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In the real world -- and commercial towers are very real-world structures -- lights aren't that much of an advantage over paint. The bulbs burn out, for one thing. Rain shorts out the line. Ice freezes solid on the high upper reaches of the tower, plummets off in big thirty- pound chunks, cracking the lights off (not to mention cracking the lower-mounted ante
And people shoot the lights and steal them. In the real world, people shoot towers all the time. Something about towers -- their dominating size, their lonely locales, or maybe it's that color-scheme and that pesky blinking -- seems to provoke an element of trigger-happy lunacy in certain people. Bullet damage is a major hassle for the tower owner and renter.
People, especially drunken undergraduates in college towns, often climb the towers and steal the hazard lights as trophies. If you visit the base of a tower, you will usually find it surrounded with eight-foot, padlocked galvanized fencing and a mean coil of sharp razor-wire. But that won't stop an active guy with a pickup, a ladder, and a six-pack under his belt.
The people who physically build and maintain towers refer to themselves as "tower hands." Tower engineers and designers refer to these people as "riggers." The suit- and-tie folks who actually own broadcasting stations refer to them as "tower monkeys." Tower hands are blue-collar industrial workers, mostly agile young men, mostly nonunionized. They're a special breed. Not everybody can calmly climb 2,000 feet into their air with a twenty- pound tool-belt of ohmmeters, wattmeters, voltage meters, and various wrenches, clamps, screwdrivers and specialized cutting tools. Some people get used to this and come to enjoy it, but those who don't get used to it, *never* get used to it.
While 2,000 feet in the air, these unsung knights of the airwaves must juggle large, unwieldy ante
The commonest task in the tower-hand's life is painting. It's done with "paint-mitts," big soppy gloves dipped in paint, which are stroked over every structural element in the tower, rather like grooming a horse. It takes a strong man a full day to paint a hundred feet of an average tower. (Rip-off hustlers posing as tower-hands can paint towers at "bargain rates" with amazing cheapness and speed. The rascals -- there are some in every business -- paint only the *underside* of the tower, the parts visible from the ground.)
Spray-on paint can be faster than hand-work, but with even the least breeze, paint sprayed 2,000 feet up will carry hundreds of yards to splatter the roofs, walls, and cars of angry civilians with vivid "international orange." There simply isn't much calm air 2,000 feet up in the sky. High-altitude wind doesn't have to deal with ground-level friction, so wind-speed roughly doubles about every thousand feet.
Building towers is known in the trade as "stacking steel." The towers are shipped in pieces, then bolted or welded into segments, either on-site or at the shop. The rigid sections are hauled skyward with a winch-driven 'load line,' and kept from swaying by a second steel cable, the 'tag-line.' Each section is bootstrapped up above the top of the tower, through the use of a tower- mounted crane, called the 'gin pole.' The gin pole has a 360-degree revolving device at its very top, the 'rooster head.' Each new section is deliberately hauled up, spun deftly around on the rooster head, stacked on top of all the previous sections, and securely bolted into place. Then the tower hands detach the gin pole, climb the section they just stacked, mount the ginpole up at the top again, and repeat the process till they're done.
Tower construction is a mature industry; there have not been many i
Towers come in two basic varieties, self-supporting and guyed. The self-supporting towers are heavier and more expensive, their feet broadly splayed across the earth. Despite their slender spires, the guyed towers actually require more room. The bottom of a guyed tower is tapered and quite slender, often a narrow patch of industrial steel not much bigger than the top of a child's school-desk. But the foundations for those guy cables stretch out over a vast area, sometimes 100 percent of the tower's height, in three or four different directions. It's possible to draw the cables in toward the tower's base, but that increases the "download" on the tower structure.
Towers are generally built as lightly as possible, commensurate with the strain involved. But the strain is very considerable. Towers themselves are heavy. They need to be sturdy enough to have tower-hands climbing any part of them, at any time, safely.
Small towers sometimes use their bracing bars as natural step-ladders, but big towers have a further burden. It takes a strong man, with a clear head, 3/4 of an hour to climb a thousand feet, so any tower over that size definitely requires an elevator. That brings the full elaborate rigging of guide rails, driving mechanism, hoisting cables, counterweights, rope guards, and cab controls, all of which add to the weight and strain on the structure. Even with an elevator, one still needs a ladder for detail work. Tower hands, who have a very good head for heights, prefer their ladders out on the open air, where there are fewer encumbrances, and they can get the job done in short order. However, station engineers and station perso
Besides the weight of the tower, its elevator, the power cables, the waveguides, the lights, and the ante
Lightning is another prominent hazard, and although towers are well-grounded, lightning can be freakish and often destroys vulnerable ante
But the greatest single threat to a tower is wind- load. Wind has the advantage of leverage; it can attack a tower from any direction, anywhere along its length, and can twist it, bend it, shake it, pound it, and build up destructive resonant vibrations.
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