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"The difference, however, is that we are taking our time," said Jarry, "and giving them a chance to get used to the new conditions."

"Still, I feel that all that--outside there"--she gestured toward the window--"is what this world is becoming: one big Deadland."

"Deadland was here before we came. We haven't created any new deserts."

"All the animals are moving south. The trees are dying. When they get as far south as they can go and still the temperature drops, and the air continues to harm their lungs--then it will be all over for them."

"By then they might have adapted. The trees are spreading, are developing thicker barks. Life will make it."

"I wonder...."

"Would you prefer to sleep until it's all over?"

"No; I want to be by your side, always."

"Then you must reconcile yourself to the fact that something is always hurt by any change. If you do this, you will not be hurt yourself."

Then they listened for the winds to rise.

Three days later, in the still of sundown, between the winds of day and the winds of night, she called him to the window. He climbed to the third floor and moved to her side. Her breasts were rose in the sundown light and the places beneath them silver and dark. The fur of her shoulders and haunches was like an aura of smoke. Her face was expressionless and her wide, green eyes were not turned toward him.

He looked out.





The first big flakes were falling, blue, through the pink light. They drifted past the stone and gnarly Normform; some stuck in the thick quartz windowpane; they fell upon the desert and lay there like blossoms of cyanide; they swirled as more of them came down and were caught by the first faint puffs of the terrible winds. Dark clouds had mustered overhead and from them, now, great cables and nets of blue descended. Now the flakes flashed past the window like butterflies, and the outline of Deadland flickered on and off. The pink vanished and there was only blue, blue and darkening blue, as the first great sigh of evening came into their ears and the billows suddenly moved sidewise rather than downwards, becoming indigo as they raced by.

"The machine is never silent," Jarry wrote. "Sometimes I fancy I can hear voices in its constant humming, its occasional growling, its crackles of power. I am alone here at the Deadland station. Five centuries have passed since our arrival. I thought it better to let Sanza sleep out this tour of duty, lest the prospect be too bleak. (It is.) She will doubtless be angry. As I lay half-awake this morning, I thought I heard my parents' voices in the next room. No words. Just the sounds of their voices as I used to hear them over my old intercom. They must be dead by now, despite all geriatrics. I wonder if they thought of me much after I left? I couldn't even shake my father's hand without the gauntlet, or kiss my mother goodbye. It is strange, the feeling, to be this alone, with only the throb of the machinery about me as it rearranges the molecules of the atmosphere, refrigerates the world, here in the middle of the blue place. Deadland. This, despite the fact that I grew up in a steel cave. I call the other nineteen stations every afternoon. I am afraid I am becoming something of a nuisance. I won't call them tomorrow, or perhaps the next day.

"I went outside without my refrig-pack this morning, for a few moments. It is still deadly hot. I gulped a mouthful of air and choked. Our day is still far off. But I can notice the difference from the last time I tried it, two and a half hundred years ago. I wonder what it will be like when we have finished? --And I, an economist! What will my function be in our new Alyonal? Whatever, so long as Sanza is happy....

"The Worldchanger stutters and groans. All the land is blue for so far as I can see. The stones still stand, but their shapes are changed from what they were. The sky is entirely pink now, and it becomes almost maroon in the morning and the evening. I guess it's really a wine-color, but I've never seen wine, so I can't say for certain. The trees have not died. They've grown hardier. Their barks are thicker, their leaves darker and larger. They grow much taller now, I've been told. There are no trees in Deadland.

"The caterpillars still live. They seem much larger, I understand, but it is actually because they have become woollier than they used to be. It seems that most of the animals have heavier pelts these days. Some apparently have taken to hibernating. A strange thing: Station Seven reported that they had thought the bipeds were growing heavier coats. There seem to be quite a few of them in that area, and they often see them off in the distance. They looked to be shaggier. Closer observation, however, revealed that some of them were either carrying or were wrapped in the skins of dead animals! Could it be that they are more intelligent than we have given them credit for? This hardly seems possible, since they were tested quite thoroughly by the Bio Team before we set the machines in operation. Yes, it is very strange.

"The winds are still severe. Occasionally, they darken the sky with ash. There has been considerable vulcanism southwest of here. Station Four was relocated because of this. I hear Sanza singing now, within the sounds of the machine. I will let her be awakened the next time. Things should be more settled by then. No, that is not true. It is selfishness. I want her here beside me. I feel as if I were the only living thing in the whole world. The voices on the radio are ghosts. The clock ticks loudly and the silences between the ticks are filled with the humming of the machine, which is a kind of silence, too, because it is constant. Sometimes I think it is not there; I listen for it, I strain my ears, and I do not know whether there is a humming or not. I check the indicators then, and they assure me that the machine is functioning. Or perhaps there is something wrong with the indicators. But they seem to be all right. No. It is me. And the blue of Deadland is a kind of visual silence. In the morning even the rocks are covered with blue frost. Is it beautiful or ugly? There is no response within me. It is a part of the great silence, that's all. Perhaps I shall become a mystic. Perhaps I shall develop occult powers or achieve something bright and liberating as I sit here at the center of the great silence. Perhaps I shall see visions. Already I hear voices. Are there ghosts in Deadland? No, there was never anything here to be ghosted. Except perhaps for the little biped. Why did it cross Deadland, I wonder? Why did it head for the center of destruction rather than away, as its fellows did? I shall never know. Unless perhaps I have a vision. I think it is time to suit up and take a walk. The polar icecaps are heavier. The glaciation has begun. Soon, soon things will be better. Soon the silence will end, I hope. I wonder, though, whether silence is not the true state of affairs in the universe, our little noises serving only to accentuate it, like a speck of black on a field of blue. Everything was once silence and will be so again--is now, perhaps. Will I ever hear real sounds, or only sounds out of the silence? Sanza is singing again. I wish I could wake her up now, to walk with me, out there. It is begi

Jarry awakened again on the eve of the mille

Sanza smiled and took his hand in hers and stoked it, as he explained why he had let her sleep, as he apologized.

"Of course I'm not angry," she said, "considering I did the same thing to you last cycle."

Jarry stared up at her and felt the understanding begin.