Closing Time

Down the block toward Sixth Avenue, their job interviews for executive positions over, the line of well-dressed beggars in three-piece business suits had already taken up station, some soliciting alms with outstretched paper drinking cups from McDonald's, others looking almost too insensible to beg, their staring faces sunk to the neck into their bodies below. Across the street was the skating rink, reflecting the brilliant space of its own presence with a marvelous clarity. The rising, boxed structures of the office buildings around it climbed in slabs of windowed stone like flat, dull monoliths carved by a single mason. One pausing to listen could easily distinguish the resonance of trains traveling beneath the ground and feel the vibrations issued by their frictions. On street level, in letters cut in stone or in mosaics on small round escutcheons of gold and blue, appeared the epigraph of the principal corporate tenant in each of the buildings. Soon, when the existing lease was renegotiated, the old Time-Life headquarters would be renamed as the new M amp; M Building.

On the loftiest construction of all in that complex architectural exploit, at number 30 Rockefeller Center, a transformation of notable significance had already taken place. The institutional name of the original corporate tenant, the Radio Corporation of America, a famed organization pioneering in radio and television broadcasting and the production of popular, vulgar entertainments for grateful international multitudes, had been expunged without trace and replaced by the epigraph of the grander business entity that had bought it, the General Electric Company, a leading producer of military wares, locomotives, jet airplane engines, river pollutants, and electric toasters, blankets, and lightbulbs suitable for home use.

The synthetic gold used in the lettering of the newer name was of a longer-lasting glisten than real gold and, though poorer, of better value. Overlooking the skating rink was an airy metal sculpture of a male figure in polished lemon-yellow gilt, alleged to be a representation of the mythical Prometheus, an incongruous choice overlooking ice for the demigod who had brought fire to man.

"Come cross," said Yossarian prudently, to get out of the way of youths in sneakers and high spirits bearing down toward them fearlessly through black and white pedestrians hastily clearing an opening.

At the rink itself, on the oval of ice below street level, a cleansing intermission between sessions was in progress, performed by gri

Recalling Dante, Yossarian was unable to name what lay beneath that lake of ice in hell, if not the domain of shaggy, hideous Satan himself. He knew what underlay the skating rink and the buildings around it: refrigeration tubes for the ice, water mains, electric cables, telephone lines, pipes of steam to bring heat in winter to the offices. And also below street level were the pedestrian passageways fa

"Cross back," said Yossarian again, rather than brush by the middle-class mendicants, whose stupefied faces always discombobulated him. He had not thought American free-market capitalism had undone so many of its disciples.

A chorus of chittering laughter behind him caused him to look back toward one of the liver-spotted marble planters on the observation level. He saw a redheaded man with a walking stick and a loose green rucksack obligingly taking snapshots of a merry pack of subdued, dark-haired, Oriental tourists. Yossarian had the idea he had seen him before. The man had thin lips, orange lashes, a straight, sharp nose, and his face was of the fragile, milk-white complexion not uncommon among people with hair that color. As he gave back the camera, he turned Yossarian's way with an arrogant air that implied he knew perfectly well precisely the person he was going to find. Their eyes locked, and all at once Yossarian thought he had met him before, at the North Cemetery in Munich at the entrance to the mortuary chapel at the start of the famous Ma

Walking westward to Eighth Avenue, he knew, would bring them to the sex parlors and cramped adult theaters on the asphalt boulevard linking the PABT building on the left to his high-rise luxury apartment building to the right, which was already in bankruptcy but functioning no less well than before.

The days were growing shorter again, and he did not want Michael to know that he would be dating Melissa MacIntosh a third time and taking her to di

"I had to tell her how," laughed Angela. "Most men are stupid and don't know anything. Do you?"

"I get complaints," he answered.

"You're tricky." Angela eyed him doubtfully. "Ain't you?" she added with a smirk.