Mona Lisa Overdrive

Bobby's face, on the monitor, grew still. The background came sharply into focus: the neck of the iron deer, long grass dappled with white flowers, the broad trunks of ancient trees.

"Hear that, motherfucker?" Cherry yelled. "You're dying! Your lungs are filling up with fluid, your kidneys aren't working, your heart's fucked ... You make me wa

"Gentry," Bobby said, his voice coming small and ti

"We never checked the bike," Cherry said, her arms around Slick, "we never looked. It might be okay."

"What's that mean, 'arranged a little diversion'?" Pulling back from her, looking at Bobby on the monitor.

"I'm still working it out. I've rerouted a Borg-Ward cargo drone, out of Newark."

Slick broke away from Cherry. "Don't just sit there," he yelled at Gentry, who looked up at Slick and slowly shook his head. Slick felt the first flickers of Korsakov's, minute increments of memory shuddering out of focus.

"He doesn't want to go anywhere," Bobby said. "He's found the Shape. He just wants to see how it all works out, what it is in the end. There's people on their way here. Friends, sort of. They'll get the aleph off your hands. Meantime, I'll do what I can about these assholes."

"I'm not go

"Nobody's asking you to. My advice, you get out. Gimme twenty minutes, I'll distract them for you."

Factory never felt emptier.

Little Bird was somewhere on that floor. Slick kept thinking of the tangle of thongs and bones that had hung on Bird's chest, feathers and rusty spring-wind watches with the hands all stopped, each one a different time ... Stupid stringtown shit. But Bird wouldn't be around anymore. Guess I won't be around anymore myself, he thought, leading Cherry down the shaking stairs. Not like before. There wasn't time to move the machines, not without a flatbed and some help, and he figured once he was gone, he'd stay gone. Factory wasn't ever going to feel the same again.

Cherry had four liters of filtered water in a plastic jug, a mesh bag of Burmese peanuts, and five individually sealed portions of Big Ginza freeze-dried soup -- all she'd been able to find in the kitchen. Slick had two sleeping bags, the flashlight, and a ball peen hammer.

It was quiet now, just the sounds of the wind across corrugated metal and the scuff of their boots on concrete.

He wasn't sure where he'd go, himself. He thought he'd take Cherry as far as Marvie's place and leave her there. Then maybe he'd come back, see what was happening with Gentry. She could get a ride out to a rustbelt town in a day or two. She didn't know that, though; all she could think about was leaving. Seemed as scared of having to watch Bobby the Count die on his stretcher as she was of the men outside. But Slick could see that Bobby didn't care much at all, about dying. Maybe he figured he'd just be in there, like that 3Jane. Or maybe he just didn't give a shit; sometimes people got that way.

If he meant to leave for good, he thought, steering Cherry through the dark with his free hand, he'd go in now and have a last look at the Judge and the Witch, the Corpsegrinder and the two Investigators. But this way he'd get Cherry out, then come back ... But he knew as he thought it that it didn't make sense, there wasn't time, but he'd get her out anyway ...

"There's a gap, this side, low down by the floor," he told her. "We'll slide out through there, hope nobody notices ... " She squeezed his hand as he led her through the darkness.

He found the hole by feel, stuffed the sleeping bags through, stuck the ball peen into his belt, lay down on his back, and pulled himself out until his head and chest were through. The sky was low and only marginally lighter than Factory's dark.

He thought he heard a faint drumming of engines, but then it faded.

He worked himself the rest of the way out with his heels and hips and shoulders, then rolled over in the snow.

Something bumped against his foot: Cherry pushing out the water jug. He reached back to take it, and the red firefly lit on the back of his hand. He jerked back and rolled again, as the bullet slammed Factory's wall like a giant's sledge.

A white flare, drifting. Above the Solitude. Faint through the low cloud. Drifting down from the swollen gray flank of the cargo drone, Bobby's diversion. Illuminating the second hover, thirty meters out, and the hooded figure with the rifle ...

The first container struck the ground with a crash, just in front of the hover, and burst, throwing up a cloud of foam packing pellets. The second one, carrying two refrigerators, scored a direct hit, crushing the cab. The hijacked Borg-Ward airship continued to disgorge containers as the flare spun down, fading.

Slick scrambled back through the gap in the wall, leaving the water and the sleeping bags.

Moving fast, in the dark.

He'd lost Cherry. He'd lost the hammer. She must've slid back into Factory when the guy fired his first shot. Last shot, if he'd been under that box when it came down ...

His feet found the ramp into the room where his machines waited. "Cherry?"

He flicked on the flashlight.

The one-armed Judge was centered in the beam. Before the Judge stood a figure with mirrors for eyes, throwing back the light.

"You wa

"No ... "

"Light, out."

Darkness. Run ...

"I can see in the dark. You just stuck that flash in your jacket pocket. You look like you still wa

Run?

"Don't even think about it. You ever see a Fujiwara HE flechette? Hits something hard, it goes off. Hits something soft, like most of you, buddy, it goes in, then it goes off. Ten seconds later."

"Why?"

"So you get to think about it."

"You with those guys outside?"

"No. You drop all those stoves 'n'shit on them?"

"No."

"Newmark. Bobby Newmark. I cut a deal tonight. I get somebody together with Bobby Newmark, I get my slate cleaned. You're go

39 - Too Much

What kind of place was this, anyway?

Things had gotten to a point where Mona couldn't get any comfort out of imagining Lanette's advice. Put Lanette in this situation, Mona figured she'd just eat more Memphis black till she felt like it wasn't her problem. The world hadn't ever had so many moving parts or so few labels.

They'd driven all night, with Angie mostly out of it -- Mona could definitely credit the drug stories now -- and talking, different languages, different voices. And that was the worst, those voices, because they spoke to Molly, challenged her, and she answered them back as she drove, not like she was talking to Angie just to calm her down, but like there really was something there, another person -- at least three of them -- speaking through Angie. And it hurt Angie when they spoke, made her muscles knot and her nose bleed, while Mona crouched over her and dabbed away the blood, filled with a weird mixture of fear and love and pity for the queen of all her dreams -- or maybe it was just the wiz -- but in the blue-white flicker of freeway lights Mona had seen her own hand beside Angie's, and they weren't the same, not the same, not really the same shape, and that had made her glad.

The first voice had come when they'd been driving south, after Molly'd brought Angie in the copter. That one had just hissed and croaked and said something over and over, about New Jersey and numbers on a map. About two hours after that, Molly'd slid the hover across a rest area and said they were in New Jersey. Then she'd gotten out and made a call from a frosty paybooth, a long one; when she'd climbed back in, Mona'd seen her skim a phone card out across the frozen slush, just throwing it away. And Mona'd asked her who she'd called and she'd said England.