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Miss Fellowes shook free in a

She poured the milk.

Hoskins said, "We are going to leave you with the boy, Miss Fellowes. This is the only door to Stasis Number One and it is elaborately locked and guarded. I’ll want you to learn the details of the lock which will, of course, be keyed to your fingerprints as they are already keyed to mine. The spaces overhead" (he looked upward to the open ceilings of the dollhouse) "are also guarded and we will be warned if anything untoward takes place in here."

Miss Fellowes said indignantly, "You mean I’ll be under view." She thought suddenly of her own survey of the room interiors from the balcony.

"No, no," said Hoskins seriously, "your privacy will be respected completely. The view will consist of electronic symbolism only, which only a computer will deal with. Now you will stay with him tonight, Miss Fellowes, and every night until further notice. You will be relieved during the day according to some schedule you will find convenient. We will allow you to arrange that."

Miss Fellowes looked about the dollhouse with a puzzled expression. "But why all this, Dr. Hoskins? Is the boy dangerous?"

"It’s a matter of energy, Miss Fellowes. He must never be allowed to leave these rooms. Never. Not for an instant. Not for any reason. Not to save his life. Not even to save your life, Miss Fellowes. Is that clear?"

Miss Fellowes raised her chin. "I understand the orders, Dr. Hoskins, and the nursing profession is accustomed to placing its duties ahead of self-preservation."

"Good. You can always signal if you need anyone." And the two men left.

Miss Fellowes turned to the boy. He was watching her and there was still milk in the saucer. Laboriously, she tried to show him how to lift the saucer and place it to his lips. He resisted, but let her touch him without crying out.

Always, his frightened eyes were on her, watching, watching for the one false move. She found herself soothing him, trying to move her hand very slowly toward his hair, letting him see it every inch of the way, see there was no harm in it.

And she succeeded in stroking his hair for an instant.

She said, "I’m going to have to show you how to use the bathroom. Do you think you can learn?"

She spoke quietly, kindly, knowing he would not understand the words but hoping he would respond to the calmness of the tone.

The boy launched into a clicking phrase again.

She said, "May I take your hand?"

She held out hers and the boy looked at it. She left it outstretched and waited. The boy’s own hand crept forward toward hers.

"That’s right," she said.

It approached within an inch of hers and then the boy’s courage failed him. He snatched it back.

"Well," said Miss Fellowes calmly, "we’ll try again later. Would you like to sit down here?" She patted the mattress of the bed.

The hours passed slowly and progress was minute. She did not succeed either with bathroom or with the bed. In fact, after the child had given unmistakable signs of sleepiness he lay down on the bare ground and then, with a quick movement, rolled beneath the bed.

She bent to look at him and his eyes gleamed out at her as he tongue-clicked at her.

"All right," she said, "if you feel safer there, you sleep there."

She closed the door to the bedroom and retired to the cot that had been placed for her use in the largest room. At her insistence, a make-shift canopy had been stretched over it. She thought: Those stupid men will have to place a mirror in this room and a larger chest of drawers and a separate washroom if they expect me to spend nights here.

It was difficult to sleep. She found herself straining to hear possible sounds in the next room. He couldn’t get out, could he? The walls were sheer and impossibly high but suppose the child could climb like a monkey? Well, Hoskins said there were observational devices watching through the ceiling.

Suddenly she thought: Can he be dangerous? Physically dangerous?

Surely, Hoskins couldn’t have meant that. Surely, he would not have left her here alone, if – She tried to laugh at herself. He was only a three – or four-year-old child. Still, she had not succeeded in cutting his nails. If he should attack her with nails and teeth while she slept – Her breath came quickly. Oh, ridiculous, and yet – She listened with painful attentiveness, and this time she heard the sound.





The boy was crying.

Not shrieking in fear or anger; not yelling or screaming. It was crying softly, and the cry was the heartbroken sobbing of a lonely, lonely child.

For the first time, Miss Fellowes thought with a pang: Poor thing!

Of course, it was a child; what did the shape of its head matter? It was a child that had been orphaned as no child had ever been orphaned before. Not only its mother and father were gone, but all its species. Snatched callously out of time, it was now the only creature of its kind in the world. The last. The only.

She felt pity for it strengthen, and with it shame at her own callousness. Tucking her own nightgown carefully about her calves (incongruously, she thought: Tomorrow I’ll have to bring in a bathrobe) she got out of bed and went into the boy’s room.

"Little boy," she called in a whisper. "Little boy."

She was about to reach under the bed, but she thought of a possible bite and did not. Instead, she turned on the night light and moved the bed.

The poor thing was huddled in the corner, knees up against his chin, looking up at her with blurred and apprehensive eyes.

In the dim light, she was not aware of his repulsiveness.

"Poor boy," she said, "poor boy." She felt him stiffen as she stroked his hair, then relax. "Poor boy. May I hold you?"

She sat down on the floor next to him and slowly and rhythmically stroked his hair, his cheek, his arm. Softly, she began to sing a slow and gentle song.

He lifted his head at that, staring at her mouth in the dimness, as though wondering at the sound.

She maneuvered him closer while he listened to her. Slowly, she pressed gently against the side of his head, until it rested on her shoulder. She put her arm under his thighs and with a smooth and unhurried motion lifted him into her lap.

She continued singing, the same simple verse over and over, while she rocked back and forth, back and forth.

He stopped crying, and after a while the smooth burr of his breathing showed he was asleep.

With infinite care, she pushed his bed back against the wall and laid him down. She covered him and stared down. His face looked so peaceful and little-boy as he slept. It didn’t matter so much that it was so ugly. Really.

She began to tiptoe out, then thought: If he wakes up?

She came back, battled irresolutely with herself, then sighed and slowly got into bed with the child.

It was too small for her. She was cramped and uneasy at the lack of canopy, but the child’s hand crept into hers and, somehow, she fell asleep in that position.

She awoke with a start and a wild impulse to scream. The latter she just managed to suppress into a gurgle. The boy was looking at her, wide-eyed. It took her a long moment to remember getting into bed with him, and now, slowly, without unfixing her eyes from his, she stretched one leg carefully and let it touch the floor, then the other one.

She cast a quick and apprehensive glance toward the open ceiling, then tensed her muscles for quick disengagement.

But at that moment, the boy’s stubby fingers reached out and touched her lips. He said something.

She shrank at the touch. He was terribly ugly in the light of day.

The boy spoke again. He opened his own mouth and gestured with his hand as though something were coming out.

Miss Fellowes guessed at the meaning and said tremulously, "Do you want me to sing?"