Earth Is Room Enough

"Good Lord, Jonas, read your literature of a hundred years ago. Discount the fact that the science is out of date and that some of the expressions are out of date. Just try to read it and make sense out of it. It's just jaw-cracking, amateurish. Pages are published uselessly; whole articles which are either noncomprehensible or both."

"But you don't get recognition, Uncle Ralph," protested young Foster, who was getting ready to start his college career and was rather starry-eyed about it. "You could be a terrific researcher."

"I get recognition," said Nimmo. "Don't think for a minute I don't. Sure, a biochemist or a strato-meteorologist won't give me the time of day, but they pay me well enough. Just find out what happens when some first-class; chemist finds the Commission has cut his year's allowance for science writing. He'll fight harder for enough funds to afford me, or someone like me,, than to get a recording ionograph."

He gri

And now Foster entered his uncle's cluttered apartment in no mood at all for gri

Nimmo was eating seedless grapes, popping them into his mouth one at a time. He tossed a bunch to Foster who caught them by a hair, then bent to retrieve individual grapes that had torn loose and fallen to the floor.

"Let them be. Don't bother," said Nimmo carelessly. "Someone comes in here to clean once a week. What's up? Having trouble with your grant application write-up?"

"I haven't really got into that yet."

"You haven't? Get a move on, boy. Are you waiting for me to offer to do the final arrangement?"

"I couldn't afford you, Uncle."

"Aw, come on. It's all in the family. Grant me all popular publication rights and no cash need change hands."

Foster nodded. "If you're serious, it's a deal."

"It's a deal."

It was a gamble, of course, but Foster knew enough of Nimmo's science writing to realize it could pay off. Some dramatic discovery of public interest on primitive man or on a new surgical technique, or on any branch of spationautics could mean a very cash-attracting article in any of the mass media of communication.

It was Nimmo, for instance, who had written up, for scientific consumption, the series of papers by Bryce and co-workers that elucidated the fine structure of two cancer viruses, for which job he asked the picayune payment of fifteen hundred dollars, provided popular publication rights were included. He then wrote up, exclusively, the same work in semidramatic form for use in trimensional video for a twenty-thousand-dollar advance plus rental royalties that were still coming in after five years.

Foster said bluntly, "What do you know about neutrinics, Uncle?"

"Neutrinics?" Nimmo's small eyes looked surprised. "Are you working in that? I thought it was pseudo-gravitic optics."

"It is p.g.o. I just happen to be asking about neutrinics."

"That's a devil of a thing to be doing. You're stepping out of line. You know that, don't you?"

"I don't expect you to call the Commission because I'm a little curious about things."

"Maybe I should before you get into trouble. Curiosity is an occupational danger with scientists. I've watched it work. One of them will be moving quietly along on a problem, then curiosity leads him up a strange creek. Next thing you know they've done so little on their proper problem, they can't justify for a project renewal. I've seen more-"

"All I want to know," said Foster patiently, "is what's been passing through your hands lately on neutrinics."

Nimmo leaned back, chewing at a grape thoughtfully. "Nothing. Nothing ever. I don't recall ever getting a paper on neutrinics."

"What!" Foster was openly astonished. "Then who does get the work?"

"Now that you ask," said Nimmo, "I don't know. Don't recall anyone talking about it at the a

"Why not?"

"Hey, there, don't bark. I'm not doing anything. My guess would be-"

Foster was exasperated. "Don't you know?"

"Hmp. I'll tell you what I know about neutrinics. It concerns the applications of neutrino movements and the forces involved-"

"Sure. Sure. Just as electronics deals with the applications of electron movements and the forces involved, and pseudo-gravities deals with the applications of artificial gravitational fields. I didn't come to you for that. Is that all you know?"

"And," said Nimmo with equanimity, "neutrinics is the basis of time viewing and that is all I know."

Foster slouched back in his chair and massaged one lean cheek with great intensity. He felt angrily dissatisfied. Without formulating it explicitly in his own mind, he had felt sure, somehow, that Nimmo would come up with some late reports, bring up interesting facets of modern neutrinics, send him back to Potterley able to say that the elderly historian was mistaken, that his data was misleading, his deductions mistaken.

Then he could have returned to his proper work.

But now…

He told himself angrily: So they're not doing much work in the field. Does that make it deliberate suppression? What if neutrinics is a sterile discipline? Maybe it is. I don't know. Potterley doesn't. Why waste the intellectual resources of humanity on nothing? Or the work might be secret for some legitimate reason. It might be…

The trouble was, he had to know. He couldn't leave things as they were now. He couldn't!

He said, "Is there a text on neutrinics, Uncle Ralph? I mean a clear and simple one. An elementary one."

Nimmo thought, his plump cheeks puffing out with a series of sighs. "You ask the damnedest questions. The only one I ever heard of was Sterbinski and somebody. I've never seen it, but I viewed something about it once… Sterbinski and LaMarr, that's it."

"Is that the Sterbinski who invented the chronoscope?" i "I think so. Proves the book ought to be good." • "Is there a recent edition? Sterbinski died thirty years ago."

Nimmo shrugged and said nothing.

"Can you find out?"

They sat in silence for a moment, while Nimmo shifted his bulk to the creaking tune of the chair he sat on. Then the science writer said, "Are you going to tell me what this is all about?"

"I can't. Will you help me anyway, Uncle Ralph? Will you get me a copy of the text?"

"Well, you've taught me all I know on pseudo-gravities. I should be grateful. Tell you what-I'll help you on one condition."

"Which is?"

The older man was suddenly very grave. "That you be careful, Jonas. You're obviously way out of line whatever you're doing. Don't blow up your career just because you're curious about something you haven't been assigned to and which is none of your business. Understand?"

Foster nodded, but he hardly heard. He was thinking furiously.

A full week later, Ralph Nimmo eased his rotund figure into Jonas Foster's on-campus two-room combination and said, in a hoarse whisper, "I've got something."

"What?" Foster was immediately eager.

"A copy of Sterbinski and LaMarr." He produced it, or rather a corner of it, from his ample topcoat.

Foster almost automatically eyed door and windows to make sure they were closed and shaded respectively, then held out his hand.

The film case was flaking with age, and when he cracked it the film was faded and growing brittle. He said sharply, "Is this all?"

"Gratitude, my boy, gratitude!" Nimmo sat down with a grunt, and reached into a pocket for an apple.

"Oh, I'm grateful, but it's so old."

"And lucky to get it at that. 1 tried to get a film run from the Congressional Library. No go. The book was restricted."

"Then how did you get this?"

"Stole it." He was biting crunchingly around the core. "New York Public."

"What?"

"Simple enough. I had access to the stacks, naturally. So I stepped over a chained railing when no one was around, dug this up, and walked out with it. They're very trusting out there. Meanwhile, they won't miss it in years… Only you'd better not let anyone see it on you, nephew."

Foster stared at the film as though it were literally hot.

Nimmo discarded the core and reached for a second apple. "Fu

"Uh-huh," said Foster absently.

Foster worked evenings in the Potterley home. He could not trust his own on-campus rooms for the purpose. The evening work grew more real to him than his own grant applications. Sometimes he worried about it but then that stopped, too.

His work consisted, at first, simply in viewing and reviewing the text film. Later it consisted in thinking (sometimes while a section of the book ran itself off through the pocket projector, disregarded).

Sometimes Potterley would come down to watch, to sit with prim, eager eyes, as though he expected thought processes to solidify and become visible in all their convolutions. He interfered in only two ways. He did not allow Foster to smoke and sometimes he talked.

It wasn't conversation talk, never that. Rather it was a low-voiced monologue with which, it seemed, he scarcely expected to command attention. It was much more as though he were relieving a pressure within himself.

Carthage! Always Carthage!

Carthage, the New York of the ancient Mediterranean. Carthage, commercial empire and queen of the seas. Carthage, all that Syracuse and Alexandria pretended to be. Carthage, maligned by her enemies and inarticulate in her own defense.

She had been defeated once by Rome and then driven out of Sicily and Sardinia, but came back to more than recoup her losses by new dominions in Spain, and raised up Ha