The Positronic Man

Six

THE OCCASIONS for drawing on Andrew's bank account came more frequently than anyone had expected. From time to time Andrew, like any machine no matter how well made, was in need of repair-and robot repairs were invariably expensive. Then, too, there were the regular upgrades. Robotics had always been a dynamic industry, rapidly progressing from decade to decade since the days of the first massive, clunky products, which had not even had the ability to speak. Improvements in design, in function, in capabilities, were unending. With the passing years robots constantly became more sleek, ever more versatile, ever more deft of motion and durable of structure.

Sir saw to it that Andrew had the advantage of every new device that U. S. Robots developed. When the improved homeostasis circuitry came out, Sir made sure that it was installed in Andrew almost at once. When the new and far more efficient articulation of the leg-joint was perfected, using the latest elastomer technology, Andrew got it. When, a few years later, subtler face-panels-made of carbon fiber set in an epoxy matrix which looked less sketchily human than the old kind-became the rage, Andrew was modified accordingly, to provide him with the serious, sensitive, perceptive, artistic look which Sir-at Little Miss's prompting-had come to believe was appropriate to his nature. Little Miss wanted Andrew to be an absolute paragon of metallic excellence, and Sir felt the same way.

Everything was done at Andrew's expense, naturally.

Andrew insisted on that. He would not hear of letting Sir pay for any of the costs associated with his upgrades. A steady stream of magnificent work flowed from his little attic shop-one-of-a-kind masterpieces of carved jewelry fashioned from rare woods, sumptuous office furniture, elegant bedroom suites, wondrous lamps, and ornate bookcases.

There was no need for a showroom or catalogs, because word of mouth took care of everything and all of Andrew's output was commissioned months and then years in advance. The checks were made payable to Pacific Coast Artifactories, Incorporated, and Andrew Martin was the only officer of Pacific Coast Artifactories who was entitled to draw money from the corporate account. Whenever it was necessary for Andrew to go back to the U. S. Robots factory for maintenance or upgrading, it was a Pacific Coast Artifactories check, signed by Andrew himself, that paid for the work.

The one area of Andrew that remained untouched by upgrading of any sort was his positronic pathways. Sir was insistent-extremely insistent-about that.

"The new robots aren't nearly as good as you are, Andrew," he said. "The new ones are contemptibly simple-minded creatures, as a matter of fact. The company has succeeded in learning how to make the pathways more precise, more closely on the nose, more deeply on the track, but that is a double-edged kind of improvement. The new robots don't shift. They have no mental agility. There's nothing in the least unpredictable about them. They simply do what they're designed to do and never a smidgeon more. I like you better, Andrew."

"Thank you, Sir."

"Of course, the company will tell you that their current generation of robots is 99.9% efficient, or maybe they're claiming 100% efficiency this year. Well, good for them. But a robot like you, Andrew-you're 102% efficient; 110%, maybe. That isn't what they want, at U. S. Robots. They're after perfection, and I suppose they've attained it-their idea of perfection, anyway. The perfect servant. The flawlessly functioning mechanical man. But perfection can be a terrible limitation, Andrew. Don't you agree? What it leads to is a kind of soulless automaton that has no ability to transcend its builders' predetermined notions of its limitations. Not at all like you, Andrew. You aren't soulless, that's obvious to us all by now. And as for limitations-"

"I definitely have limitations, Sir."

"Of course you do. But that's not what I'm talking about, and you know it damned well! You're an artist, Andrew, an artist in wood, and if you're an artist you've got to have a soul somewhere in those positronic pathways of yours. Don't ask me how it got there-I don't know and neither do the people who built you. But it's there. It enables you to make the wonderful things that you make. That's because your pathways are the old-fashioned generalized kind. The obsolete generalized kind. And it's all on account of you, Andrew, that pathways of the kind you have are no longer used. Are you aware of that?"

"Yes, Sir. I think I am, Sir."

"It's because I let Merwin Mansky come out here and get a good look at you. I'm convinced that he and Smythe ordered all generalized-pathways robots pulled out of production the moment they got back to the factory. They must have felt deeply threatened after they saw what you were like. It was the unpredictability that frightened them."

"Frightened, Sir? How could I possibly be frightening to anyone?"

"You frightened Mansky, that much I know. You scared him silly, Andrew. I saw his hand shaking when he passed that little carving you had made to Smythe. Mansky hadn't anticipated any such artistic abilities in an NDR robot. He didn't even think it was possible, I'd bet. And there you were, turning out all those masterpieces. -Do you know how many times over the next five years he called me, trying to wheedle me into shipping you back to the factory so that he could put you under study? Nine times! Nine! I refused every time. And when you did go back to the factory for upgrades, I made a point of going over Mansky's head to Smythe or Jimmy Robertson or one of the other top executives and getting an iron-clad guarantee that Mansky wouldn't be allowed to fool around with your pathways. I always worried that he would do it on the sly, though. Well, Mansky's retired, now, and they aren't making robots with your kind of pathways any more, and I suppose we'll finally have some peace."

Sir had given up his seat in the Regional Legislature by this time. There had been some talk on and off over the years of his ru

But then the supposed interim man had turned out to be an energetic and forceful Coordinator in his own right, and he had stayed on another term and then another, until Sir began to grow weary of his life of public service and lost interest in ru

Sir had changed with the passage of time in many ways, not just the loss of the fire and conviction that had marked him out for success when he was still a raw new legislator. His hair had thi

Time had brought certain other changes to the Martin household, too.

Ma'am had decided, after some thirty years of being Mrs. Gerald Martin, that there might be some more fulfilling role in life than simply being the wife of a distinguished member of the Regional Legislature. She had played the part of Mrs. Gerald Martin loyally and uncomplainingly and very well, all that time. But she had played it long enough.

And so she had regretfully a

The two girls had finished growing up, too. Miss, who by all reports had become strikingly beautiful, had married and moved to Southern California, and then she had married again and moved to South America, and then had come word of still another marriage and a new home in Australia. But now Miss was living in New York City and had become a poet, and nothing was said about any further new husbands. Andrew suspected that Miss's life had not turned out to be as happy or rewarding as it should have been, and he regretted that. Still, he reminded himself, he had no very clear understanding of what humans meant by "happiness." Perhaps Miss had lived exactly the kind of life that she had wanted to live. He hoped so, anyway.

As for Little Miss, she was now a slender, fine-boned woman with high cheekbones and a look of great delicacy backed by extraordinary resilience. Andrew had never heard anyone speak of her unusual beauty in his presence-Miss was always said to be the beautiful sister, and Little Miss was praised more for her forceful character than for her looks. To Andrew's taste golden-haired Little Miss had always seemed far more beautiful than the soft and overly curvy older sister; but his taste was only a robot's taste, after all, and he never ventured to discuss matters of human appearance with anyone. It was hardly an appropriate thing for a robot to do. In fact he had no right even to an opinion in such areas, as he very well knew.

Little Miss had married a year or so after finishing college, and was living not far away, just up the coast from the family estate. Her husband, Lloyd Charney, was an architect who had grown up in the East but who was delighted to make his home along the wild Northern California coast that his wife loved so deeply.

Little Miss had also made it clear to her husband that she wanted to remain close to her father's robot, Andrew, who had been her guardian and mentor since the early years of her childhood. Perhaps Lloyd Charney was a little taken aback by that, but he raised no objection, and Little Miss remained a frequent visitor at the imposing Martin mansion, which now was occupied only by the aging Sir and the faithful Andrew.

In the fourth year of her marriage Little Miss gave birth to a boy who was named George. He had sandy-looking reddish hair and huge solemn eyes. Andrew called him Little Sir. When Little Miss brought the baby to visit his grandfather, she would sometimes allow Andrew to hold him, to give him his bottle, to pat him after he had eaten.