd created in the pack fixable. There were titles that amounted to executioners, torturers. The lukoi have a long history through some very harsh times. Very few packs fill these slots anymore. Most don't see the need, but then most Ulfrics are good little tyrants; they don't need to delegate the rough stuff.
"Do you know what Bцlverk means?" Richard asked softly.
"It's one of the names of Odin. It means worker of evil." My voice was almost as soft as his.
"You didn't remember that from a semester of comparative religion back in college."
"No," I said. My pulse had sped up. I couldn't help it. Bцlverk was the title for what amounted to someone who did the Ulfric's evil deeds. It could be anything from trickery, to lies, to murder.
"You asked Verne about it, didn't you?"
"Yes." I kept my voice low. I was afraid to be loud, afraid he'd stop talking, thought I knew where the conversation was going, and I wanted to get there.
"Jacob is going to challenge Sylvie," Richard said, and his voice was growing stronger, "and he'll kill her. She's good, but I've seen Jacob fight. She can't win."
"I haven't seen him fight, but I think you're right."
"If I made you Bцlverk … " He stopped. I wanted to yell at him to finish, but I didn't dare. All I could do was sit there, very still, and try not to do anything that would change his mind.
He started over. "If I made you Bцlverk, what would you do?" That last was soft again, as if he couldn't quite believe he was saying it.
I let out a breath I hadn't even realized I was holding and tried to think. Think before I spoke, because I'd only get one shot at this. I knew Richard and if what I said didn't meet with his approval, the offer would go away, and he might never be willing to ask for this kind of help again. I'd seldom been so eager to speak and so afraid at the same time. I prayed for wisdom, diplomacy, help.
"First, you'd need to a
Richard said, "The two giants Bцlverk tricked to get the mead of poetry, and Guunlod, the giant's daughter, who he seduced for it."
"Yes."
He rolled his upper body over, so he was looking up at me. "You spent almost every weekend of the last six months in Te
I tried to be very careful, as I said, "Verne's pack runs very smoothly. He's helped me make the wereleopards into a true pard."
"You don't need a Bцlverk or a Guunlod to make the leopards into a pard." His gaze was very direct, and I couldn't lie to him.
"I was still your lupa, but not a werewolf, the least I could do was learn about your culture."
He smiled then, and it reached his eyes, just a little — chased that lost look away. "You didn't care about the culture."
That pissed me off. "Yes, I did."
His smile widened, his eyes filling with light, the way the sun filled the sky as it rose above the edge of the world. "Alright, you cared about the culture, but that wasn't why you wanted to know about Bцlverk, the evildoer."
I looked down, feeling just a little embarrassed. "Maybe not."
He touched my face lightly, turning me to look down at him again, to meet his gaze. "You said you didn't know about Jacob before you talked with him on the phone."
"I didn't," I said.
"Then why ask Verne about Bцlverk?"
I stared down into those true-brown eyes and spoke the truth. "Because you are kind and fair and just, and those are lovely things to have in a king, but the world is not kind, or fair, or just. The reason Verne's pack runs smoothly, the reason my pard runs smoothly, is because Verne and I are ruthless when we need to be. I don't know if you could be ruthless if you had to be. But think it would break you, if you managed to pull it off."
"Having you be ruthless for me is going to break something inside of me, Anita. Something that's important to me."
I stroked his hair, feeling the thick softness of it. "But me doing it won't break as much, or as badly, as you doing it, Richard."
He nodded slowly. "I know, and I hate myself for that."
I leaned over and kissed his forehead, very gently. I spoke with my lips touching his skin. "The only true happiness, Richard, lies in knowing who you are — what you are — and making peace with it." His arm curved up around me, holding me against him. He spoke with his mouth against the hollow of my throat. "And are you at peace with what you are?"
"I'm working on it," I said.
He kissed my throat, very softly. "Me too."
I drew back enough to see his face, and his hand thrust upward through my hair, pulled my face down to his. We kissed, soft, then harder, his lips, his tongue, his mouth working at mine. I cupped his face in my hands and kissed him — kissed him long and hard. When I drew back, breathless, I found that he'd rolled his lower body over and lay on his back, nude. He laughed at the expression on my face and pulled me down towards him. I lost that forty points of intelligence and all my reasoning skills as he undid my robe and I ran my hands down the long line of his body.
I had just enough self-possession left to say, "Not here. We've got an audience in the living room."
His hand slid under the green satin of the camisole, curving around to my back, pulling me against him. "There's no place in the house that they won't hear us, smell us."
I pulled back from him before he could kiss me. "Gee, Richard, that makes me feel a lot better."
He propped himself up on one arm, staring down at me. "We can go into the bedroom if you want, but we won't be fooling anybody."