Airframe

He blinked.

'Too corny? Too much on the money?"

"Great, Marty."

He was already unclipping his mike, removing the radio pack from his belt. He pecked Je

Je

SATURDAY

NORTON TEST FACILITY YUMA, ARIZONA

4:45 a.m.

A thin streak of red was starting to appear behind the flat range of the Gila Mountains to the east. The sky overhead was deep indigo, a few stars still visible. The air was very cold; Casey could see her breath. She zipped up her windbreaker and stamped her feet, trying to stay warm.

On the runway, lights shone up at the Transpacific wide-body, as the FT team finished installing the video cameras. There were men on the wings, around the engines, by the landing gear.

The Newsline crew was already out, filming the preparations. Malone stood alongside Casey, watching them. "Jesus it's cold," she said.

Casey went into the Right Test Station, a low Spanish-style bungalow beside the tower. Inside, the room was filled with monitors, each displaying the feed from a single camera. Most of the cameras were focused on specific parts-she found the camera on the right locking pin-and so the room had a technical, industrial feeling. It was not very exciting.

"This isn't what I expected," Malone said.

Casey pointed around the room. "There's the cockpit. High mount down. Cockpit, facing back at the pilot. You see Rawley there, in the chair. The interior cabin, looking aft Interior cabin, looking forward. Looking out on right wing. The left wing, Those are your main interiors. And we'll also have the chase plane."

"Chase plane?"

"An F-14 fighter follows the widebody all through the flight, so we'll have those cameras, too."

Malone frowned. "I don't know," she said, in a disappointed voice. "I thought it would be more, you know, glitzy."

"We're still on the ground."

Malone was frowning, unhappy. "These angles on the cabin," she said. "Who will be in there, during the flight?"

"Nobody."

"You mean the seats will be empty?"

"Right. It's a test flight."

"That isn't going to look very good," Malone said.

"But that's how it is on a test flight," Casey said. "This is how it's done."

"But it doesn't look good," Malone said. "This isn't compelling. There should be people in the seats. At least, in some of them. Can't we put some people on board? Can't I go on board?"

Casey shook her head. "It's a dangerous flight," she said. "The airframe was badly stressed by the accident. We don't know what will happen."

Malone snorted. "Oh, come on. There aren't any lawyers here. How about it?"

Casey just looked at her. She was a foolish kid who knew nothing about the world, who was just interested in a look, who lived for appearances, who skimmed over surfaces. She knew she should refuse.

Instead, she heard herself say, "You won't like it."

"You're telling me it's not safe?"

"I'm telling you that you won't like it."

"I'm going on," Malone said. She looked at Casey, her expression an open challenge. "So: How about you?'

In her mind, Casey could hear Marty Reardon's voice, as he said, Despite her repeated insistence that the N-22 was safe, Norton's own spokesperson, Casey Singleton, refused to board the plane for the flight test. She said that the reason she wouldn't fly on it was…

What?

Casey didn't have an answer, at least not an answer that would work for television. Not an answer that would play. And suddenly the days of strain, the effort to try and solve the incident, the effort to contrive an appearance for television, the effort to make sure she didn't say a single sentence that could be taken out of context, the distortion of everything in her life for this unwarranted intrusion of television, made her furious. She knew exactly what was coming. Malone had seen the videos, but she didn't understand they were real.

"Okay," Casey said. "Let's go."

They went out to the plane.

ABOARD TPA 545

5:05 a.m.

Je

Je

The man in coveralls pulled the straps tight, grunting.

"Jeez," Je

"Ma'am, you need it as tight as you can stand it," the man said. "If you can breathe, it's too loose. Can you feel the way it is now?'

"Yes," she said.

"That's how you want it when you put it back on. Now here's your release here…" He showed her. "Pull that now."

"Why do I need to know-"

"Case of emergency. Pull it, please."

She pulled the release. The straps sprang away from her body, the pressure released.

"And just do it up again yourself, if you don't mind."

Je

"Now tighten it, please, ma'am."

She pulled the straps.

'Tighter."

"If I need it tighter, I'll tighten it later."

"Ma'am," he said, "by the time you realize you need it tighter, it'll be too late. Do it now, please."

Alongside her, Singleton was calmly putting the harness on, cinching it down brutally. The straps dug into Singleton's thighs, pulled hard on her shoulders. Singleton sighed, sat back.

"I believe you ladies are prepared," the man said. "You have a pleasant flight."

He turned, and went out the door. The pilot, that Rawley character, came back from the cockpit, shaking his head.

"Ladies," he said. "I urge you not to do this." He was looking mostly at Singleton. He almost seemed to be angry at her.

Singleton said, "Fly the plane, Teddy."

"That's your best offer?"

"Best and final."

He disappeared. The intercom clicked. "Prepare to close, please." The doors were closed, clicked shut. Thunk, thank. The air was still cold. Je

She looked over her shoulder at the rows of empty seats. Then she looked at Singleton.

Singleton stared straight ahead.

Je

Click. "Roger zero one, taxi across runway two left contact point six."